The National Film Award for Best Bengali Feature Film is one of the National Film Awards presented annually by the National Film Development Corporation of India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus). Since the 70th National Film Awards, the name was changed to "Best Bengali Feature Film".[1]
| National Film Award for Best Bengali Feature Film | |
|---|---|
| National award for contributions to Indian Cinema | |
| Awarded for | Best Bengali Feature Film(s) of the year |
| Sponsored by | National Film Development Corporation of India |
| Formerly called | President's Silver Medal for Best Feature Film in Bengali (1954–1968) National Film Award for Best Feature Film in Bengali (1969–2021) |
| Reward(s) |
|
| First awarded | 1954 |
| Last awarded | 2022 |
| Most recent winner | Kaberi Antardhan |
| Highlights | |
| Total awarded | 87 |
| First winner | Chheley Kaar |
The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.
Awards for films in seven regional language (Bengali, Hindi, Kannada, Malayalam, Marathi, Tamil and Telugu) started from 2nd National Film Awards which were presented on 21 December 1955. Three awards of "President's Silver Medal for Best Feature Film", "Certificate of Merit for the Second Best Feature Film" and "Certificate of Merit for the Third Best Feature Film" were instituted. The later two certificate awards were discontinued from 15th National Film Awards (1967).
Directed by Chitta Bose, the 1954 film Chheley Kaar was honoured with the first president's silver medal for Best Feature Film in Bengali. Certificate of Merit for Second and Third Best Feature Films in Bengali were received by Jadubhatta and Annapurnar Mandir respectively. Following is the list of Silver Lotus Award (Rajat Kamal) recipient films produced in Bengali language.
Winners
editAward includes 'Rajat Kamal' (Silver Lotus Award) and cash prize. Following are the award winners over the years:
| Awards legends | |
|---|---|
*
|
President's Silver Medal for Best Feature Film |
*
|
Certificate of Merit for the Second Best Feature Film |
*
|
Certificate of Merit for the Third Best Feature Film |
*
|
Certificate of Merit for the Best Feature Film |
*
|
Indicates a joint award for that year |
| List of award films, showing the year (award ceremony), producer(s), director(s) and citation | |||||
|---|---|---|---|---|---|
| Year | Film(s) | Producer(s) | Director(s) | Citation | Refs. |
| 1954 (2nd) |
Chheley Kaar | Charan Chitra | Chitta Bose | – | [2] |
| Jadu Bhatta | Sunrise Film Distributors | Niren Lahiri | – | ||
| Annapurnar Mandir | Chitra Mandir | Naresh Mitra | – | ||
| 1955 (3rd) |
Pather Panchali | Government of West Bengal | Satyajit Ray | – | [3] |
| Rani Rashmoni | Chalachitra Pratishthan | Kali Prasad Ghosh | – | ||
| Rai Kamal | Aurora Film Corporation | Subodh Mitra | – | ||
| 1956 (4th) |
Kabuliwala | Charuchitra | Tapan Sinha | – | [4] |
| Mahakavi Girishchandra | Emkeji Productions | Madhu Bose | – | ||
| Ek Din Ratre | R. K. Films | • Sombhu Mitra • Amit Maitra |
– | ||
| 1957 (5th) |
Andhare Alo | Sreemati Pictures | Haridas Bhattacharya | – | [5] |
| Louha-Kapat | L. B. Films International | Tapan Sinha | – | ||
| Harano Sur | Alochaya Productions | Ajoy Kar | – | ||
| 1958 (6th) |
Sagar Sangamey | De Luxe Film Distributors Ltd. | Debaki Bose | – | [6] |
| Jalsaghar | Aurora Film Corporation | Satyajit Ray | – | ||
| Daak Harkara | Agragami Productions | Agragami | – | ||
| 1959 (7th) |
Bicharak | Arundhati Mukherjee | Prabhat Mukherjee | – | [7] |
| 1960 (8th) |
Devi | Satyajit Ray | Satyajit Ray | – | [8] |
| Ganga | Cine Art Production Pvt Ltd. | Rajen Tarafdar | – | ||
| 1961 (9th) |
Samapti | Satyajit Ray | Satyajit Ray | – | [9] |
| Saptapadi | Uttam Kumar | Ajoy Kar | – | ||
| Punascha | Mrinal Sen | Mrinal Sen | – | ||
| 1962 (10th) |
Kancher Swarga | Prokash Chandra Nan | Yatrik | – | [10] |
| Nishithe | Agragami Productions | Agragami | – | ||
| 1963 (11th) |
Uttar Falguni | Uttam Kumar | Asit Sen | – | [11] |
| Saat Paake Bandha | R. D. Bansal | Ajoy Kar | – | ||
| Jatu Griha | Uttam Kumar | Tapan Sinha | – | ||
| 1964 (12th) |
Aarohi | Asim Pal | Tapan Sinha | – | [12] |
| Anustup Chhanda | B. K. Productions | Pijush Bose | – | ||
| 1965 (13th) |
Akash Kusum | Ranjit Basu | Mrinal Sen | – | [13] |
| Subarnarekha | Radheshyam | Ritwik Ghatak | – | ||
| Raja Rammohun | Aurora Film Corporation | Bijoy Basu | – | ||
| 1966 (14th) |
Nayak | • R. D. Banshal • Sharankumari Bansal |
Satyajit Ray | – | |
| 1967 (15th) |
Arogya Niketan | Aurora Film Corporation | Bijoy Bose | – | [14] |
| 1968 (16th) |
Apanjan | • R. N. Malhotra • R. K. Kapur • T. M. Shah |
Tapan Sinha | – | [15] |
| 1969 (17th) |
Natun Pata | M/s Gora Pictures | Dinen Gupta | – | [16] |
| 1970 (18th) |
Malyadan | • Ajoy Kar • Bimal Dey |
Ajoy Kar | – | [17] |
| 1971 (19th) |
Nimantran | Tarun Majumdar | – | ||
| 1972 (20th) |
Strir Patra | Dhrupadi | Purnendu Patri | – | [18] |
| 1973 (21st) |
Ashani Sanket | Sarbeni Bhattacharya | Satyajit Ray | – | [19] |
| 1974 (22nd) |
Sonar Kella | Information and Public Relations Department, Government of West Bengal | Satyajit Ray | – | [20] |
| 1975 (23rd) |
Palanka | M/s. Filmarts, Calcutta | Rajen Tarafdar | – | [21] |
| 1976 (24th) |
Ek Je Chillo Desh | – | Tapan Sinha | – | [22][23] |
| 1977 (25th) |
No Award | [24] | |||
| 1978 (26th) |
Dooratwa | Buddhadeb Dasgupta | Buddhadeb Dasgupta |
For a sensitive depiction of a leftist middle class intellectual's marital conflict waiting for a revolution which does not materialise. |
[25] |
| 1979 (27th) |
Ek Din Pratidin | Amalendu Chakraborty | Mrinal Sen | – | [26][27] |
| 1980 (28th) |
Hirak Rajar Deshe | • Information & Cultural Affairs Department • Government of West Bengal |
Satyajit Ray |
For an allegorical representation of the victory of good over evil, embellished by superb acting and haunting music. |
[28] |
| 1981 (29th) |
Adalat o Ekti Meye | Dhiresh Kumar Chakraborty | Tapan Sinha |
For its powerful presentation of the problems of rape and its shattering after-effects in the life of a woman. |
[29] |
| 1982 (30th) |
Nagmoti | Sibaprasad Sen | Gautam Chattopadhyay |
For its absorbing portrayal of an ethnic group. |
[30] |
| 1983 (31st) |
Vasundhra | Sanjukta Films | Sekhar Chatterjee |
For its sincere attempt to depict the struggle against social injustice. |
[31] |
| 1984 (32nd) |
Ghare Baire | NFDC | Satyajit Ray | – | [32] |
| 1985 (33rd) |
Paroma | • Nirmal Kumar Guha • Niharendu Guha • Sukhendu Guha • Sarojendu Guha |
Aparna Sen |
For a film which handles sensitively the delicate story of a woman who refuses to accept the feeling of guilt forced on her by society. |
[33] |
| 1986 (34th) |
Phera | Buddhadeb Dasgupta | Buddhadeb Dasgupta |
For its depiction of dilemma of a creative artiste in a world of changing values. |
[34] |
| 1987 (35th) |
Antarjali Jatra | NFDC | Gautam Ghose |
For creating through an event of the early 19th century a universal parable of exploitation, life and death with an underlying faith in the inevitability of change. |
[35] |
| 1988 (36th) |
No Award | [36] | |||
| 1989 (37th) |
Ganashatru | NFDC | Satyajit Ray |
For its brilliant adaptation of Ibsen's "An Enemy of the People" to highlight the dangers of current revivalism. |
[37] |
| 1990 (38th) |
Atmaja | Raj Kumar Jain | Nabyendu Chatterjee |
For its masterly depiction of a mother's quest, torn between the hollowness of wealth and the transcendence of human values. |
[38] |
| 1991 (39th) |
Antardhan | • Nabakumar Chandra • Swapan Kumar Mitra • Sucheta Mitra |
Tapan Sinha |
For the manner in which the suspense is built and sustained throughout the film. |
[39] |
| 1992 (40th) |
Tahader Katha | NFDC | Buddhadeb Dasgupta |
For its most unusual and daring treatment of a very real socio-political issue in a metaphoric manner – the alienation of a freedom fighter from his country, now changed beyond recognition. |
[40] |
| 1993 (41st) |
Antareen | • NFDC • Doordarshan |
Mrinal Sen |
For a sensitive exploration of modern man's loneliness and the failure of human communication in a dehumanised civilization. |
[41] |
| 1994 (42nd) |
Amodini | • NFDC • Doordarshan |
Chidananda Dasgupta |
For a stylised and innovative period rendition of complex social relations in 18th century Bengal, integrating performances with camera movements and mise en scene. |
[42] |
| 1995 (43rd) |
Yugant | NFDC | Aparna Sen |
For its contemporary form and thematic content, and subtle handling of the complex subject of a broken marriage. The film has universal appeal which has great relevance in today's society. |
[43] |
| 1996 (44th) |
Sanghat | Pinaki Chaudhuri | Pinaki Chaudhuri |
For effectively bringing out the trials and tribulations faced by working women in contemporary society. |
[44] |
| 1997 (45th) |
Dahan | • Bijay Agarwal • Kalpana Agarwal |
Rituparno Ghosh |
For the way in which film portrays two young women who undergo the agony of discovering the harsh realities of their situation and society. |
[45] |
| 1998 (46th) |
Asukh | D. Ramanaidu | Rituparno Ghosh |
For profiling the dilemma of a film actress, at a delicate point in her life. Rejected by her lover in love with another woman, asukh is an internalised study of an actress coming to terms with multiple pressures in her life. |
[46] |
| 1999 (47th) |
Paromitar Ek Din | Rajesh Agarwal | Aparna Sen |
For depicting the changing temper of society and the changing balances of human relationships very sensitively portrayed. The film highlights the changing equations between a mother-in-law and daughter-in-law, who begin as adversaries and become confidantes. |
[47] |
| 2000 (48th) |
Dekha | Ramesh Gandhi | Gautam Ghose |
The film through the seen and unseen world of the protagonist tries to explore the existential dilemma of modern times which is reflected in the inexorable flow of time and intertwined into a mixed metaphor of modern allegories. |
[48] |
| 2001 (49th) |
Hemanter Pakhi | NFDC | Urmi Chakraborty |
For showing the plight of an educated woman who seeks her own identity within the trappings of her traditional role of mother & wife. A contemporary socially relevant issue has been handled with great sensitivity. |
[49] |
| 2002 (50th) |
Shubho Mahurat | Jagannath Productions | Rituparno Ghosh |
For its intelligent handling of characters in a detective story. |
[50] |
| 2003 (51st) |
Chokher Bali | • Shrikant Mohta • Mahendra Soni |
Rituparno Ghosh |
For its operatic play of passions, breaking social norms and taboos. |
[51] |
| 2004 (52nd) |
Krantikaal | Shampa Bhattacharjee | Shekhar Das |
For dialectical portrayal of a terrorist’s critical encounter with a decadent Bengali royal culture trapped in a time wrap. |
[52] |
| 2005 (53rd) |
Herbert | • Kajal Bhattacharjee • Abanti Chakraborty |
Suman Mukhopadhyay |
For a refreshingly cinematic idiom as the protagonist of this urban existential tragicomedy veers between the real and the surreal. |
[53] |
| 2006 (54th) |
Anuranan | • Jeet Banerjee • Indrani Mukerjee • Aniruddha Roy Chowdhury |
Aniruddha Roy Chowdhury |
For sensitively exploring nuances in relationships. |
[54] |
| Podokkhep | Nitesh Sharma | Suman Ghosh |
For a convincing depiction of an old man coping with loneliness. | ||
| 2007 (55th) |
Ballygunge Court | Ganesh Kumar Bagaria | Pinaki Chaudhuri |
For providing a powerful commentary on the travails of ageing in an urban milieu. |
[55] |
| 2008 (56th) |
Shob Charitro Kalponik | Reliance Entertainment | Rituparno Ghosh |
For its poetic treatment of an individual's sensitivities in a crisis. |
[56] |
| 2009 (57th) |
Abohomaan | Reliance Entertainment | Rituparno Ghosh |
For sheer artistry that blends form and content of a provocative subject. |
[57] |
| 2010 (58th) |
Ami Aadu | New Theatres Pvt. Ltd | Somnath Gupta |
For the subtle portrayal of an endearing love story in the time of cultural conflicts. It is a sincere attempt to present the personal tragedy of the emigrant commoner caught in the crossfire of international wars. |
[58] |
| 2011 (59th) |
Ranjana Ami Ar Ashbona | Rana Sarkar | Anjan Dutt |
For presents pop music as a force that drives, destroys and binds relationships. The film's character's carry forward this one passion in life as in death. Through the film's visual texture and locales, we not only see the world of the protagonist Abani Sem, we also enter his psyche. Anjan Dutt's bitter–sweet work portrays in vivid colours the pop music scene in Bengal today, as well as the on-the-edge lives lived by its practitioners. |
[59] |
| 2012 (60th) |
Shabdo | Brand Value Communications Ltd. | Kaushik Ganguly |
A brilliantly conceived off-beat film on the obsession with ambient sound and its devastating effects on the life of a foleyartist, is a unique cinematic experience. |
[60] |
| 2013 (61st) |
Bakita Byaktigato | Tripod Entertainment Pvt Ltd. | Pradipta Bhattacharyya |
A delightful film about the need for love in our cynical times. |
[61] |
| 2014 (62nd) |
Nirbashito | Kaushik Ganguly Productions | Churni Ganguly |
For its poignant articulation of the suffocation one experiences when exiled in a land that is not one's own, as a price that is paid for asserting one's right to freedom of expression. |
[62] |
| 2015 (63rd) |
Shankhachil | Nideas Creations & Productions | Goutam Ghose |
An evocative story that highlights the theme of suffering humanity, divided by national borders. |
[63] |
| 2016 (64th) |
Bishorjan | M/s Opera | Kaushik Ganguly |
A visual poem which effortlessly liquidates geographical boundaries with an eraser made of love and hope. |
[64] |
| 2017 (65th) |
Mayurakshi | • Firdausul Hasan • Prabal Halder |
Atanu Ghosh | ||
| 2018 (66th) |
Ek Je Chhilo Raja | Shree Venkatesh Films | Srijit Mukherji |
Based on a true story, the film traces the journey of a Maharaja through his quest for identity. |
[65][66] |
| 2019 (67th) |
Gumnaami | Shree Venkatesh Films | Srijit Mukherji |
Intricately woven screenplay of the investigation of mystery behind the death of Netaji Subhas Chandra Bose. |
[67] |
| 2020 (68th) |
Avijatrik | GMB Films Pvt.Ltd | Subhrajit Mitra |
This is a sequel to the classic "Apu trilogy" which was directed by Satyajit Ray. |
[68] |
| 2021 (69th) |
Kalkokkho | Aurora Film Corporation | • Sarmistha Maiti
• Rajdeep Paul |
[69] | |
| 2022 (70th) |
Kaberi Antardhan | Surinder Films | Kaushik Ganguly | [70] | |
References
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