The Piano Concerto No. 5 in D major, Op. 120 "Concerto Pastorale", by Ferdinand Ries was composed between 1813 and 1816 and published in 1823 by the firm of Sauer & Leidesdorf with a dedication to Prince Oscar of Sweden.[1][2]
Composition history
editAccording to Allen Bradley in the liner notes to the Naxos recording, the composers manuscript is undated making it difficult to determine exactly at what point the composer started working on this concerto. However the works dedication to Prince Oscar of Sweden, suggests that he started work on the concerto during his time in Sweden and worked intermittently on it, along with revisions to the Piano Concerto Op.55 until around 1815-16.[2] This would make the concerto the sixth of the composers eight piano concertos to be written.[a] The concertos publication in 1823 came at a time when Ries was retiring from active performing and so no longer needed to keep secret the works he relied on in performance.
Structure
editThe concerto follows the traditional three-movement structure:
Recordings
editTo date the concerto has only been recorded once, by Uwe Grodd with the Bournemouth Symphony Orchestra and soloist Christopher Hinterhuber, this was released by Naxos Records[b] in conjunction with a publication of the score in a critical edition prepared by Allen Bradley.[3]
References
edit- Notes
- ^ Hill 1977, pp. 126 & 127
- ^ a b Bradley 2010, p. 3
- ^ McGorray 2015, p. 59
- Sources
- Badley, Allan (2010). Ries, F.: Piano Concertos, Vol. 4 - Piano Concertos, Opp. 115 and 120 (CD). Naxos Records. 8.557844.
- Hill, Cecil (1977). Ferdinand Ries: A Thematic Catalogue. Armidale, NSW: University of New England. ISBN 0-85834-156-5.
- Hill, Cecil (1982). "Ferdinand Ries. A Study and Addenda". Occasional Paper. Armidale, NSW: University of New England. ISSN 0314-5999.
- McGorray, Ian (2015-07-21). Ferdinand Ries and the Piano Concerto: Beethoven's Shadow and the Early Romantic Concerto (M.M.). University of Cincinnati.
