S.W.A.T. (Chinese: 特警队) is a 2019 Mandarin-language Chinese action film directed by Ding Sheng.

S.W.A.T.
Poster
Simplified Chinese特警队
Hanyu PinyinTe jing dui
Directed byDing Sheng
Written byXu Yang
Ding Sheng
Alex Jia
Produced byLan Ruihai
Wang Lei
CinematographyDing Yu
Music byXiao Ke
Production
company
Distributed byBeijing Culture
Release date
  • December 27, 2019 (2019-12-27) (China)
Running time
109 minutes
CountryChina
LanguageMandarin

Plot

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Some people are using a new drug which is causing users to hallucinate and resort to violence. Team One and Team Two of the Blue Sword Commando Unit, who have a competitive rivalry between themselves, must work together with their new female team members as well as with each other to disrupt the downstream dealers in order to bring the upstream supplier Hong Bing out of hiding and capture him when he is exposed. They learn that a large amount of the drug is being produced by Hong Bing's gang on an island off the east coast and launch an operation to take down the operation. They destroy the drug factory, rescue the hostage Fu and capture Hong Bing.

Cast

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Production

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Film shooting completed in 2018, then the film's post-production lasted into 2019.[1]

The film is reportedly based on true stories of Beijing's Blue Sword S.W.A.T. team. Director Ding Sheng stated that "major cast members were allowed to train with Chinese SWAT police officers with the support of Beijing Municipal Public Security Bureau and Ministry of Public Security."[2]

Reception

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In an article titled "Beijing Culture's Song Ge Urges Mainstream Directors to Toe Government Line", Variety noted that S.W.A.T. was among the films being backed by the studio Beijing Culture, whose chairman Song Ge "openly urged film directors [...] to stick to material pleasing to the Chinese state, for the sake of their investors." Song stated, "If you're shooting an art house or smaller budget films, it's no problem — say what you want to say and shoot what you want to shoot. But once you're shooting with investors' money, given the societal circumstances we have today, you should shoot films that reflect mainstream values." He defined those values as "things that the state allows you to shoot – things that the average people are used to seeing, that stabilize society," adding that "this is the place of commercial films."[3]

Reviewer LP Hugo of Asian Film Strike gave the film a rating of two stars, writing, "Subtlety is absent, and the usual racial paradigm of these Chinese propaganda actioners applies more than ever: Chinese are good, Africans are funny, Caucasians are evil." The review concludes, "A thinly-plotted, glorified recruiting video for the Chinese elite forces, S.W.A.T. has fleeting moments of solid entertainment, but never chooses between realism and ridiculousness, and is populated with bland unknowns acting out tired macho posturing."[4]

Reviewer Derek Elley of sino-cinema.com gave the film a rating of 4 out of 10, writing, "With its computerised script and dialogue, and absence of quirky touches and humour, it's all a long way from Ding’s offbeat action movies". The review continues, "Co-produced by Beijing Municipal Public Security Bureau, the movie is bookended by encomia to the SWAT forces, including footage of real-life operations at the end. Inbetween it's pretty much gung-ho all the way, with plenty of chest-beating in the male showers, endless clench-jawed training sessions, and generally unmemorable action [...]. It may all be technically authentic but dramatically there’s very little going on beneath the surface to sustain an almost two-hour movie. Individually the cast of Gen-80 actors [...] hardly register and, once they're in combat gear, are difficult to tell apart anyway. In a very filmy touch, two female commandos are shoehorned into the story to make laboured points about equality and diversity, with former dancer/rhythmic gymnast Jin Chen 金晨 [...] playing a character who keeps saying 'I'm as good as a man!' but not getting much chance to prove it."[5]

Xu Wei of shine.cn wrote, "Based on the true stories of a SWAT team in Beijing, the film is centered on police endeavors to keep the city safe. It's also a tribute to police across the country."[6]

References

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  1. ^ Davis, Rebecca (March 17, 2019). "FilMart: Super-Producer Beijing Culture Puts New Emphasis on Sales".
  2. ^ "Director Ding Sheng reveals his passion of police films". global.chinadaily.com.cn.
  3. ^ Davis, Rebecca (June 17, 2019). "Beijing Culture's Song Ge Urges Mainstream Directors to Toe Government Line".
  4. ^ "S.W.A.T. (2019) review". February 4, 2020.
  5. ^ "Review: S.W.A.T. (2019) | Sino-Cinema 《神州电影》". March 13, 2020.
  6. ^ "True Chinese SWAT stories hit big screen". SHINE.
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