Pena Bonita (born 1948) is an Oklahoma Seminole/Apache visual artist and author.[1] Her paintings and mixed media installations blend culture, art and religion—using line, color and form to speak to Native American values and experiences. Her work is displayed widely, including at the Smithsonian National Museum of the American Indian, Thunder Bay Museum, and at Long Island University. Pena Bonita's short story Lotto won the 2004 National Foundation Book Award. She has lectured and shown her work throughout the United States and Canada.[2]
Pena Bonita | |
|---|---|
| Born | 1948 (age 75–76) |
| Alma mater | Hunter College of New York |
| Known for | Visual Artist |
Early life
editBonita grew up in Cloudcroft, New Mexico[3] with a mix of Native American customs that included long stays with extended family. She grew up surrounded by artistic family activities like sewing, basketmaking, photography and drawing. Her mother was a quiltmaker while her grandmother's traditional baskets featured in several museums and collections including The Southwest Museum of the American Indian in Los Angeles, California.
Education
editBonita received her Bachelor's degree at the City College of New York and then a Master of Fine Arts from Hunter College of New York in 1995 where she studied with Mark Feldstein and Roy Carroca.
Career
editPena Bonita has made her home in New York’s Lower East Side since the 1980s, where she raised her family of three boys. Her early work reflects the Native and women's liberation issues that engaged her during her time at Hunter College.[4] One of her earlier installations included cut up pieces of pots and pans that were then painted and welded to a cross. Shortly after leaving Hunter Bonita was already being recognized a significant artist with her work with the American Indian Community House Gallery. This notice helped launched her career in New York galleries and on the exhibition circuit.[5][6][7]
Interest in her work continues with mentions of Bonita's installations in Hypoallergenic in 2015 and in The New Yorker in 2018. Bonita was a featured artist inVoices on display from March 24, to May 2, 2019, at New York University's Kimmel Windows Galleries,[8] put on in partnership with the American Indian Community House. One of Bonita's works is also appears in the permanent exhibit Indian Humor at the National Museum of the American Indian . In addition to being a visual artist, Bonita is a poet, short story, nonfiction writer and founding member of the American Indian Writer's Workshop.[9]
Selected exhibitions
edit- Old Bones. Thunder Bay Museum. Thunder Bay, Ontario, Canada.
- Corn Patch Series. State Capitol Gallery. Olympia, Washington.
- Indian Humor. The Museum of the American Indian. Smithsonian Institution.
- The Political Landscape. Long Island University. Brookville, New York.
- Stalled Series. Queens Museum. Queens, New York City.
References
edit- ^ Bonita, Pena. "Artist Collection". ArtsWA. Retrieved 2021-05-14.
- ^ Amerinda, Empowering Native American Artists. "NAAR | NATIVE AMERICAN ARTIST ROSTER". www.amerinda.org. Retrieved 2021-05-14.
- ^ New York Public Libraries, Photographers' Identities Catalog. "Pena Bonita".
- ^ "Bonita, Pena. - Social Networks and Archival Context". snaccooperative.org. Retrieved 2021-05-15.
- ^ Scott, Andrea K. (12 January 2018). ""Unholding," an Art Show About America". The New Yorker. Retrieved 2021-05-14.
- ^ Wong, Ryan (2015-05-19). "Exploring the Terrain of Contemporary Native American Art". Hyperallergic. Retrieved 2021-05-14.
- ^ "Urban Indian: celebrating 30 years of Native American artwork in New York". the Guardian. 2019-10-07. Retrieved 2021-05-14.
- ^ New York University, Kimmell Windows Gallery. "Voices". New York University Publications.
- ^ "A Talk with Pena Bonita". NMAI Magazine. Retrieved 2021-05-14.