River Patrol is a 1948 British second feature ('B')[2] crime film directed by Ben R. Hart and starring John Blythe, Lorna Dean, and Wally Patch.[3] The screenplay was by James Corbett and concerns a group of undercover British customs officers who investigate a gang of nylons smugglers. It was made by Hammer Film Productions at Marylebone Studios in London. It is notable for being one of the earliest films made by Hammer following its relaunch after the Second World War.[citation needed]

River Patrol
Opening titles
Directed byBen R. Hart
Written byJames Corbett
Produced byHal Wilson
Starring
CinematographyBertram Brooks-Carrington
Edited byJames Corbett
Production
companies
Distributed byExclusive Films
Release date
  • 28 January 1948 (1948-01-28)
Running time
46 minutes[1]
CountryUnited Kingdom
LanguageEnglish

Plot

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Two British police officers, Robby and Jean, go undercover, pretending to be husband and wife in order to smash a ring of smugglers along the Thames. During the investigation they visit the most shady places of London, including a night club with the worst imaginable reputation in the city. The fake spouses befriend and dupe the night club owner and find evidence leading to the top of the smuggler ring. However, their identities are revealed by the criminals before they can report back to their superiors, and they have to fight alone against the thugs until they finally manage to get them all arrested.

Cast

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  • John Blythe as Robby
  • Lorna Dean as Jean
  • Wally Patch as the guy
  • Stan Paskin
  • Cyril Collins
  • George Crowther
  • Andrew Sterne
  • Wilton West
  • Tony Merrett
  • George Kane
  • Johnny Doherty
  • Iris Keen
  • Dolly Gwynne

Reception

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The Monthly Film Bulletin wrote: "The film evidently does not aim very high in either direction or production. Scenes in a continental café, in particular, are unconvincing, though elsewhere a certain feeling of suspense is built up. John Blythe heads the cast capably."[4]

Kine Weekly wrote: "Thumbnail crime melodrama. It tries hard to be tough, but uneven direction, faulty timing, and cramped staging give its roughstuff a somewhat phoney ring. ... The opening is promising, but the film starts to degenerate immediately the hero and villain come to grips. The fights and exchanges are much too one-sided and the continental café sequences are very stagey. So is the big-fire climax. Clumsy pocket-serial, there is little to it, apart from its quota ticket.[5]

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In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Unambitious pocket thriller."[6]

References

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  1. ^ Meikle p.265
  2. ^ Chibnall, Steve; McFarlane, Brian (2009). The British 'B' Film. London: BFI/Bloomsbury. p. 73. ISBN 978-1-8445-7319-6.
  3. ^ "River Patrol". British Film Institute Collections Search. Retrieved 18 October 2024.
  4. ^ "River Patrol". The Monthly Film Bulletin. 15 (169): 17. 1 January 1948 – via ProQuest.
  5. ^ "River Patrol". Kine Weekly. 372 (2127): 20. 5 February 1948 – via ProQuest.
  6. ^ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 242. ISBN 0-7134-1874-5.
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