I Passed for White

(Redirected from Reba Lee)

I Passed for White is a 1960 American drama film directed and adapted for the screen by Fred M. Wilcox from a novel of the same title by Reba Lee "as told to" Mary Hastings Bradley. The film stars Sonya Wilde and James Franciscus and features Jimmy Lydon, Patricia Michon, and Isabel Cooley. It was released by Allied Artists on March 18, 1960.

I Passed for White
Theatrical poster
Directed byFred M. Wilcox
Written byFred M. Wilcox
Based onnovel by Reba Lee as told to Mary Hastings Bradley
Produced byFred M. Wilcox
StarringSonya Wilde
James Franciscus
CinematographyGeorge J. Folsey
Edited byGeorge White
Music byJerry Irvin
John Williams (as Johnny Williams)
Distributed byAllied Artists Pictures
Release date
  • March 18, 1960 (1960-03-18) (U.S.)
Running time
93 minutes
CountryUnited States
LanguageEnglish
Box office$1,700,000 (US/ Canada)[1]

Plot

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Bernice Lee (Sonya Wilde) is a young woman of mixed African and European ancestry, living in Chicago with her family, and she is mistaken for a fully white woman by a white man, who tries to hit on her repeatedly. Her brother, more obviously of mixed heritage, fights off the man. Bernice's grandmother consoles her when she confides her troubles.

After a failed attempt at looking for employment as a black woman, she decides to leave town. She begins to use the name Lila Brownell and live as a white woman. On the plane to New York City, she meets and eventually marries the man of her dreams – Rick Leyton (James Franciscus) – and fails to mention her African ancestry, an important omission as interracial marriage is not a constitutional right in 1960. Rick and his wealthy family and friends are white. Her white friend Sally (Patricia Michon) and black maid Bertha (Isabel Cooley) both advise her not to tell him. She becomes pregnant, and fears the child will have black features or coloring – and gets a book to read about this unlikely possibility, which she hides. Rick eventually discovers it, and their maid claims the book belongs to her.

Lila goes into premature labor and has a stillborn child, but cries out "Is the baby black?" after she awakens from anesthesia. This leads Rick to suspect that his wife has been unfaithful. Eventually, she and her husband divorce without Bernice's having revealed her true name or past. She then returns to her family in Chicago and her original identity.

The ending is an example of the tragic mulatto trope.[2]

Cast

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Production

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A white actress was cast as the producers felt many white audience members would not want to see an inter-racial relationship between two actors on the screen.[3]

Reception

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Eugene Archer of The New York Times stated that it was "low-budget" and used "tabloid sensationalism"; he concluded that it was "Amateurishly written, directed and played".[4]

Although similar in story arc, Janine Bradbury of The Guardian stated that it "failed to match the success of Imitation of Life."[5]

See also

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References

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Notes

  1. ^ "Rental Potentials of 1960", Variety, 4 January 1961 p 47. Please note figures are rentals as opposed to total gross.
  2. ^ Luther, Catherine A.; Lepre, Carolyn Ringer; Clark, Naeemah (2017-09-12). Diversity in U.S. Mass Media (2 ed.). Wiley Blackwell. p. 149. ISBN 9781119234029.
  3. ^ "I Passed for White". WUSTL Digital Gateway Image Collections & Exhibitions. Retrieved 2021-08-07.
  4. ^ Archer, Eugene (1960-08-18). "'I Passed for White'". The New York Times. Retrieved 2021-08-07.
  5. ^ Bradbury, Janine (2018-08-20). "'Passing for white': how a taboo film genre is being revived to expose racial privilege". The Guardian. Retrieved 2021-08-08.
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