Soraida Martinez (born July 30, 1956 in Harlem, New York[1]) is an American visual artist of Puerto Rican descent known for her contemporary abstract expressionist paintings and social commentary. She is the creator of the art movement, Verdadism.[2][3]
Soraida Martinez | |
|---|---|
| Born | July 30, 1956 Manhattan, New York City, U.S. |
| Nationality | American |
| Known for | Painting, social commentary |
| Movement | Verdadism |
Early life and education
editMartinez was born in New York in 1956 and has Puerto Rican heritage.[2] Martinez started painting at age eight.[4]
After moving to Vineland, New Jersey at the age of 14, Martinez studied art at Glassboro State College, where she graduated in 1981 with a Bachelor of Fine Arts with a specialization in design;[4] she also has a Liberal Arts degree focusing on psychology from Cumberland County College, Vineland, New Jersey in 1978.[5][6]
Career and art
editMartinez has been the owner of an art and design studio since 1986.[2] Her art is very abstract and hard-edged. Every painting is accompanied by writing, usually in the form of social commentary and often based on her personal experiences.[7] Her paintings have been called "audacious."[4]
Martinez's outspoken social commentary is also well known.[8] She has been noted as a person who raises awareness of topics that are considered "too taboo to be discussed in mainstream American society."[9]
Verdadism
editSince 1992 Soraida Martinez has been known as the creator of Verdadism, a form of hard-edge abstraction where each painting is accompanied by a written social commentary. Verdadism is a neologism created by combining the Spanish word, verdad (truth) and the English suffix for theory (ism).[2][7] Verdadism has influenced a number of contemporary artists and writers and is used by educators to help teach concepts such as diversity and cultural understanding.[2]
Martinez's art is intended to connect "two distinct, yet integral parts: the visual and the written word."[10] Viewers are drawn to both the artist's abstract paintings and her commentaries on humanity and the universal human condition. According to Martinez' artist's statement, "My art reflects the essence of my true self and the truth within me...My struggle is for recognition, acceptance and inclusion; and, against racism, sexism and the dominant eurocentric male society, which never expected much from me but still did not allow my voice to be heard. My belief is that one must empower oneself with one's own truth...".[11]
Martinez has gained recognition and received many awards for this unique thought-provoking and visually stimulating art style.[7] Among many other social and philosophical issues, Soraida’s Verdadism paintings also address sexism, racism and stereotyping for the purpose of promoting hope, peace, tolerance and social change. In 1999, Martinez wrote a book on the Art of Verdadism called Soraida's Verdadism: The Intellectual Voice of a Puerto Rican Woman on Canvas; Unique, Controversial Images and Style.[6]
The Verdadism art style has been featured in many magazines and newspapers, as well as on radio and television; many of the Verdadism paintings have been used as covers for books and scholarly journals. Educational organizations and elementary school teachers[12] also use the artist's paintings and art book to teach students about tolerance and diversity.[7] The Verdadism Art Book is also being used as a textbook for a visual rhetoric course at Willamette University.
Awards and recognition
editIn 1996, Martinez was appointed by the governor of New Jersey, Christine Todd Whitman, to a seat on the New Jersey State Council on the Arts,[10] where she was a member until she resigned in 2000.
In 2008, Martinez was recognized (along with other notable actors, artists, designers, directors and writers) as one of the 15 most prominent Hispanic Americans in the Arts.[13] In 2013, Martinez was singled out by the Huffington Post as one of the ten best Latino artists in the U.S.[14]
Through her art, Martinez is an advocate and humanitarian who visits young children in schools in order to encourage and inspire them to strive to achieve their fullest potential.[4] Martinez is frequently asked to do exhibitions on her Verdadism art and philosophy at universities, institutions and corporations.[10]
Quotes
edit"In this society, we have been conditioned to be what people want us to be. We--as individuals--are afraid to be individuals. That's because American society...is actually not so open-minded when it comes to new ideas or different races. And, as human beings, we all know that; therefore, many of us have the terror of demasking ourselves. Most of us would rather die than let someone really know us."[3]
"Art can plant a seed in someone's mind."[7]
"I tell... kids about empowering themselves through education. And they see me as a role model. A professional artist. A Puerto Rican woman. I made it. But I wish someone had told me what I'm telling them."[4]
References
edit- ^ "Soraida Martinez, Contemporary Feminist Artist, Creator of Verdadism since 1992". MulticulturalArt.com. Archived from the original on 22 January 2022. Retrieved 27 March 2020.
- ^ a b c d e "Artist Painter, Soraida Martinez". Puerto Rican Painter. Archived from the original on 22 November 2014. Retrieved 6 March 2015.
- ^ a b Fuentes, Yvonne; Parker, Margaret R., eds. (February 2006). Leading Ladies: Mujeres en la Literaturea Hispana y en La Artes (Bilingual ed.). Louisiana State University. ISBN 9780807130827.
- ^ a b c d e Marshall, Lori (Fall 1995). "Masters of the Arts: Rowan Faculty and Alumni Share their Work and Views" (PDF). Rowan Magazine. 1 (1). Archived from the original (PDF) on 3 March 2016. Retrieved 6 March 2015.
- ^ Cumberland County College Distinguished Alumni (2000) http://www.cccnj.edu/alumni/distinguished-alumni
- ^ a b Martinez, Soraida. Soraida's Verdadism: The Intellectual Voice of a Puerto Rican Woman on Canvas : Unique, Controversial Images and Style, p. 100. Soraida, 1999. ISBN 9780967671901. Accessed October 25, 2018. "Soraida's parents separated when she was fourteen and her mother moved the family to Vineland, a small southern New Jersey town where Puerto Ricans were generally not accepted. Education: 1978 - Graduated with an Associate in Arts Degree from Cumberland County College, Vineland, New Jersey; 1981 - Graduated with a Bachelor of Arts in Fine Arts degree from Glassboro State College (now called Rowan University)"
- ^ a b c d e Edelman, Ingrid (2013). "Outstanding Woman - Soraida Martinez". County Woman Magazines. Milestones LLC. Retrieved 6 March 2015.
- ^ "Soraida Martinez's Art Aims to Promote Hope and Tolerance". HipLatina. 2017-10-16. Retrieved 2020-03-27.
- ^ "Artist and Activist, Soraida Martinez, and Actor, Rosie Perez, at AIDS Conference in Miami Beach". PR Log. 14 August 2007. Retrieved 6 March 2015.
- ^ a b c "Soraida Martinez". Art Guide. Archived from the original on 2 April 2015. Retrieved 6 March 2015.
- ^ Martinez, Soraida (1992). "Soraida's Artist Statement". Verdadism: Juxtaposed with Written Social Commentaries Since 1992. Retrieved 6 March 2015.
- ^ Dark, Joan (3 February 2004). "Latino Artist you will LOVE - Soraida Martinez". Teacher Art Exchange. The J. Paul Getty Trust. Archived from the original on 3 March 2016. Retrieved 6 March 2015.
- ^ "Prominent Hispanics in the Arts". IIP Digital. United States of America: US Embassy. 20 September 2011. Retrieved 6 March 2015.
- ^ de Miguel, Veronica (24 August 2013). "10 Of The Best Latino Artists Sculpting, Painting And More In The United States (SLIDESHOW)". Huffington Post. Retrieved 6 March 2015.
Sources
edit- Encyclopedia Latina: History, Culture, and Society in the United States by Ilan Stavans, Harold Augenbra - Published Grolier Academic Reference. ISBN 0-7172-5815-7
- Social Work with Latinos: A Cultural Assets Paradigm by Melvin Delgado - Published 2006 Oxford University Press. ISBN 0-19-530118-8
- Adiós, Borinquen Querida: La diáspora puertorriqueña, su historia y sus aportaciones ("ADIOS, BORINQUEN QUERIDA": THE PUERTO RICAN DIASPORA, ITS HISTORY, AND CONTRIBUTIONS”) by Edna Acosta-Belén - Published 2000 CELAC. ISBN 0-615-11204-8
