Stéphane Roy is an acousmatic composer. His art esthetics allow him, after thorough experimentations with sound materials, to extract expressive properties and give these works teleological motion. His works have been programmed throughout Europe and the Americas. His latest album, L’inaudible, received the 2019-2020 Prix Opus — Album of the year, Electroacoustic Music.
Born in Saint-Jean-sur-Richelieu, Roy earned both a doctorate degree in electroacoustic composition and a PhD in musicology from the Université de Montréal. He is the author of L'analyse des musiques électroacoustiques: Modèles et propositions (published 2003, Paris; 2003-04 Prix Opus — Book of the Year), a book on electroacoustic music analysis.[1][2] He has taught composition, auditory perception and electroacoustic music analysis in various universities and music conservatories, in Québec and abroad. Once in a while he gives lectures on electroacoustic music analysis.
Stéphane Roy is an Associate Composer of the Canadian Music Centre (CMC), and his works have been published on audio support by various labels, including empreintes DIGITALes (Kaleidos, 1996; Migrations, 2003; L’inaudible, 2019). He lives in Brossard, Quebec, Canada.[1]
Recordings
edit- L'inaudible (empreintes DIGITALes, IMED 19162, 2019)
- Migrations (empreintes DIGITALes, IMED 0373, 2003)
- Kaleidos (empreintes DIGITALes, IMED 9630, 1996)
List of works
edit- Après, les cendres (2023)
- Avec le temps... (2022)
- Bestiaire à hauteur d'oreille (2022), Table de Babel and tape
- Les aurores pourpres (2019)
- Maelström (2016)
- Voix crépusculaires (2014)
- Train d'enfer (2011)
- Les Territoires secrets (2008-2019)
- Appartenances (2003)
- La basilique fantôme (1998, 2000), guitar and tape
- Crystal Music (1994)
- Inaccessible azur (1997), instrumental quartet and tape
- Masques et parades (2000–2003)
- Mimetismo (1992), guitar, and tape[3]
- Ondes / Arborescences (1987)
- Paysages intérieurs (1988)
- Récit pour cordes (1998)
- Résonances d'arabesques (1990)
- Trois petites histoires concrètes (1998)
- Une âme nue glisse à l'eau vive (2005), film: Denis Chabot / 2005 / 35 mm / colour / animation / 15 min 55 s / no dialogue
References
edit- ^ a b "Stéphane Roy". electrocd.com.
- ^ Understanding the Art of Sound Organization - Page 96 Leigh Landy - 2007 "categories of new virtuosity, organizing sound, and modes of discourse and analysis within sound-based music studies. ... their analytical work founded on Schaefferian concepts, Stéphane Roy being one of the better- known specialists."
- ^ Microsound - Page 318 Curtis Roads - 2004 "Stephane Roy, in his 1992 composition Mimetismo (Empreintes Digitales I MED 9630), explored a particulated world of ..."
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