Portal:Opera

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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

Composer Gavin Bryars playing the double bass
Doctor Ox's Experiment is an opera in two acts by Gavin Bryars (pictured). It has an English-language libretto by Blake Morrison after the novella of the same name by Jules Verne. It was first performed on 15 June 1998 at the London Coliseum by English National Opera (ENO) who co-commissioned the opera with BBC Television. In the experiment of the title, Doctor Ox introduces a gas into a sedate and conservative Flemish village with the result that everyone and everything becomes speeded up and chaotic. (Ox's and his assistant's names combine to make Oxygėne, the French name for Oxygen.) The opera explores the conflict between Ox's advocacy of modernity and scientific and political change and Ygène's belief that liberation and the accompanying loss of the traditional rhythms of life might bring unhappiness. The music is predominantly slow-moving and quiet. Bryars allocated distinct voice types to the different types of roles: town elders, young lovers and scientists. He also included some unusual instruments in his orchestra: an oboe d'amore and an amplified jazz bass in the love scene, an electronic keyboard and a flugelhorn instead of trumpets in the brass section. The reception was mixed with several critics complaining of boredom while others wrote of members of the audience being entranced by the music.
Giovanna d'Arco
Giovanna d'Arco
Credit: Engraved by Luigi Barinetti after Girolamo Magnani; restored by Adam Cuerden
Title page of the vocal score for Verdi's 1845 opera, Giovanna d'Arco. Based on the life of Joan of Arc, the opera takes considerable liberties with history. Unlike the real Joan of Arc who was burnt at the stake, Verdi's heroine dies on the battlefield. The opera premiered at La Scala, Milan, where it was rapturously received by the audience but dismissed by the critics. For a production in Rome three months later, the Papal censors demanded that all religious connotations be removed from the story. The opera was performed as Orietta di Lesbo and set on the Isle of Lesbos with an Italian heroine leading the Lesbians into battle against the Turks.

In this month

Jenny Lind

Selected biography

George Grossmith
George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. Grossmith is best remembered for two aspects of his career. First, he created a series of nine memorable characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in H.M.S. Pinafore (1878), the Major-General in The Pirates of Penzance (1880) and Ko-Ko in The Mikado (1885–87). Second, he wrote, in collaboration with his brother Weedon, the 1892 comic novel Diary of a Nobody. Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including "See Me Dance the Polka". He continued to perform into the first decade of the 20th century. His son, George Grossmith Jr., became a famous actor, playwright and producer of Edwardian musical comedies.

Selected quote

Ralph Vaughan Williams
You have taken far too much trouble over your opera. Here in England that is mere waste of time. What the English like is something that they can beat time to, something that hits them straight on the drum of the ear.

Selected audio

Antonio Pasculli's Gran Concerto on themes from Verdi's I vespri siciliani. Performed by Alex Klein, oboe, and Lisa Bergman, piano.

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Adelina Patti in the title roleof Esmeralda

WikiProjects

Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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