Wikipedia

Philip Ridley

Philip Ridley[1] is an English storyteller working in a wide range of artistic media.

Philip Ridley
Born
Bethnal Green, England
NationalityBritish
Alma materSt Martins School of Art
Occupation(s)Writer, artist, film-maker

As a visual artist he has been cited as a contemporary of the Young British Artists,[2][3] and had his artwork exhibited internationally.[4]

He has written novels for an adult audience but has found more success and recognition as a children's author.[5]

In film, he is perhaps best known for his award-winning screenplay for the 1990 film, The Krays (1990), a biopic about the Kray twins which was directed by Peter Medak.[6] As a filmmaker in his own right he created a loose trilogy of horror films: The Reflecting Skin (1990), The Passion of Darkly Noon (1995) and Heartless (2009)[7] for which he has acquired a cult following.[8][9]

As a playwright he has been described as "a pioneer of In-yer-face theatre",[10] which is a style and sensibility of drama that characterised many new plays that were performed in Britain during the 1990s.[11] Ridley's debut play, The Pitchfork Disney (1991), is considered by many to be a seminal work that influenced the development of this form of theatre,[12][13] with one critic even dubbing it "the key play" of the 1990s.[14] A great number of his plays for adults have been perceived as controversial, being met with both condemnation and high acclaim upon their initial reception. As a writer for the stage he is also recognised for creating an ongoing series of plays for young people (The Storyteller Sequence) and has written theatrical works for children and family audiences.[15]

As a songwriter he has created songs for his films and plays, frequently collaborating with composer Nick Bicât.[16] He and Bicât have also formed a music group called Dreamskin Cradle with singer Mary Leay.[17] Ridley has also written songs for composer Anna Meredith, particularly operatic work.[18]

Ridley is also a poet, photographer, and performance artist and has written drama for radio.[19]

Ridley dislikes his work being categorised by the medium in which it is told, often referring to them belonging to each other as "different peaks of the same mountain."[20][21]

Biography

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Ridley was born in Bethnal Green in the East End of London, where he lived and worked for the majority of his life until moving to another part of East London, Ilford.[22] Ridley studied painting at Saint Martin's School of Art, and his work has been exhibited throughout Europe and Japan. He started as both a performance artist and the creator of a long sequence of charcoal drawings called The Epic of Oracle Foster.[23] One drawing from this sequence, "Corvus Cum", portraying a man ejaculating a black bird, was exhibited at the ICA in London while Ridley was still a student and – with calls for it to be displayed behind a curtain – became a cause célèbre.[24] Ridley also started his own theatre group as a student, acting in many of the productions, and made several short art films.[25]

Writing

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Ridley has written three books for adults: Crocodilia (1988), In the Eyes of Mr. Fury (1989), and Flamingoes in Orbit (1990).

His children's novels include Mercedes Ice (1989), Dakota of the White Flats (1989), Krindlekrax (1991) (winner of the Smarties Prize and the WH Smith Mind-Boggling Book Award), Meteorite Spoon (1994), Kasper in the Glitter (1994) (nominated for the Whitbread Prize), Scribbleboy (1997) (shortlisted for the Carnegie Medal), Zinderzunder (1998), Vinegar Street (2000), Mighty Fizz Chilla (2002) (shortlisted for the Blue Peter Book of the Year Award), and Zip's Apollo (2005).[26] He also has written two short stories for younger children, Dreamboat Zing (1996) and The Hooligan's Shampoo (1996).

Film

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After graduating from St Martin's, Ridley created the short film, Visiting Mr Beak (1987), which starred the veteran actor Guy Rolfe. He later created a short film for Channel 4 called The Universe of Dermot Finn (1988), which featured renowned actress Sheila Hancock and was officially selected for the Cannes Film Festival, where it was a critical success and went on to receive theatrical distribution.

While still a student at St Martin's, Ridley wrote a screenplay for The Krays (1990), which was directed by Peter Medak and starred real life brothers Gary Kemp and Martin Kemp, who previously were recognised for their band, Spandau Ballet.

Ridley has also directed three feature films from his own screenplays: The Reflecting Skin (1990) (winner of 11 international awards), The Passion of Darkly Noon (1995) (winner of the Best Director Prize at the Porto Film Festival), and Heartless (2009).[27][28] Ridley's third film as writer-director, Heartless, premiered at the Frightfest horror film festival in London in August 2009.[29] The film stars Jim Sturgess, Clémence Poésy, Noel Clarke, Eddie Marsan, Luke Treadaway, Ruth Sheen, and Timothy Spall, and was released in the UK in May 2010.[30] It was the first mainstream British film to be released across all platforms (theatrical, DVD, Blu-ray, download) at the same time.[31]

In 1996 Hungary's Titanic Film Festival had a retrospective of Ridley's work.

Theatre

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Ridley has written 15 adult stage plays: the seminal The Pitchfork Disney (1990), the multi-award-winning The Fastest Clock in the Universe (1992), Ghost from a Perfect Place (1994), Vincent River (2000), the controversial Mercury Fur (2005), Leaves of Glass (2007), Piranha Heights (2008), Tender Napalm (2011), Shivered (2012), Dark Vanilla Jungle (2013), Radiant Vermin (2015), Tonight with Donny Stixx (2015), Karagula (2016), and The Poltergeist (2020).

Ridley has also written various monologues, many of which have been selectively performed together onstage. This includes Killer (consisting of the monologues Killer, Sledgehammers, and Vesper) performed in 2017, Angry (consisting of the monologues Angry, Okay, Bloodshot, Dancing, Now, and Air) performed in 2018, and The Beast Will Rise (consisting of the monologues Performance, Gators, Star, Rosewater, and Cactus) performed in 2020.

Ridley is additionally known for his series of plays for young people (known collectively as The Storyteller Sequence), consisting of Karamazoo (2004), Fairytaleheart (1998), Moonfleece (2004), Sparkleshark, and Brokenville (2003).

He has also written two plays for young children, Daffodil Scissors (2004) and Krindlekrax (2002) - a stage adaptation of his successful children's novel of the same name - as well as a play for the whole family, Feathers in the Snow (2012).[32]

Ridley was one of 25 contemporary British writers asked to contribute a scene to NT25 Chain Play, celebrating 25 years of the Royal National Theatre in London.

Music

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Ridley has written a wide range of songs, some of which have featured in his plays, films, and novels. As a student Ridley participated in music by creating work with a band called Haunted Staircase (who released their double-sided record Flutters in the early 1980s) and also worked as a DJ at a nightclub.

As a songwriter he has regularly collaborated with the composer, Nick Bicât. For Ridley's film, The Passion of Darkly Noon, they created two songs: "Look What You've Done" (sung by Gavin Friday) and "Who Will Love Me Now?" (sung by PJ Harvey), the latter of which was voted as BBC Radio 1's Best Film Song of 1998. It was later covered by the techno/house band Sunscreem as Please Save Me, whose cover entered the UK top 40 chart, became a cult hit in clubs,[citation needed] and featured in the film South West 9. For his film Heartless Ridley and Bicât created ten songs (performed by Mary Leay, Joe Echo, and lead actor Jim Sturgess).

In 2010 Ridley and Bicât formed the music group, 'Dreamskin Cradle' (with singer Mary Leay). The group's first album, Songs from Grimm (2014), consisted of twelve songs inspired by female characters in Brothers Grimm fairy tales and was released on all major download sites.[33] Some songs from the album were performed as part of a live performance called Grimm Tales, which was developed by the St Paul's Institute and featured readings from the actress Jeany Spark, reflections from Canon Edmund Newell, and extracts from Brothers Grimm fairy tales adapted by poet laureate Carol Ann Duffy. Dreamskin Cradle have also released two singles: Fade and Float (written for Ridley's stage play, Tender Napalm) and Ladybird First (written for Ridley's stage play, Dark Vanilla Jungle).

Ridley also has written the libretto of an opera for teenagers titled Tarantula in Petrol Blue, composed by Anna Meredith, which had its premiere in 2009.

Other work

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Riley is a photographer, with his images appearing on the covers of some of his published plays. He also has had a number of photography exhibitions mainly consisting of portraits of his friends and images of East London.

Ridley is also a poet, with some of his poetry published in anthologies, and has earned a following for his ongoing series of performance poetry, Lovesongs for Extinct Creatures.[citation needed]

Ridley has won the Evening Standard's Most Promising Newcomer to British Film and Most Promising Playwright Awards. He is the only person ever to receive both prizes.[34]

He featured on BBC2's arts programme, The Culture Show, on 2 March 2012.[35]

List of works

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Literature

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Poetry

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Theatre

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See also: Category:Plays by Philip Ridley

Radio plays

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  • 1989 – October Scars the Skin (script unpublished)
  • 1989 – The Aquarium of Coincidences (script unpublished)
  • 1991 – Shambolic Rainbow (script unpublished)

Film

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Songs

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Exhibitions

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Selected works in anthologies

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  • 1987 – Short Story Embracing Verdi in the anthology Oranges and Lemons: Stories by Gay Men (edited by David Rees and Peter Robbins)[36]
  • 1988 – Short Story Leviathan in the anthology 20 Under 35: Original Stories by Britain's Best New Young Writers (edited by Peter Straus)
  • 1995 – Short Story Alien Heart in Projections 4½ (edited by John Boorman and Walter Donohue)[37]
  • 1996 – Extract from The Fastest Clock in the Universe in the collection Live 3: Critical Mass (edited by David Tushingham)[72]
  • 1997 – Short Story Embracing Verdi in the anthology The Mammoth Book of Gay Short Stories (edited by Peter Burton)
  • 1997 – Three poems: Someone Wants to Kill Me, The Seams and Getting Through the Day in The Bush Theatre Book (edited by Mike Bradwell)[73]
  • 2000 – Extract from Krindlekrax in the collection Out of this world
  • 2003 – Poem The Silver Hat in the anthology Love (edited by Fiona Waters)
  • 2005 – Poem The Prince and the Snail in the anthology The Works 4 (edited by Gaby Morgan)[46]
  • 2007 – Three poems: Dark Sky Craving, Waiting For Faces To Fall and I Am The Boy in the anthology Poems for the Retired Nihilist: Volume 2 (edited by Graham Bendel)[74]
  • 2009 – Monologue Vesper in Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations (edited by Aleks Sierz)
  • 2021 – Short story Sunday in Mainstream: An Anthology of Stories from the Edges (edited by Justin David and Nathan Evans)[40]

Derivative works

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  • In the British radio and TV comedy Little Britain the character of Vicky Pollard comes from Darkley Noone council estates which is named after Ridley's film The Passion of Darkly Noon.
  • The music track The Light at the End (Effect) by industrial/noise rock duo Uniform (from their 2017 LP Wake in Fright) uses a dialogue excerpt from The Reflecting Skin.[75][76]
  • In 2011 the Schema Arts Collective used Ridley's 2005 play Mercury Fur as the basis for a community arts project called Behind the Eyes, which took place at the Sassoon Gallery, London.[65] The project featured an amateur production of Mercury Fur, displayed artwork inspired by the play and Ridley himself collaborated by exhibiting a series of photographic portraits he had created of the production's cast. A behind the scenes documentary about the project called Mercury Fur Unveiled was also made and later broadcast on the Community Channel in 2013[77] and is free to watch online.
  • In 2007 performance pieces inspired by Ridley's semi-autobiographical Introduction to Philip Ridley Plays: 1 were presented by young directors under the title Gleaming Dark. This received a one-off performance at Trafalgar Studios in conjunction with the venue's revival of Ridley's play Vincent River.[69]
  • A quote from Ridley's children novel Dakota of the White Flats is used as the epigraph for chapter 6 of Cornelia Funke's young adult fantasy novel Inkspell.[78]
  • The German band Troy Flamingo are named after a character from one of Ridley's short stories.
  • The American band the Reflecting Skin is named after Ridley's film of the same name.
  • Reece Nagra's remix of Buju Banton's song Murderer opens with an expert of dialogue from The Krays and became a drum and bass anthem.
  • Phil Western's 1998 album The Escapist features excerpts of dialogue from The Reflecting Skin.
  • The song Fury Eyes (from the Creatures' second album, Boomerang) is dedicated to Ridley's novel In the Eyes of Mr. Fury.
  • The Song Troy Flamingo from Madonna Hip Hop Massaker's 1995 album Teenie Trap is based on the title story of Ridley's 1999 book Flamingoes in Orbit.
  • Ridley's song Who Will Love Me Now? was covered by the techno/house band Sunscreem under the title Please Save Me. The song became a cult hit in clubs, entered the top 40 UK chart, top 30 US dance chart and featured in the film South West 9.
  • The song Omlagus Garfungiloops (from Coil's 1992 album Stolen & Contaminated Songs) features excerpts of dialogue from The Reflecting Skin.
  • The Scottish band River Head used a photography still from The Reflecting Skin on the cover of their 1992 single sided 7-inch EP Was Away / Haddit.[79]
  • Ridley's image Rainbow Kiss was used on the cover of the short story collection Oranges and Lemons: Stories by Gay Men, to which he also contributed as a writer.[36]
  • Ridley's charcoal drawing The Conversation was used as the cover to cult band Blowzabella's 1988 album Pingha Frenzy.

Notable awards won

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Notable award nominations

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References

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  1. ^ "Philip Ridley". Doollee: The Playwrights Database. Retrieved 10 September 2017.
  2. ^ Eyre, Hermione (18 September 2011). "Philip Ridley: The savage prophet". The Independent. Archived from the original on 26 May 2022. Retrieved 3 March 2021.
  3. ^ Rebellato, Dan (19 April 2011). "The dark, disturbing genius of Philip Ridley". The Guardian. Retrieved 19 May 2016.
  4. ^ a b c "Philip Ridley". Bloomsbury Publications. Retrieved 10 September 2017.
  5. ^ Hunt, George (March 1994). "Authorgraph No.85: Philip Ridley". Books for Keeps. Archived from the original on 10 August 2014. Retrieved 19 May 2016.
  6. ^ "The Krays". Bloomsbury Publishing. Retrieved 10 September 2017.
  7. ^ Hatfull, Jonathan (27 November 2015). "The Reflecting Skin is 'Not Little House on the Prairie!'". SciFi Now. Retrieved 19 May 2016.
  8. ^ Dance, Michael (2 April 2010). "'Heartless' Trailer: Coming of Age in London, with Demons". Movie Cultists. Retrieved 19 May 2016.
  9. ^ "Philip Ridley on his Demons". Film London. 28 May 2010. Retrieved 19 May 2016.
  10. ^ Sierz, Aleks (24 May 2012). Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations. Great Britain: Methuen Drama. p. 111. ISBN 9781408181331.
  11. ^ Sierz, Aleks (2001). In-Yer-Face Theatre: British Drama Today. London: Faber and Faber Limited. ISBN 978-0-571-20049-8. Retrieved 12 November 2020.
  12. ^ "Philip Ridley On ... Revisiting The Pitchfork Disney". WhatsOnStage.com. London. 30 January 2012. Retrieved 6 April 2016.
  13. ^ Bethold, David (19 August 2012). "On Philip Ridley and Tender Napalm". Carved in Snow blogspot. Retrieved 19 May 2016.
  14. ^ Ridley, Philip (21 October 2015). "Introduction by Aleks Sierz". The Pitchfork Disney. London, Great Britain: Methuen Drama. p. 1. ISBN 978-1-4725-1400-4.
  15. ^ "The Storyteller Sequence". Bloomsbury Publishing. Retrieved 10 September 2017.
  16. ^ Schultz, Ian (24 December 2015). "The Reflecting Skin - Philip Ridley interview". The Peoples Movies. Retrieved 19 May 2016.
  17. ^ "Dreamskin Cradle Launched". NickBicât.com. 12 August 2010. Archived from the original on 2 July 2016. Retrieved 19 May 2016.
  18. ^ "Video/Worklist". Anna Meridith.com. Retrieved 19 May 2016.
  19. ^ Rebellato, Dan (17 October 2011). The Methuen Drama Guide to Contemporary British Playwrights. Great Britain: Methuen Drama. p. 425. ISBN 978-1-40812-278-5.
  20. ^ Janisse, Kier-La (14 July 2010). "Reflecting Skin director Philip Ridley returns with horror stunner HEARTLESS". Fantasia Festival. Retrieved 19 May 2016.
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  25. ^ "Philip Ridley – Penguin Books Authors". Penguin Books. Archived from the original on 27 September 2012. Retrieved 10 September 2017.
  26. ^ Rabinovitch, Dina (27 April 2005). "Author of the month: Philip Ridley". The Guardian. Retrieved 19 September 2007.
  27. ^ "Sitges '09: My Sitges Story – Part 5". Fangoria. Archived from the original on 15 October 2009. Retrieved 10 September 2017.
  28. ^ "Philip Ridley". Puffin Books. Archived from the original on 12 May 2014.
  29. ^ Serafini, Matt (14 July 2012). "San Diego Comic-Con 2012: Solomon Kane Finally Gets A Release Date!". Dread Central. Retrieved 10 September 2017.
  30. ^ "Exclusive Interview Part One: Legendary Filmmaker William Friedkin Discusses His Killer Instincts and More for Killer Joe". Dread Central. 23 July 2012. Retrieved 10 September 2017.
  31. ^ Cooper, Sarah (29 January 2010). "Lionsgate plots digital release strategy for Heartless". Screen Daily. Retrieved 10 September 2017.
  32. ^ "Filmreviews: "Schrei in der Stille", Philip Ridley, 1989". Vampire-World.com. Retrieved 10 September 2017.
  33. ^ "'Songs From Grimm' - now released on all music platforms". Nick Bicat. Retrieved 10 September 2017.
  34. ^ Cagnoli, Sébastien. "Philip Ridley Chronologie". ratatoulha.chez-alice.fr (in French). Retrieved 10 September 2017.
  35. ^ "The Culture Show". BBC Two. Retrieved 10 September 2017.
  36. ^ a b c Rees, David; Robbins, Peter, eds. (June 1987). Oranges and Lemons: Stories by Gay Men. Third House. ISBN 1870188004.
  37. ^ a b Ridley, Philip (1995). "Philip Ridley: Alien Heart". In Boorman, John; Donohue, Walter (eds.). Projections 4½. London, Great Britain: Faber and Faber Limited. pp. 252–260. ISBN 0-571-17609-7.
  38. ^ Ridley, Philip (2002). Philip Ridley: Plays One 'The Pitchfork Disney', 'The Fastest Clock in the Universe', 'Ghost from a Perfect Place'. Faber and Faber Limited. ISBN 0-571-21056-2.
  39. ^ Ridley, Philip (2012). Philip Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. London, England: Bloomsbury Methuen Drama. ISBN 978-1-40814-231-8.
  40. ^ a b David, Justin; Evans, Nathan, eds. (2021). Mainstream: An Anthology of Stories from the Edges. Inkandescent. ISBN 978-1-912620-08-1.
  41. ^ Ridley, Philip (2011). Tender Napalm. London, England: Bloomsbury Methuen Drama. pp. 65–71. ISBN 978-1-4081-5287-4.
  42. ^ Ridley, Philip (2012). Mercury Fur. London, England: Bloomsbury Methuen Drama. pp. 133–71. ISBN 978-0-41377-514-6.
  43. ^ Ridley, Philip (2012). "Introduction chapter LV". Philip Ridley Plays 1: The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. London, England: Bloomsbury Methuen Drama. pp. lx–lxi. ISBN 978-1-40814-231-8.
  44. ^ Ridley, Philip (1997). "Looking Back". In Mike Bradwell (ed.). The Bush Theatre Book. London, England: Methuen. p. 75. ISBN 0413713202.
  45. ^ Ridley, Philip (1997). "Looking Back". In Mike Bradwell (ed.). The Bush Theatre Book. London, England: Methuen. p. 77. ISBN 0413713202.
  46. ^ a b Ridley, Philip (2005). Pie Corbett; Gaby Morgan (eds.). The Works 4. London, England: Macmillan Children's Books. pp. 220–222. ISBN 978-0-33043-644-1.
  47. ^ Ridley, Philip (2007). Graham Bendel (ed.). Poems For The Retired Nihilist – Volume 2. Fortune Teller Press. pp. 36–37. ISBN 9780954773724.
  48. ^ Ridley, Philip (2007). Graham Bendel (ed.). Poems For The Retired Nihilist – Volume 2. Fortune Teller Press. pp. 52–54. ISBN 9780954773724.
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  53. ^ Ridley, Philip (24 May 2012). "Chapter 3: Documents: Philip Ridley: Vesper – a Monologue". In Sierz, Aleks (ed.). Modern British Playwriting: The 1990s: Voices, Documents, New Interpretations. Great Britain: Methuen Drama. pp. 189–198. ISBN 978-1-40818-133-1.
  54. ^ a b c Ridley, Philip (2012). "Appendix: Three Monologues from Vault Zero". Philip Ridley Plays 1: Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place. Great Britain: Bloomsbury Methuen Drama. pp. 283–315. ISBN 978-1-4081-4231-8.
  55. ^ a b c d e Ridley, Philip (2014). Dark Vanilla Jungle and other monologues. Great Britain: Bloomsbury Methuen Drama. pp. 41–63. ISBN 978-1-4725-2350-1.
  56. ^ Sierz, Aleks. "KILLER, SHOREDITCH TOWN HALL". Aleks Sierz. Retrieved 3 December 2017.
  57. ^ "Shoreditch Town Hall presents the world première of KILLER Written by Philip Ridley Directed by Jamie Lloyd". Shoreditch Town Hall.
  58. ^ Sierz, Aleks (17 February 2018). "Wondrously Roarding Ridleyland - review". The Arts Desk. Retrieved 14 March 2018.     
  59. ^ "Brief Encounter with ... Mercury Fur director Ned Bennett". WhatsOnStage. 6 June 2012. Retrieved 15 June 2018.
  60. ^ "Gators, Tramp - review – Gloriously surreal monologue about everyday anxieties in extraordinary circumstances". The Arts Desk. 9 April 2020.
  61. ^ Maslin, Janet (9 November 1990). "The Krays (1990) Review/Film; Twin Thugs With a Mother Complex". The New York Times. Retrieved 10 September 2017.
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  63. ^ "Peter Greenaway: Exhibitions". Thessaloniki Film Festival. Retrieved 10 September 2017.
  64. ^ Blandford, James R. (17 December 2009). PJ Harvey: Siren Rising. Omnibus Press. ISBN 9780857121103. Retrieved 10 September 2017 – via Google Books.
  65. ^ a b Behind The Eyes event on the Art Licks Website
  66. ^ Archive page 'About: Leaves of Glass' on OffWestEnd.com
  67. ^ Archived web-page on 'Recent Portraits' exhibition on The Soho Theatre website
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  69. ^ a b "Webpage of the 2007 production of Vincent River on the Trafalgar Studios website". Archived from the original on 20 September 2007. Retrieved 30 September 2018.
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  71. ^ "Shoreditch Town Announces Additional Programme of Events to Complement Philip Ridley Double-Bill". Broadway World. Wisdom Digital Media. 16 February 2017. Retrieved 10 September 2017.
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  74. ^ Ridley, Philip (2007). Graham Bendel (ed.). Poems For The Retired Nihilist – Volume 2. Fortune Teller Press. ISBN 9780954773724.
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  99. ^ "The CILIP Carnegie and Kate Greenaway Awards". Carnegie Greenaway. Archived from the original on 3 March 2016. Retrieved 10 September 2017.
  100. ^ Ridley, Philip (15 March 2006). "By Philip Ridley - Mighty Fizz Chilla". Puffin. Retrieved 10 September 2017 – via Amazon.
  101. ^ Brennan, Geraldine (6 September 2015). "It's the way they tell 'em; Children's books". TES. Retrieved 10 September 2017.
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