Wikipedia

Rafael Riqueni

In this Spanish name, the first or paternal surname is Riqueni and the second or maternal family name is Del Canto.

Rafael Riqueni del Canto (Sevilla, August 16, 1962), is a Spanish guitar player and composer. He is considered as one of the biggest names or “Maestros” in flamenco guitar history.[1][2][3] At age fourteen, he won the two main national awards for flamenco guitar in Spain.[4] As an adult, he has won the most prestigious flamenco music awards in Spain, including: Premio Andalucía de Cultura, Premio Nacional de la Crítica, Giraldillo a la Maestría de la XVIII Bienal de Flamenco [5][6] y el Premio AIE.[7] In 2017, he was awarded with XXXI Compás del Cante,[8] this award is always referred to by the Spanish media as the "Flamenco Nobel prize".[9][10][11][12]

Rafael Riqueni
Riqueni performing in 2016
Riqueni performing in 2016
Background information
Birth nameRafael Riqueni del Canto
Born(1962-08-16)16 August 1962
Sevilla, Spain
Genres
Occupations
InstrumentGuitar
Years active1974 (1974)–present
Websitewww.rafael-riqueni.com

Biography

edit

Early life

edit

Rafael Riqueni was born in Sevilla on August 16, 1962, in Fabie St at Triana, Riqueni also spend part of his childhood at El Arenal, he lived in the same building there than Francisco Palacios El Pali. Riqueni was an early and gifted musician, he had a big creative capacity that started to cause sensation as a child.[13] At age eleven, he started to play with Niño Ricardo records, then he discovered Paco de Lucía and that made him finally decide to pursue a career in music.[14] His first teacher was Manolo Carmona, and then he became a student of Manolo Sanlúcar.[4][15][16]

Career (1974-2019)

edit

Early career

edit

Rafael Riqueni gave his first concerts at age twelve, at the Educación y Descanso Festivals.[14] At age thirteen, he stood out during a solo concert at a flamenco festival in Teatro Lope de Vega.[17] One year later, in 1977, Riqueni won the Ramón Montoya concert guitar prize at VIII Concurso de Arte Flamenco de Córdoba, causing a big impression with his performance,[14] y del VI Certamen Nacional de Guitarra de Jerez de la Frontera,[18] considerados los dos principales premios nacionales de guitarra.[4] La consecución de los mismos fue el comienzo de su carrera profesional,[15] una de sus principales cualidades era la búsqueda de un estilo personal y alejado de las escuelas dominantes en la guitarra flamenca.[19]

In 1979, he toured with Isabel Pantoja's company.[20] In 1981, he again won first prize in the X Jerez National guitar contest.[21] In 1982, he was on tour with Rocío Jurado.[22]

In 1984, he took part in the III Bienal de Flamenco de Sevilla opening concert, where he played “Sevilla “ from Albéniz along four compositions of his own. In that same Bienal de Flamenco edition, he was one of the finalist contenders for the Giraldillo del Toque guitar contest, along with Tomatito, Pedro Bacán, Jose Antonio Rodríguez, Paco del Gastor and Manolo Franco, who won the contest.[23]

As part of the V Cordoba International guitar festival, in 1985, Riqueni offered a concert together with Manolo Franco and Enrique de Melchor under the name of Jovenes Figuras de la Guitarra Flamenca.[24] That same year, Riqueni participated in the II Madrid Cumbre Flamenca Festival with the show Luces de Chacón, together with Enrique Morente, Carmen Linares and Manolo Sanlúcar among other artists.[25] During the III Cumbre Flamenca Festival, he gave a concert together with José Antonio Rodriguez y Gerardo Núñez, under the name of Empujando.[26] Also in 1986, Riqueni played a solo concert in the Los Veranos de la Villa Festival in Madrid,[27] and offered two solo concerts in the Fráncfort Opera Theater.[28]

Juego de Niños (1986)

edit

Riqueni published his first record in 1986, Juego de Niños, with producer Ricardo Pachón, who was well known for his previous work with Camarón de la Isla among other important flamenco artists. The flamenco guitar specialist Norberto Torres stated in his book that Juego de Niños is suggesting a new and different musical order for flamenco”, this album also settled the basis for Rafael Riqueni's style. One of the most prominent pieces is ”Al Niño Miguel”, a tribute to the late guitar player from Huelva, Norberto Torres said ” The intro part of this piece is a total new concept for Fandango (flamenco style), Riqueni was using minor key harmonies before going for the cadencia andaluza".[29]

Flamenco (1987)

edit

In 1987, and as a foreign policies ministry endorsement, Riqueni was representing Spain for a series of International music festivals, he also toured in Germany. During this German tour, he was offered there to record an album with the same music he was playing in concert,[30] and Flamenco became his second album, a solo guitar record. The famous flamenco producer José Manuel Gamboa said in his book that: Flamenco is a real lesson on flamenco playing and composition. The Minera (flamenco style) included in the album, is probably the best Minera in history”,[15] and Norberto Torres in Historia de la Guitarra Flamenca said that “Riqueni made a real solo guitar record, without overdubs, he showed to aficionados and specially to guitar players, all his virtuous qualities as a composer and concert player. This album contains true gems for flamenco concert guitar, with the Minera he achieves a perfect balance between his flamenco and classical background, at the same time that his melodic characteristic style gets here to the highest level”.[31]

In 1989, Riqueni composed the soundtrack for La Reina Andaluza, the first play offered by the Andalusian Theater institute. The premiere was held at the Teatro Imperial in Sevilla.[32][33]

Mi Tiempo (1990)

edit

Mi Tiempo, was published in 1990, and became of the most celebrated and influential albums in Riqueni's discography. A record in where he brought classical and jazz influences to his music, including string arrangements that were composed by Riqueni as well.[34][35] One of the most prominent pieces of the album is “Y Enamorarse”, an Alegría flamenco Style in e minor, in where Riqueni uses novelty harmonies for flamenco, and covers every cadencia andaluza derivate music mode that guitar players have been using along the whole flamenco guitar history.[36]

Mi Tiempo premiere concert was held in Seville at the VI Bienal de Flamenco.[15]

Suite Sevilla (1992)

edit

Suite Sevilla was published in 1992, and is again one of the most important records in Rafael Riqueni´ discography, it was one of the very few encounters between flamenco and classical.[37] Suite Sevilla was inspired by flamenco roots but it was created under a classical concept in the tradition of Nacionalismo musical,[15] a genre related to musical romanticism from the XIX century. Mainly Falla, Turina, Granados and Albéniz made this style popular in Spain. Suite Sevilla is a Riqueni composition for two guitars, and the album was recorded by Riqueni and classical guitarist José Maria Gallardo del Rey, they both toured the album.[38] The premiere of Suite Sevilla was held at the Houston International Festival in 1993, later in October, the Spanish premiere was held in Reales Alcazares, Seville.[39][40]

In July of that same year, Rafael Riqueni staged a concert for guitar and orchestra during the XIII Córdoba International Guitar Festival, with Leo Brouwer as a director; Gipsy Concert was the unreleased last work by Sabicas with F. Cofiner orchestra arrangements.[41]

In 1994, Riqueni performed at Los Tarantos Hall in Barcelona,[42] he continued touring with José Maria Gallardo and Suite Sevilla.[43] In March he went on a South American tour that took him to Chile, Perú, Brasil and Argentina.[39] That same year he played in a series of Festivals including VIII Andres Segovia International Festival in Madrid, [44] VII International La Habana guitar Festival,[39] V European Jazz Mostra in Barcelona,[45] XIV Córdoba International Guitar Festival, in a concert with Tomatito.[46] During the San Sebastian Film Festival, he played a live soundtrack for La Mujer y el Pelele.[47] He also was part of the VIII Seville Bienal de Flamenco in where he participated in De la Luna al Viento together with María Pagés y Carmen Linares. This concert was one of the biggest festival hits.[48] In "Guia Libre del Flamenco", José Manuel Gamboa talked about this concert “As a result of Riqueni´s study of Nacionalismo Musical authors, his cover of “Amarguras” from Font de Anta is a fantastic work, when he played this piece at Maestranza Theater during the Bienal de Flamenco, the crowd went into a total commotion”.[15][49] In November, Riqueni offered two shows in Prague and Bratislava.[50]

Maestros (1994)

edit

At the end of 1994, Riqueni released a new album, Maestros, produced by Enrique Morente, who was creating a new label,“Discos Probeticos”, and Maestros was his first release.[51] With this Album Rafael Riqueni pays tribute to three historic guitar players, he recorded different covers from Niño Ricardo, Sabicas and Esteban de Sanlúcar.[52] Riqueni closed the album with a song with Enrique Morente, “Estrella Amargura”, based on the previous “Amarguras” cover performed at Bienal de Flamenco.[15][53]

In 1995, Rafael Riqueni and María Pages performed together at The Point Theater in Dublin, during six nights in a row, as part of Riverdance, a popular musical play. Riqueni also offered a solo concert in Dublin promoted by the Spanish embassy.[54] That same year he performed together with Pedro Iturralde at the Flamenco Jazz Festival in Teatro Albéniz, Madrid. Again in 1995, He played for three nights in a row at Teatro Alfil in Madrid,[55][56] and participated in the film, Flamenco, by Carlos Saura,[57]

Later in December, he received the Andalucía de Cultura award by Junta de Andalucía president Manuel Chaves.[58]

Alcázar de Cristal (1996)

edit

On February 29, 1996, Riqueni started in Sevilla the tour of his new album, Alcázar de Cristal, This first show had Maria Pagés as special guest.[59] One of the most famous pieces of the album was "Calle Fabié", a piece that included string arrangements by Rafael Riqueni, and was dedicated to his father memory.[60]

In July, he performed with Alcázar de Cristal at the 45 International Granada Music and dance Festival.[39] and the XVI Cordoba International guitar Festival.[24]: 65  In September, he performed in IX Bienal de Flamenco.[61]

In 1997, he performed at the IX Mont de Martsan Flamenco Festival in France.[39] Also in 1997, Riqueni was part of the Andalusia Day commemorative concert in Teatro de la Zarzuela, Madrid, with José Mercé, Esperanza Fernández, Tomatito, Moraito Chico and J.M. Evora.[62] He also played in Havana, Cuba in a Festival with Lebrijano, Familia Fernandez and Manolo Soler.[39]

Comeback (2014)

edit

In 1997, Riqueni went practically on retirement due to health problems, from that point he only offered some shows in very specific occasions. In 2002, a fund raising festival for medical treatment was held in Madrid, with the performances of Enrique Morente, Carmen Linares, José Mercé and Enrique de Melchor among other artists.[63][64]

In 2006, Rafael Riqueni performed with Enrique Morente at the 30th Vitoria Jazz Festival and VII Flamenco Pa To's Festival in Madrid. In 2011, Riqueni played in one leg of the Pablo de Málaga tour, an album by Enrique Morente.[39]

In 2011, press announced that Rafael Riqueni is working on a new album, his first since 1996. And Paco Bech is shooting a documentary movie about Riqueni with the participation of Tomatito, Enrique de Melchor, Estrella Morente, Juan Manuel Cañizares and Serranito among other artists. This new album will be called Parque de María Luisa and is a conceptual work about the author memories of youth in this monument park in Sevilla.[65][66]

Riqueni announced his comeback for the XVIII Bienal de Flamenco, in 2014, where he performed at Lope de Vega Theater with Y Sevilla…, a show together with Antonio Canales, Segundo Falcón, Manolo Franco y Paco Jarana. Rafael Riqueni was one of the most celebrated performers of this Bienal de Flamenco edition and achieved the “Giraldillo a la Maestria” Bienal's award.[67][68][69]

In July 2015, Riqueni went to prison, due to a misdemeanor committed in 2010 and directly related to his health problems back then, he was successfully recovered from these health issues since 2013. Riqueni was released on parole in October 2015.[70] [71] In November 2015, he premiered in concert Parque de María Luisa at Teatro de la Maestranza in Seville, with the artistic direction of Paco Bech.[72] The press unanimously acclaimed the concert. ABC stated that the concert was the biggest musical hit in Seville in decades.[73][74][75][76][77]

Parque de María Luisa (2017)

edit

In June 2017, Parque de María Luisa was published with Universal Music, the album was produced by Paco Bech and Joselito Acedo.[78] It's the seventh album in Rafael Riqueni's discography and it was published twenty one years after his previous record, Alcázar de Cristal (1996). Parque de María Luisa got excellent reviews after release. Dario de Sevilla said it was a masterpiece.[78][79][80][81][82] The album premiere was held at Suma Flamenca Festival in Madrid, with the artistic direction of Paco Bech, the concert was a big success and achieved excellent reviews.[83][84][85][86][87] Parque de Maria Luisa entered the top ten of best albums in Spain during 2017 for ABC newspaper.[88] For El País, Parque de María Luisa was the best Flamenco record in 2017.[89][82] The album was number tree for the Notodo.com best albums list in Spain during 2017, notodo.com said: This is the latest flamenco guitar masterpiece, and we doubt if there will be ever another one at this level.[90]

In 2019, Universal Music released a double vinyl edition of "Parque the María Luisa" with seven previously unreleased tracks.[91][92] On march 9th, Rafael Riqueni offered a Parque de María Luisa concert with special guests: Arcángel, Ana Guerra, Diana Navarro, Dorantes, Antonio Canales y Rocío Molina. The concert was held at Cartuja Center Sevilla.[93][91][94]

Musical aspects

edit

Rafael Riqueni's music takes flamenco as a basis, plus classical music influences among other contemporary styles, a process easy to identify with his first album, and definitely stated in Mi Tiempo.[95] In flamenco guitar specialist Norberto Torres words: “Riqueni´s music is close to romanticism aesthetics with factors like: contrast to previous musical forms and modes, difficult and expanded processes, sentimentalism, and a new concept for harmonies, rhythm, melody and design.[96] Ramón Rodo Sellés, talks about innate musicality and unique playing style[97]

One of Riqueni´s main characteristic is his capacity as a solo concert player, without the need of a backing group.[98][99][100] Riqueni is also considered to have developed a personal style away from the dominant Paco de Lucia spectrum in flamenco contemporary guitar.[101]

Rafael Riqueni has done an extensive use of musical notation in his work.[3]

Discography

edit

Studio albums

edit
Title Album details
Juego de Niños
  • Released: 1986
  • Label: Nuevos Medios
  • Formats: LP, CD
  • Produced by Ricardo Pachón
Flamenco
  • Released: 1987
  • Label: Blue Angel
  • Formats: LP, CD
Mi Tiempo
  • Released: 1990
  • Label: Nuevos Medios
  • Formats: LP, CD
Suite Sevilla
  • Released: 1992
  • Label: JMS
  • Formats: CD
Maestros
  • Released: 1994
  • Label: Discos Probeticos
  • Formats: CD
  • Produced by Enrique Morente, with his collaboration in one song
Alcázar de Cristal
  • Released: 1996
  • Label: Auvidis
  • Formats: CD
Parque de María Luisa
  • Released: 2017
  • Label: Universal Music Spain
  • Formats: CD
  • Produced by Paco Bech y Joselito Acedo. With collaborations by Estrella Morente, Raimundo Amador and Juan José Amador.
Parque de María Luisa. Double vinyl special edition
  • Released: 2019
  • Label: Universal Music Spain
  • Formats: LP
  • Contains seven new tracks, with previously unreleased songs from the album sessions.
‘’Herencia’’
  • Released: 2021
  • Label: Universal Music Spain
  • Format: CD

Collaborations

edit
  • Pata Negra. Blues de la Frontera (1987)
  • Cantores de Híspalis. Por la Paz (1988)
  • Vargas Blues Band. Madrid-Menphis (1992)
  • Bill Whelan. Riverdance, Music from the Show (1995)
  • Vicente Soto "Sordera". Tríptico Flamenco: Sevilla (1996)
  • Carmen Linares. La Mujer en el Cante (1996)
  • Niña Pastori. Entre dos Puertos (1996)
  • Enrique Morente. La Estrella (1996)
  • Carlos Núñez. A Irmandale Das Estrelas (1996)
  • Carlos Núñez. Os Amores Libres (1999)
  • Estrella Morente. Mujeres (2006)
  • Enrique Morente. Pablo de Málaga (2009)
  • Enrique Morente. Flamenco en Directo (2009)
  • Enrique Morente. Morente+Flamenco (2010)
  • Enrique Morente. Morente B.S.O. (2011)
  • Kiki Morente. Albayzín (2017)

References

edit
  1. ^ "Fallados los Premios Giraldillos de la XVIII Bienal de Flamenco". 22 October 2014. Archived from the original on 29 October 2014. Retrieved 2 March 2015.
  2. ^ "SGAE. Enrique Morente, El Lebrijano, Antonio Reyes, Farruquito, Miguel Ángel Cortés, Manuel Valencia y Rafael Riqueni, protagonistas de los Premios Giraldillos 2014". Retrieved 2 March 2015.
  3. ^ a b Cera Vera, Manuel (2006). "En torno a la guitarra flamenca y la notación musical". Revista del Conservatorio Superior de Música "Rafael Orozco" de Córdoba. Junta de Andalucía, Consejería de Educación. pp. 121–122. ISBN 84-688-0474-6.
  4. ^ a b c Blas Vega, José; Ríos Ruiz, Manuel (1990). "See page 649". Diccionario enciclopédico ilustrado del flamenco (in Spanish) (2 ed.). Madrid: Editorial Cinterco. p. 649. ISBN 84-86365-27-9. OL 1768847M.
  5. ^ Alberto García Reyes (22 October 2014). "Riqueni, Farruquito, Antonio Reyes y Cortes, Giraldillos de la Bianal 2014". Diario ABC (in Spanish). Retrieved 29 October 2014.
  6. ^ Bienal de Flamenco. "Fallados los Premios Giraldillos de la XVIII Bienal de Flamenco" (in Spanish). Archived from the original on 29 October 2014. Retrieved 29 October 2014.
  7. ^ "Premios AIE a toda una vida 2015" (PDF). www.filaie.com (in Spanish). 8 June 2015. Archived from the original (PDF) on 3 February 2016. Retrieved 12 August 2023.
  8. ^ "Rafael Riqueni, premio Compás del Cante". sevilla (in European Spanish). Retrieved 7 August 2018.
  9. ^ SER, Cadena (14 December 2017). "Rafael Riqueni recibió el Compás del Cante de la Fundación Cruzcampo". Cadena SER (in European Spanish). Retrieved 7 August 2018.
  10. ^ "José Mercé: "El Compás del Cante es el Nobel del flamenco"". sevilla (in European Spanish). Retrieved 7 August 2018.
  11. ^ Internet, Unidad Editorial. "Pansequito pone compás al 'Nobel' del flamenco | Andalucía | elmundo.es". www.elmundo.es. Retrieved 7 August 2018.
  12. ^ "El tocaor sevillano Rafael Riqueni recibe el XXXI Compás del Cante de la Fundación Cruzcampo". www.guiaflama.com (in Spanish). Retrieved 7 August 2018.
  13. ^ Miguel Espín, José Manuel Gamboa. Tesoros de la Guitarra Flamenca: Rafael Riqueni. Programa de televisión. Spain: TVE.
  14. ^ a b c Álvarez Caballero, Ángel (2003). "23". El Toque Flamenco (in Spanish) (1ª ed.). Madrid: Alianza Editorial. p. 291. ISBN 84-206-2944-8.
  15. ^ a b c d e f g Gamboa, José Manuel (2001). Fernando Olmesa (ed.). Guía Libre del Flamenco (in Spanish) (1ª ed.). Madrid: Fundación Autor/SGAE. ISBN 84-8048432-2.
  16. ^ ABC. Alberto García Reyes (22 October 2014). "IX Giraldillos de la Bienal 2014".
  17. ^ ABC. Pepe Sollo y Agustín Navarro. "IX Festival Cruz de Mayo". Retrieved 9 November 2013.
  18. ^ ABC. "Riqueni del Canto, vencedor del VI Certamen Nacional de Guitarra". Retrieved 9 November 2013.
  19. ^ José Luis Manfredí. "Espectáculo de Cante y Baile Flamenco". Retrieved 10 November 2013.
  20. ^ ABC (20 December 1979). "Espectáculos". Retrieved 17 November 2013.
  21. ^ ABC. "Rafael Riqueni Premio Nacional de Guitarra Flamenca". Retrieved 10 November 2013.
  22. ^ La Vanguardia. Josep Sandoval. "La Jurado hizo saltar la banca". Retrieved 10 November 2013.
  23. ^ Bienal de Flamenco. "Bienal de Flamenco 1984". Archived from the original on 1 November 2014. Retrieved 10 November 2014.
  24. ^ a b Ayuntamiento de Cordoba (2005). "1981-2005: 25 Años de Festival". Córdoba Guitarra. Ediciones de la Posada (in Spanish). 1 (1): 23.
  25. ^ ABC. Manuel Ríos Ruiz. "La Noche del Cante Gachó". Retrieved 10 November 2013.
  26. ^ ABC. M.R.R. "Aurora Vargas, Duende y Compás Festero". Retrieved 10 November 2013.
  27. ^ ABC. "Los Veranos de la Villa". Retrieved 10 November 2013.
  28. ^ De Flamenco.cm (3 August 2012). "Biografía Rafael Riqueni". Retrieved 18 November 2013.
  29. ^ Norberto Torres. "Rafael Riqueni "Juego de Niños"". Archived from the original on 21 September 2013. Retrieved 10 November 2013.
  30. ^ ABC. José Luis Montoya. "El Patio". Retrieved 10 November 2013.
  31. ^ Torres, Norberto (2010). "14". Historia de la Guitarra Flamenca (in Spanish) (2ª ed.). Editorial Almuzara. p. 118. ISBN 978-84-96416-58-1.
  32. ^ El Almería. (4 January 2009). "El guitarrista Rafael Riqueni actuará el día 10 en el Apolo". Retrieved 10 November 2013.
  33. ^ ABC (5 March 1989). "Cartelera". Retrieved 10 November 2013.
  34. ^ Miguel Espín, José Manuel Gamboa. Tesoros de la Guitarra Flamenca: Rafael Riqueni. Programa de Televisión. Spain: TVE. Event occurs at 15:25.
  35. ^ Jondo Web. Carlos Ledermann. "MI Tiempo". Retrieved 10 November 2013.
  36. ^ Torres, Norberto (2010). "14". Historia de la Guitarra Flamenca (in Spanish) (2ª ed.). Editorial Almuzara. p. 119. ISBN 978-84-96416-58-1.
  37. ^ Álvarez Caballero, Ángel (2003). "23". El Toque Flamenco (in Spanish) (1ª ed.). Madrid: Alianza Editorial. p. 292. ISBN 84-206-2944-8.
  38. ^ ABC. José Ignacio La Casa (25 March 1993). "Flamenco". Retrieved 17 November 2013.
  39. ^ a b c d e f g De Flamenco.com (3 August 2012). "Biografía Rafael Riqueni". Retrieved 18 November 2013.
  40. ^ ABC (19 October 1993). "ABC SEVILLA (Sevilla) - 19/10/1993, p. 104 - ABC.es Hemeroteca". Retrieved 10 November 2013.
  41. ^ ABC. J.I. de la Casa (7 December 1993). "Rafael Riqueni".
  42. ^ La Vanguardia (11 January 1994). "Edición del martes, 11 enero 1994, página 38 - Hemeroteca - Lavanguardia.es". Retrieved 10 November 2013.
  43. ^ ABC. Mercedes Martínez. (4 March 1994). "Hoy empiezan las X jornadas dedicadas al arte flamenco". Retrieved 10 November 2013.
  44. ^ El País. Ángel Álvarez Caballero (27 May 1994). "La música, víctima de sus promotores". El País. Retrieved 18 November 2013.
  45. ^ La Vanguardia (30 June 1994). "Cartelera".
  46. ^ ABC (3 July 1994). "Espectáculos". Retrieved 10 November 2013.
  47. ^ El País.Aurora Intxausti (20 August 1994). "El filme "La Sombra" abrirá el festival de Cine de San Sebastián". El País. Retrieved 10 November 2013.
  48. ^ ABC. José Ignacio de la Casa. (20 September 1994). "Éxito rotundo del estreno de "De la Luna al Viento" en el Maestranza". Retrieved 10 November 2013.
  49. ^ ABC. (18 September 1994). "Las Caras de la Noticia". Retrieved 10 November 2013.
  50. ^ ABC. José Luis Montoya. (28 November 1993). "Rafael Riqueni dará sendos conciertos en Praga y Bratislava". Retrieved 10 November 2013.
  51. ^ ABC. J.I. de la Casa (8 September 1995). "Magistral debú de la compañía de Morente con el toque de Riqueni". Retrieved 10 November 2013.
  52. ^ Jondo Web. Pablo San Nicasio Ramos. "Maestros". Retrieved 10 November 2013.
  53. ^ "Rafael Riqueni - Maestros". Discogs. Retrieved 4 April 2017.
  54. ^ ABC. José Ignacio La Casa. (24 March 1995). "Rafael Riqueni prepara un nuevo disco en el que podrían estar Enrique Morente y Paco de Lucía". Retrieved 10 November 2013.
  55. ^ El País. Ángel Álvarez Caballero. (8 June 1995). "Tres Noches de Guitarra Flamenca con Riqueni". El País. Retrieved 10 November 2013.
  56. ^ ABC. (19 December 1995). "ABC (Madrid) - 19/12/1995, p. 84 - ABC.es Hemeroteca". Retrieved 10 November 2013.
  57. ^ ABC. (16 June 1995). "Un poema de luz y vida en el amanecer de una cultura". Retrieved 10 November 2013.
  58. ^ ABC (5 January 1996). "Premios de Cultura". Retrieved 10 November 2013.
  59. ^ ABC (28 February 1996). "ABC SEVILLA (Sevilla) - 28/02/1996, p. 92 - ABC.es Hemeroteca". Retrieved 29 November 2013.
  60. ^ ABC. José Ignacio de la Casa. (13 March 1996). ""Alcázar de Cristal", un importante eslabón en la evolución musical de Riqueni". Retrieved 10 November 2013.
  61. ^ ABC. J.I. la Casa. (14 September 1996). "Rafael Riqueni y su Quinteto cierran el primer ciclo de madrugada del festival". Retrieved 10 November 2013.
  62. ^ ABC. José Ignacio La Casa (1 March 1997). "El Teatro de la Zarzuela acogió una fiesta flamenca por todo lo alto". Retrieved 10 November 2013.
  63. ^ ABC. Manuel Ríos Ruiz. (15 April 2002). "Lecciones Bailaoras". Retrieved 10 November 2013.
  64. ^ "The Wayback Machine has not archived that URL". Retrieved 11 August 2023. [permanent dead link‍]
  65. ^ De Flamenco. Pablo San Nicasio (5 September 2011). "El volver a empezar de un genio". Retrieved 10 November 2013.
  66. ^ ABC (15 September 2011). "Rafael Riqueni presenta "Parque de María Luisa" en el Lope de Vega". Retrieved 10 November 2013.
  67. ^ Alberto García Reyes (28 September 2014). "Bienal de Flamenco 2014. Historia de Sevilla... y de Riqueni..." Peridodico ABC (in Spanish). Retrieved 29 October 2014.
  68. ^ Manuel Martín Martín (29 September 2014). "Amarguras, Orgasmo de la Bienal". Diario El Mundo (in Spanish). Retrieved 29 October 2014.
  69. ^ Alberto García Reyes (30 September 2014). "Hice Amarguras en un avenate de locura". Diario ABC (in Spanish). Retrieved 29 October 2014.
  70. ^ "El guitarrista Rafael Riqueni entra en prisión para cumplir una pena de 14 meses". 12 July 2015. Retrieved 4 April 2017.
  71. ^ "El guitarrista Rafael Riqueni obtiene el tercer grado". 29 October 2015. Retrieved 4 April 2017.
  72. ^ Europa Press (17 November 2015). "Rafael Riqueni ofrece en el Maestranza el concierto "más importante de su vida"". Retrieved 20 July 2017.
  73. ^ García Reyes, Alberto (21 November 2015). "Rafael Riqueni en besamanos". ABC.
  74. ^ Bohorquez, Manuel. "El más grande y el más humilde". El Correo de Andalucía.
  75. ^ Vergillos, Juan (22 November 2015). "El Festejo de la Alegría". Diarío de Sevilla.
  76. ^ Arguijo, Sara (26 June 2017). "Resulta imposible separar a Sevilla de mi guitarra". Diarío de Sevilla.
  77. ^ ABC. Alberto García Reyes. "Intrahistoria de como Riqueni ascendió al Olimpo". Retrieved 20 July 2017.
  78. ^ a b Universal, Universal. "Rafael Riqueni vuelve con "Parque de María Luisa"". Universal.
  79. ^ Vergillos, Juan (5 June 2017). "Una Obra Maestra". Diario de Sevilla.
  80. ^ Bohorquez, Manuel. "Riqueni en el pulmón verde de Sevilla". El Correo de Andalucía.
  81. ^ "Discos España 2017". Notodo (in European Spanish). 21 December 2017. Retrieved 7 August 2018.
  82. ^ a b Lobatón, Fermín (19 December 2017). "Nueva piel para vieja ceremonia". El País (in Spanish). ISSN 1134-6582. Retrieved 7 August 2018.
  83. ^ Lobaton, Fermín (20 June 2017). "Una Gran Belleza". El País.
  84. ^ Fernández Herrera, Teresa (26 June 2017). "Parque de María Luisa y Firmamento, dos hitos de la Suma Flamenca". Periodistas en Español.
  85. ^ Díaz, Rocío. "El día más feliz de mi vida". Vive Pasión Flamenca.
  86. ^ San Nicasio, Germán. "La última resurrección". Chalaura. Archived from the original on 15 September 2017. Retrieved 8 August 2019.
  87. ^ Suma Flamenca, Suma Flamenca (30 June 2016). "Ficha artística". Teatros del Canal.
  88. ^ "Los diez mejores discos nacionales de 2017, según ABC". abc (in European Spanish). Retrieved 7 August 2018.
  89. ^ "Fotos: Los discos de 2017 preferidos por los críticos (II)". El País (in Spanish). 20 December 2017. ISSN 1134-6582. Retrieved 7 August 2018.
  90. ^ "Discos España 2017". Notodo (in European Spanish). 21 December 2017. Retrieved 7 August 2018.
  91. ^ a b "Rafael Riqueni coquetea con lo sublime". sevilla (in Spanish). 10 March 2019. Retrieved 8 August 2019.
  92. ^ "UNIVERSAL - Universal - Newsdetail Site". www.universalmusic.es. Retrieved 8 August 2019.
  93. ^ "Rafael Riqueni "Parque de María Luisa" con invitados especiales". Cartuja Center Cite de Sevilla (in Spanish). 13 February 2018. Retrieved 8 August 2019.
  94. ^ "Rafael Riqueni lleva su 'Parque de María Luisa' al Cartuja Center". elcorreoweb.es (in European Spanish). Retrieved 8 August 2019.
  95. ^ Torres, Norberto (2010). "14". Historia de la Guitarra Flamenca (in Spanish) (2ª ed.). Editorial Almuzara. pp. 117–119. ISBN 978-84-96416-58-1.
  96. ^ Torres, Norberto (2010). "14". Historia de la Guitarra Flamenca (in Spanish) (2ª ed.). Editorial Almuzara. p. 117. ISBN 978-84-96416-58-1.
  97. ^ "Edición del lunes, 17 enero 1994, página 30 - Hemeroteca - Lavanguardia.es". Retrieved 4 April 2017.
  98. ^ Miguel Espín, José Manuel Gamboa. Tesoros de la Guitarra Flamenca: Rafael Riqueni. Programa de televisión. Spain: TVE. Event occurs at 01:20.
  99. ^ "Crítica | Riqueni". El País. 23 March 1992. Retrieved 4 April 2017.
  100. ^ "ABC (Madrid) - 21/12/1995, p. 82 - ABC.es Hemeroteca". Retrieved 4 April 2017.
  101. ^ "Crítica | la 'jondura' de Riqueni". El País. 14 July 1988. Retrieved 4 April 2017.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Rafael_Riqueni&oldid=1256035510"