The village of Pipili, Puri district, Odisha, India, is well known for its appliqué work, traditionally known as Chandua (Odia: ଚାନ୍ଦୁଆ Cānduā) in India. "Appliqué" comes from the French word appliquer,[1] meaning "to put on". There are two variants to this technique: appliqué, where a fabric shape is sewn over a base layer, and reverse appliqué, wherein two layers of fabric are laid down, and a shape is subsequently cut out from the upper layer, exposing the lower layer, before both are stitched together.[2] It is one of the products which has been granted Geographical Indication (GI) by the government of India (Application No. 86 and 108).
| Pipili Appliqué Work | |
|---|---|
| Geographical indication | |
| Alternative names | Chandua (Odia: ଚାନ୍ଦୁଆ Cānduā) |
| Type | Handicraft |
| Area | Pipili, Puri district, Odisha |
| Country | India |
| Material | Fabric |
Etymology
editThe word Chandua (Odia: ଚାନ୍ଦୁଆ Cānduā) is derived from the Sanskrit word Candrātapa (Sanskrit:चन्द्रातप, Candrātapa) and the Prakrit word Candāava (Prakrit:चंदाअव, Candāava) meaning moonlight, an awning, canopy, lantern.[3][4]
History
editPipili appliqué work owes its origin to the culture of Lord Jagannath during the 12th century.[5] Earlier appliqué canopies, umbrellas and lanterns were prepared by the Gajapatis for the annual Ratha Jatra of Jagannath.
Use
editNowadays its usage is more in household, decorative and festival products. The appliqué items are mainly used during rituals and jatras of the deities, particularly the colourful appliqué cloth covers of the three rathas of the deities during Rath Jatra. Apart from differences in colour the basic design of all three is similar. Appliqué work is also used in making pillows, seats and ritual dresses for the deities.
Designing
editThe base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads.[6]
Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
The craft involves embroidering and stitching. For attaching the pieces of cloth the makers use straight stitch, satin stitch, blind stitch, or buttonhole stitch. Sometimes they also make mirror work and many decorative stitches.
Pipili village
editPipili is a small town, situated about 40 kilometers from Puri, Odisha. The income of this town is essentially dependent on the business of its handicrafts of which the appliqué works are the main source. Nowadays, Pipili is globally known as the destination of appliqué and is where many workers and workshops continue to practise the technique, creating both traditional and contemporary items.[7]
Guinness Book of Records
editPipili has an entry in 2004 in the Guinness Book of Records, for the world's largest thematic appliqué work.[8] The 54-metre (177 ft) long work is filled with depictions of India's struggle for independence.[9]
References
edit- ^ Nayar, Sanjiv. "Pipili". esamskriti.com. Retrieved 30 January 2016.
- ^ Nithyaprakash, V. "Sewing Montages". gaatha.com. Retrieved 30 January 2016.
- ^ "Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary". www.sanskrit-lexicon.uni-koeln.de.
Candrātapa (चन्द्रातप, candrā+tapaḥ) 1. f. Moonlight; an awning, canopy or lantern.
- ^ Sheth, Hargovind Das T. (1923–1928). "Paia-sadda-mahannavo". dsal.uchicago.edu.
- ^ "Facilitation of IPR Protection through Geographical Indications - Services - Textiles Committee (Ministry of Textiles, Government of India)". Archived from the original on 27 April 2015. Retrieved 30 January 2016.
- ^ "Pipili in Orissa". incredibleodisha.org. Retrieved 30 January 2016.
- ^ "Why Pipli Applique is so Exquisite". strandofsilk.com. Retrieved 30 January 2016.
- ^ "Pipili Applique". www.shreekhetra.com. Retrieved 30 January 2016.
- ^ "Why Pipli Applique is so Exquisite". strandofsilk.com. Retrieved 30 January 2016.