Mu, First Part and Second Part, is a pair of albums by American jazz musician Don Cherry. The albums were recorded in a single session on August 22, 1969, at Studio Saravah in Paris with drummer Ed Blackwell, and were released by BYG Records as part of their Actuel series in 1969 (First Part) and 1970 (Second Part). In 1971, BYG released both parts together as a single box set.[1][2][3][4] Mu was one of the first efforts in what would come to be known as world music.[5]
Mu | |
---|---|
Studio album by | |
Released | 1969 and 1970 |
Recorded | August 22, 1969 |
Studio | Studio Saravah, Paris |
Genre | Free jazz |
Label | BYG Records 529.301 529.331 |
Producer | Jean Georgakarakos, Jean Luc Young |
Part 2 cover | |
In December 1977, Cherry and Blackwell presented a concert at New York University called "Mu, Part Three."[6]
Reception
editReview scores | |
---|---|
Source | Rating |
AllMusic | [5] |
The Penguin Guide to Jazz | [7] |
The Rolling Stone Jazz Record Guide | [8] |
The Virgin Encyclopedia of Jazz | [9] |
Tom Hull – on the Web | A−[10] |
In a review for AllMusic, Brian Olewnick wrote: "This classic pair of recordings... captures Don Cherry near the height of his global quest to absorb as much music as possible from different cultures and funnel it back through his jazz sensibility. It's one of the earliest, and most successful, experiments in what would later come to be known as world music... The Mu sessions have long held legendary status and it's not difficult to hear why. Highly recommended."[5]
The authors of The Penguin Guide to Jazz Recordings called the recordings "an exhilarating musical experience," and stated: "This one never fails to delight... [Cherry's] range is astonishing, everything from bright New Orleans vamps and marches to African songs, folksy Americana to totally free passages."[7]
Robert Palmer, writing for The New York Times, noted that the albums "were of real importance. They announced a new, world-embracing esthetic for jazz, for while they included improvising in a Coleman-inspired vein, they also reached out to include rhythm patterns, scales and instruments from Africa, Asia, Latin America and the Pacific."[6]
Author Ekkehard Jost commented: "Stripped of all frills and governed solely by the creative will and musical experience of Cherry as 'agent,' and the sensitivity of Blackwell as 'reagent,' these duo recordings afford a unique view of the quintessence of Cherry's music."[11]
Track listings
editAll music composed by Don Cherry.
First Part
edit- "Brilliant Action" – 8:50
- "Omejelo" – 7:25
- "Total Vibration (Part 1)" – 3:00
- "Total Vibration (Part 2)" – 6:00
- "Sun of the East" – 7:30
- "Terrestrial Beings" – 4:42
Second Part
edit- "The Mysticism of my Sound" – 4:00
- "Medley: Dollar Brand / Spontaneous Composing / Exert, Man on the Moon" – 3:15
- "Bamboo Night" – 6:07
- "Teo-Teo-Can" – 6:30
- "Smiling Faces Going Places" – 5:00
- "Psycho-Drama" – 2:45
- "Medley: Theme Albert Heath / Theme Dollar Brand / Baby Rest, Time For..." – 3:55
Personnel
edit- Don Cherry – trumpet, piano, flute, voice, bells, percussion
- Ed Blackwell – drums, percussion, bells
References
edit- ^ "Mu, First Part - Don Cherry". BYG Records. Retrieved August 22, 2022.
- ^ "Mu, Second Part - Don Cherry". BYG Records. Retrieved August 22, 2022.
- ^ "Don Cherry: "Mu" First Part / "Mu" Second Part". Jazz Music Archives. Retrieved August 22, 2022.
- ^ Kamiyama, Akio. "Don Cherry Discography". CD-V.net. Retrieved August 22, 2022.
- ^ a b c Olewnick, Brian. "Don Cherry: Mu First Part/Mu Second Part". AllMusic. Retrieved August 22, 2022.
- ^ a b Palmer, Robert (December 11, 1977). "Jazz: Fine Duet". The New York Times. Retrieved August 22, 2022.
- ^ a b Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings. Penguin Books. p. 245.
- ^ Swenson, John, ed. (1985). The Rolling Stone Jazz Record Guide. Random House. p. 25.
- ^ Larkin, Colin, ed. (2004). The Virgin Encyclopedia of Jazz. Virgin. p. 169.
- ^ Hull, Tom. "Grade List: Don Cherry". Tom Hull – on the Web. Retrieved August 22, 2022.
- ^ Jost, Ekkehard (1994). Free Jazz. Da Capo. p. 153.