New High is an album by guitarist Larry Coryell which was recorded in 1999 and released on the HighNote label the following year.[1][2]
New High | ||||
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Studio album by | ||||
Released | April 11, 2000 | |||
Recorded | September 10, 1999 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 50:02 | |||
Label | HighNote HCD 7052 | |||
Producer | Don Sickler | |||
Larry Coryell chronology | ||||
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Reception
editReview scores | |
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Source | Rating |
Allmusic | [3] |
In his review on Allmusic, Stewart Mason states "A better-than-average standards date, Larry Coryell's New High finds the guitarist in a supportive small-combo setting, playing a solid mix of some well-chosen standards and a fine pair of originals. ... Larry Coryell has taken some heat from jazz purists for his too-regular forays into easy listening jazz-pop, but New High is a more-than-respectable piece of solid post-bop".[3] In JazzTimes, Jim Ferguson called it " an album that is beautifully played and recorded" noting "the opening moments of this most recent album leave little doubt that he's in a blowing, straightahead frame of mind and in command of an expert combo".[4]
Track listing
editAll compositions by Larry Coryell except where noted
- "Bags' Groove" (Milt Jackson) – 8:02
- "Like Sonny" (John Coltrane) – 5:46
- "Funereal" – 5:04
- "Ursula" (Harold Land) – 5:48
- "John Charles" (Ronnie Mathews) – 7:53
- "Spiral Staircase" (Mark Sherman) – 6:49
- "Old Folks" (Willard Robison, Dedette Lee Hill) – 5:25
- "New High" – 5:15
Personnel
edit- Larry Coryell – guitar
- Shunzo Ono – trumpet (tracks 1, 3, 7 & 8)
- Ronnie Mathews – piano (tracks 1–6 & 8)
- Mark Sherman – vibraphone (tracks 1, 3, 6 & 8)
- Buster Williams – bass (tracks 1–6 & 8)
- Yoron Israel – drums (tracks 1–6 & 8)
References
edit- ^ Jazz Depot: HighNote discography. Retrieved December 28, 2018
- ^ Larry Coryell discography. Retrieved December 28, 2018
- ^ a b Mason, Stewart. Larry Coryell – New High: Review at AllMusic. Retrieved December 28, 2018.
- ^ Ferguson, J. JazzTimes Review. Retrieved December 28, 2018