The Polyptych of Miglionico is a large, multicompartment Renaissance-style altarpiece painted in 1499 by Cima da Conegliano and housed in the church of Santa Maria Maggiore in the town of Miglionico, province of Matera, Basilicata, Italy.
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The large altarpiece consists of 18 wooden panels painted with tempera and oil in a style pioneered by Giovanni Bellini. In the center of the work is an Enthroned Madonna with Child. To the left of the center panel is a standing St Francis of Assisi and St Jerome. To the right, St Peter and St Antony of Padua. Above are half-busts of St Clare, St Louis of Toulouse, St Bernardino of Siena, and St Catherine of Alexandria. Atop the piece is a Christ with an Annunciation. In the base are a series of Franciscan proto-martyrs. The central panel with a nativity scene is missing.
The work was originally present in a Franciscan structure in the Veneto, but acquired in 1598 by the Archbishop Marcantonio Mazzone. The center panel is signed by a JOANES BAPTISTA, which in 1907, along with the stylistic elements, led Martin Wackernagel to attribute the work to Giovanni Battista Cima da Conegliano.[1]