Paul Chaleff (born 1947)[1] is an American ceramist and professor emeritus of Fine Arts at Hofstra University.[2] He is considered a pioneer of the revival of wood-fired ceramics in the US and credited as one of the first to use wood-burning dragon kilns in the style of the anagama tradition. He is best known as an innovator of large-scale ceramic sculpture. His work can be found in the collections of the Museum of Modern Art Department of Architecture and Design,[1] and in the Metropolitan Museum of Art.[3][4]
Paul Chaleff | |
|---|---|
 | |
| Born | 1947 (age 76–77) |
| Nationality | American |
| Education | City College of New York |
| Known for | Large-scale ceramic sculptures |
| Style | Anagama |
| Spouse | Haesook Kim |
| Patron(s) | MOMA, MET |
Paul Chaleff's work was strongly influenced by master potter Takeshi Nakazato. In 1989, Chaleff began collaborating with sculptor Sir Anthony Caro. Together they created nearly 50 works, both figurative and abstract. Caro's sculpture has had a direct influence on Chaleff's work as has the sculpture of Isamu Noguchi, and the ceramics of John Mason and Lucie Rie.[5][6] Chaleff has also been recognized as an innovator of large-scale ceramic sculpture.[7] The strength of his works stems from their being rough, gestural, split, and impure while remaining elegant.[8]
Education
editChaleff attended the Bronx High School of Science. In 1968, while studying biology at the City College of New York, Chaleff survived a drowning accident that took his friend's life. He graduated in 1969 with a degree in Fine Arts. In 1971, Chaleff received his Master of Fine Arts in Ceramic Design from City College of New York.[2] In 1975 he traveled to Japan to study Japanese pottery and wood-burning kiln design[9] and returned to New York in 1977 where he built a studio and kilns in Pine Plains.
Career
editChaleff's anagama kiln was one of the first in the US.[10] In 1980, the Museum of Modern Art purchased and exhibited his work from that kiln.[11] In 1980, his wood-fired work was showcased at an official State dinner at the White House. Between 1989 and 2000, Chaleff collaborated on a series of clay sculptures with Sir Anthony Caro in his studio, first in Pine Plains and then Ancram.[12] In 1995, he participated in Fire and Clay, a symposium of international clay sculptors held in Iksan.[13] In 1997, Chaleff accepted a professorship from Hofstra University, where he directed the ceramics program until retirement in 2021.[14]
Museum collections
editThis section of a biography of a living person does not include any references or sources. (November 2022) |
Chaleff's work is represented in the following museum collections.[15]
- Museum of Modern Art, Department of Architecture and Design, New York
- Metropolitan Museum of Art, New York [16]
- Los Angeles County Museum of Art
- Boston Museum of Fine Arts
- National Museum of American Art (Washington, DC)
- Carnegie Museum of Art (Pennsylvania)
- Yale University Art Gallery[17]
- Philadelphia Museum of Art (Pennsylvania)
- Princeton University Art Museum (New Jersey)
- Amore-Pacific Museum of Art (Korea)
- Brooklyn Museum
- Museum of Arts and Design (New York City)
- Everson Museum
- Grounds For Sculpture (New Jersey)
- Longhouse Foundation (East Hampton, New York)
- Boise Art Museum
- Racine Art Museum
- Arkansas Art Center
- Rockefeller University
- Allentown Museum of Art (Pennsylvania)
- University of Colorado Art Museum (Bolder)
- University of Iowa Museum of Art (Iowa City)
- Crocker Art Museum (California)
- American Museum of Ceramic Art (California)
- Arizona State University Museum of Art (Tempe)
- Mills College (California)
- Thayer Academy (Massachusetts)
- Muju Sculpture Park (Korea)
- Idyllwild School of Music and the Arts (California)
- City College of New York (New York City)
- Studio Potter Collection (New Hampshire)
- Arrowmount School of Arts and Crafts
References
edit- ^ a b "Paul Chaleff | MoMA". The Museum of Modern Art. Retrieved 21 May 2023.
- ^ a b "Faculty Profile | Hofstra University". www.hofstra.edu. Retrieved 21 May 2023.
- ^ Contemporary Ceramics: Selections from the Metropolitan Museum of Art, November 1998. pages 20,46
- ^ New York Magazine, September 15, 1980, pages 28-30.
- ^ Williams, Gerry. “The Japanese Pottery Tradition and its Influence on American Ceramics.” American Craft (April/May 1998).
- ^ Adlin, Jane. Contemporary Ceramics: Selections from the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1998.
- ^ Pelehach, Patricia. Ceramic Art and Perception, volume 6/ April 2006.
- ^ Lee jae Un> Monthly Art. Volume 312, January 2011, pages 120-123.
- ^ Ceramics Monthly, February 1980, pages 54-59
- ^ Washington Post, Sunday, November 2, 1980, Living Section. Pottery and Flowers: Stately Centerpieces
- ^ New York Magazine, December 5, 1980/ pages 28-30
- ^ Ceramics Technical, volume 39/November 2014. Sir Anthony Caro, pages 82-89
- ^ Ceramics Monthly, September 1998/ Friendship in Clay, pages 40-42
- ^ "Hofstra Faculty". Hofstra University. Retrieved 21 May 2023.
- ^ "Chaleff". The Marks Project. Retrieved 21 May 2023.
- ^ Jar, 1988. Stoneware Dimensions: H. 14.5 x D. 14 inches. The Metropolitan Museum of Art, Gift of Martin J. Davidson, 2000, 2000.527.3
- ^ Yale University Art Gallery