Six Records of a Floating Life

Six Records of a Floating Life (Chinese: 浮生六記, Fu sheng liu ji) is an autobiography by Shen Fu (沈復, 1763–1825), who lived in Changzhou (now Suzhou) during the Qing dynasty. The four extant records are "Wedded Bliss", "The Little Pleasures of Life", "Sorrow", and "The Joys of Travel". Two further "records" are lost (or perhaps were never completed): "A History of Life at Zhongshan" and "The Way of Living".

Six Records of a Floating Life
A 1946 edition cover
AuthorShen Fu
Original title浮生六記
TranslatorLin Yutang, Shirley M. Black, Leonard Pratt and Su-Hui Chiang, Graham Sanders
LanguageLiterary Chinese
Genreautobiography
Set inSuzhou, 1780s–1807
Published1877
PublisherWang Tao
Publication placeQing China
Published in English
1936
895.144
LC ClassPL2724.H4 Z46513
Original text
浮生六記 at Chinese Wikisource
Six Records of a Floating Life
Chinese浮生
Literal meaningfleeting life, six chronicles
Transcriptions
Standard Mandarin
Hanyu Pinyinfúshēng liù jì
Wade–GilesFu2-shêng1 Liu4 Chi4

Yang Yin, the brother-in-law of the prominent writer Wang Tao, found the incomplete manuscript of the work at a stall selling second-hand books. He gave the four parts to Wang Tao, who was in charge of the Shanghai newspaper Shen Bao. Wang Tao published the manuscript in letterpress in 1877, whereupon it became an instant bestseller. The "Fourth Record" was written in 1808, so the book is believed to be finished sometime after that date. Based on the index, scholars have been able to determine that the fifth record was intended to be called "A History of Life at Chungshan" and the sixth was intended to be called "The Way of Living". The fifth and sixth sections have never been found, despite various fraudulent claims.

The phrase "floating life" (浮生 fúshēng) originates from the preface to a poem by the Tang-era poet Li Bai: "The floating life is but as a dream; how much longer can we enjoy our happiness?"[1][2]

Style

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The book is written in what translator Graham Sanders calls "the literary language of poetry, essays and official histories rather than in the more verbose vernacular language used for the popular lengthy novels and dramas of the Ming and Qing dynasties". According to Sanders, this choice allowed Shen Fu to "slip readily into a poetic lyrical mode," although he is also able to address topics as diverse as "gardening, finance, social roles of women, tourism, literary criticism, prostitution, class relations, and family dynamics."[3]

Outline

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A marriage in 18th-century Suzhou (from the painting Prosperous Suzhou)

The four extant records are:

  1. "Wedded Bliss" (閨房記樂 guīfáng jì lè, "Record of Boudoir Music"), in which the author mainly puts the focus on his wife Chen Yun (陳芸), with whom Shen Fu fell in love when they were both young. Although Chen Yun is not considered beautiful, she pursues beauty in other areas. She considers painting and embroidering to be necessary to composing poetry, and regards a simple life as an ideal existence. Shen Fu considers her to be not only his wife but also his close friend who can share in his hobbies and his feelings, which was considered an unorthodox approach to marriage in Chinese society at the time.
  2. "The Little Pleasures of Life" (閑情記趣 xiánqíng jì qù, "Record of Leisure and Fun"), which gives a vivid description of the leisure activities enjoyed by Shen Fu: the joys of his childhood, his adult life cultivating flowers, and his experiences of composing poems with other scholars. He tended to be close to nature in childhood, but in adulthood he had very little time to focus on nature, and was often chained to worldly possessions. Many of the episodes in this section are involved with discussions of aesthetic experiences.
  3. "Sorrow" (坎坷記愁 kǎnkě jì chóu, "Bumpy Record of Sorrow"), in which Shen Fu points out that most of his frustrations are due to his uprightness and his commitment to words. Though this chapter opens with the author's own sorrow, its content also addresses the difficulties of Chen Yun's life; which also grows out of her character, and with the author’s endless love for his wife and his resentment over her unfair fate.
  4. "The Joys of Travel" (浪遊記快 làng yóujì kuài, "Quick Travel Records of Joy") portrays beautiful scenic spots that the author has visited, and records anecdotes, local customs and historical allusions. Shen Fu expounds his belief that it is the gaining of experience that counts, rather than following what others have said.[4]

Plays

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Six Records of a Floating Life has also been adapted as an experimental play by East Meets West Mime, mixing elements of mime, dance, pop, and theatre. Ballerina Lindzay Chan played the character of Chen Yun, while Philip Fok played Shen Fu.[5]

Translations

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Copy of Six Records of a Floating Life (with title translated as "A Showy Life") in Songshan Cultural and Creative Park, Taipei.

English

  • Six Chapters of a Floating Life (Shanghai, 1936) - translated by Lin Yutang
    • Reprinted in The Wisdom of China and India by Lin Yutang (New York: Random House, 1942)
  • Chapters from a Floating Life: The Autobiography of a Chinese Artist (Oxford University Press, 1960) - translated by Shirley M. Black
  • Six Records of a Floating Life (New York: Viking Press, 1983) - translated by Leonard Pratt and Su-Hui Chiang ISBN 0140444297
  • Six Records of a Life Adrift (Indianapolis: Hackett Publishing, 2011) - translated by Graham Sanders ISBN 1603841989.

German

  • Sechs Aufzeichnungen über ein unstetes Leben (Müller & Kiepenheuer, 1989) ISBN 3-7833-8046-4
  • Sechs Aufzeichnungen über ein unstetes Leben (Frankfurt am Main, Wien: Büchergilde Gutenberg, 1990) - translated by Rainer Schwarz ISBN 3-7632-3666-X
  • Aufzeichnungen aus einem flüchtigen Leben (Matthes & Seitz Berlin, 2019) ISBN 9783957576903

French

  • Six secrets au fil inconstant des jours (Bruxelles, Éditions F. Larcier, 1966) - translated by Pierre Ryckmans ISBN 9782709631457
  • Récits d'une vie fugitive: Mémoires d'un lettré fou (Gallimard / Unesco, 1986) - translated by Jacques Reclus

Danish

  • Kapitler af et flygtigt liv (Omstag, 1986)

Italian

  • Sei racconti di vita irreale (1955)
  • Racconti di vita irreale (Marsilio, 1993) - translated by Lionello Lanciotti ISBN 9788831757478

Korean

  • 부생 육기 :심 복 자서전 (1979)

Spanish

  • Relatos de una vida sin rumbo (1985)
  • Seis estampas de una vida a la deriva (Chindia Plataforma, 2012) ISBN 9788415577485

Dutch

  • Verslagen van een vlietend leven: Biografie van een liefde (Chinaboek, 1989) - translated by Daan Bronkhorst ISBN 9071800067

Hebrew

  • החיים הסחופים

Swedish

  • Pilblad i strömmen: En kinesisk konstnärs självbiografi (1961)

Japanese

  • 《浮生六記:うき世のさが》沈復作,佐藤春夫·松枝茂夫譯,東京:岩波書店,1938年9月

Malaysian

  • Hidup bagaikan mimpi (Fou sheng liu chi): Riwayat hidup sa-orang pelukis dan sasterawan tionghoa (Oxford University Press, 1961)

Czech

  • Šest historií prchavého života (Plzákovo nakladatelství, 1944)

Russian

  • Шесть записок о быстротечной жизни (Наука, Moscow, 1979) - translated by Kirina Ivanovna Golygina[6]

Vietnamese

Polish

  • O upływającym życiu: Opowieść w sześciu rozdziałach (Państwowy Instytut Wydawniczy, 2019) - translated by Katarzyna Sarek ISBN 9788366272156

References

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  1. ^ The line in the original language: 浮生若夢,為歡幾何? (Fúshēng ruò mèng, wèi huān jǐhé?)
  2. ^ "而浮生若梦,为欢几何?". so.gushiwen.cn. Retrieved 19 August 2022.
  3. ^ Shen Fu (2011). Six Records of a Life Adrift. Translated by Graham Sanders. Indianapolis: Hackett.
  4. ^ http://article.hongxiu.com/a/2004-12-29/555440.shtml Archived December 31, 2012, at the Wayback Machine
  5. ^ Instituto Cultural de Macau (1988). "A summary of the main cultural activities during the quarter". Retrieved June 4, 2024.
  6. ^ Кирина Ивановна Голыгина