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Orchestra Kristal (Bulgarian: оркестър Кристал) are a Bulgarian pop-folk or chalga band from Yambol. It is one of two bands, the other being the similarly named Orchestra Kristali from Mihailovgrad, symbolizing the pop-folk genre in Bulgaria.[1]
Discography
editStudio albums
editBulgarian albums
edit- Vǎrnete se, bǎlgari (1991)
- Robinja sǎm tvoja (1993)
- Mili moj (1994)
- Toni Dačeva i duet Šans (1995)
- Toni Dačeva i Mustafa Čaušev (1995)
- Kralica sǎm az (1996)
- Vsičko e ljubov (1998)
- Edna celuvka (1999)
- V novija vek (1999)
- Magija (2001)
- Na trapeza s ork. Kristal (2001)
- Kjučeci (2002)
- Na trapeza s ork. Kristal 2 (2002)
- Balkanika (2003)
- Na trapeza s ork. Kristal 3 (2003)
- Romski biseri (2004)
- Tik Tak (2004)
- Čat-čat (2004)
- Super kjučeci (2005)
- Hit kjučeci (2006)
Turkish Albums
edit- Bizim İkimiz Esmeriz (2001)
- Reyhan ve Ork. Kristal (2002)
- Biz Şekeriz (2003)
- Tatlı Kız (2004)
- Kaderim (2005)
- Al Beni (2006)
Compilations
edit- Hitovete na Kristal (1997)
- Zlatnite Hitove na ork. Kristal (2006)
Video albums
edit- Ork. Kristal (1991)
- Robinya sum tvoya (1992)
- Mili Moi (1993)
- Kristal i Priyateli (1995)
- Vsichko e lyubov (1998)
- Na trapeza s ork. Kristal 2 (2003)
- Biz şekeriz (2003)
- Na trapeza s ork. Kristal 3 (2003)
References
edit- ^ Donna Anne Buchanan Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse (Europea: Ethnomusicologies and Modernities) 2007 "1992-93, the genre referred to now (2005) as pop-folk or chalga by the Bulgarian public lacked a single label. A few friends in Sofia initially termed it kristal in relation to two popular bands: Orchestra Kristal, from Yambol, and Orchestra Kristali, based in Montana (formerly the city of Mihailovgrad). Orchestra Kristal' s director, Krasimir Hristov, produced every aspect of the band's recordings in his own studio, which may also account for how its name came to signify the genre (Dimov 1995 : 16). These two bands helped inspire the formation of myriad other groups whose recordings, like those of Kristal and Kristali themselves, incline toward a regionally amalgamated sound, thus defying easy categorization."