Introduction
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within the African-American community in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll, the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues, as well as gospel and soul music. By the 1970s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk. (Full article...)
Selected article
Neo soul is a term coined by music industry entrepreneur Kedar Massenburg during the late 1990s to market and describe a style of music that emerged from soul and contemporary R&B. Heavily based in soul music, neo soul is distinguished by a less conventional sound than its contemporary R&B counterpart, with incorporated elements ranging from jazz, funk, and hip hop to pop, fusion, and African music.
Developed in the United States and United Kingdom during the 1980s and early 1990s as a soul "revival" movement, neo soul emerged into the mainstream with the commercial and critical breakthroughs of several neo soul artists during the 1990s, as it was marketed as an alternative to the producer-driven, digitally-approached R&B of the time. Since its initial mainstream popularity and impact on the sound of contemporary R&B, it has been expanded and diversified musically through the works of both American and international artists. According to Mark Anthony Neal, "neo-soul and its various incarnations has helped to redefine the boundaries and contours of black pop".
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Selected biography -
Ivory Joe Hunter (October 10, 1914 – November 8, 1974) was an American rhythm-and-blues singer, songwriter, and pianist. After a series of hits on the US R&B chart starting in the mid-1940s, he became more widely known for his hit recording "Since I Met You Baby" (1956). He was billed as The Baron of the Boogie, and also known as The Happiest Man Alive. His musical output ranged from R&B to blues, boogie-woogie, and country music, and Hunter made a name in all of those genres. Uniquely, he was honored at both the Monterey Jazz Festival and the Grand Ole Opry. (Full article...)
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Sources
- ^ "Ruth Brown, the Queen of R&B, was born 93 years ago today". Frank Beacham's Journal. Archived from the original on January 24, 2021. Retrieved 2021-01-18.