Sheila Waters (13 March 1929 – 18 March 2022[1]) was a British calligrapher and teacher who spent the last half-century of her life in the United States.
Life
editSheila Waters was born in Gravesend, England, on 13 March 1929.[2][3] She graduated from the Medway College of Art, Kent, in 1948 with a Diploma of Design, and received an associate degree from the Royal College of Art in London in 1951.[2] There she developed her calligraphic skills under the tutelage of Dorothy Mahoney (assistant to the calligrapher Edward Johnston).[4]
At twenty-two, Waters was elected a fellow of the Society of Scribes and Illuminators.[5][6] She inaugurated the program of calligraphy courses at the Smithsonian Institution, Washington, D.C., and later developed her own private classes and annual workshops. Waters was the first president and founding member of the Washington Calligraphers Guild.
Waters was married to bookbinder and conservator Peter Waters from 1953 until his death in 2003.[6] One of her three sons is Julian Waters, a noted calligrapher and typographer. In 1971 the family moved to the United States after Peter was appointed Chief of Conservation at the Library of Congress. Once she obtained a teaching job in 1976, she was able to be more selective about what calligraphy work she took on and dedicate more time to develop her craft as an art form.[7]
Books and artwork
editBetween 1961 and 1978, Waters hand-lettered and illustrated an illuminated manuscript of Dylan Thomas' Under Milk Wood. The book was released in 1979.[8][9][10]
Waters is the author of Foundations of Calligraphy, published in 2006. Her 2016 book Waters Rising: Letters from Florence documented her husband's efforts to save hundreds of thousands of books damaged in the 1966 Florence flood.[6][11]
Time-Line Triptych is the name of an artwork from 1986 which consists of three works individually titled Ancient, Mediaeval and Modern in gouache and pastel.[7]
Further reading
edit- Thomas, Dylan; Under Milk Wood, A Play for Voices, A Reproduction of the Illuminated Manuscript by Sheila Waters. Foreword by Heather Child. International Letter Arts Network, Santa Ana, California 1989.
- Halliday, Peter; Calligraphy Masterclass Sheila Waters, Collins, London, 1990
- Waters, Sheila; Foundations of Calligraphy, Foreword by Rose Folsom. John Neal Books, Greensboro, North Carolina, 2006.
References
edit- ^ Sheila Waters
- ^ a b The World Who's who of Women. Melrose Press. 1982. ISBN 9780900332593.
- ^ Baltimore Museum of Art; Johns Hopkins University. Peabody Institute. Library; Walters Art Gallery (Baltimore, Md.) (1980). 2,000 years of calligraphy: a three-part exhibition. Taplinger. ISBN 978-0-8008-7919-8.
- ^ Letter Arts Review. Calligraphy Review. 2004.
- ^ Jerry Kelly; Alice Koeth; American Institute of Graphic Arts; Society of Scribes (2000). Artist & Alph4abet: Twentieth Century Calligraphy and Letter Art in America. David R. Godine Publisher. pp. 131–. ISBN 978-1-56792-137-3.
- ^ a b c Dirda, Michael (2 November 2016). "'Waters Rising': A tale of the man who helped saved [sic] Florence's cultural treasures". The Washington Post. Retrieved 15 February 2019.
- ^ a b Harris, David (1991). Calligraphy : inspiration, innovation, communication. London: Anaya. ISBN 1-85470-037-5. OCLC 21597914.
- ^ Kitty Burns Florey (8 October 2013). Script and Scribble: The Rise and Fall of Handwriting. Melville House. pp. 205–. ISBN 978-1-61219-305-2.
- ^ Sandra Kirshenbaum (1990). Fine Print. S. Kirshenbaum.
- ^ Wormsley Library; H. George Fletcher; Paul Getty; Pierpont Morgan Library (2007). H. George Fletcher (ed.). The Wormsley Library: A Personal Selection by Sir Paul Getty, K.B.E. Maggs Bros. Limited. ISBN 978-0-901953-13-1.
- ^ "Waters rising: Sheila Waters marks 50-year anniversary of Florence Flood". icon.org.uk.