Street Music is a 1981 film written and directed by San Francisco–based filmmaker Jenny Bowen. It represents one of Elizabeth Daily's earliest starring roles.
| Street Music | |
|---|---|
| Directed by | Jenny Bowen |
| Screenplay by | Jenny Bowen |
| Produced by | Richard Bowen |
| Starring | Elizabeth Daily Larry Breeding Ned Glass |
| Cinematography | Richard Bowen |
| Edited by | Jenny Bowen Lisa Fruchtman Diana Pelligrini |
Production company | |
| Distributed by | Speciality Films |
Release date |
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Plot
editThe film centers around a group of elderly residents of an old San Francisco hotel and are threatened with eviction when a developer wants to demolish the structure. Initially, they feel resigned to their fate, but a young desk clerk (Dailey) gets involved and helps spearhead a resistance.[1]
Cast
edit- Elizabeth Daily as Sadie
- Larry Breeding as Eddie
- Ned Glass as Sam
- Marjorie Eaton as Mildred
Production
editBowen, who was 37 at the time she filmed Street Music,[2] conceived the idea during a lull on the production of Apocalypse Now, where she was working as a recording engineer.[1] She was walking from Francis Ford Coppola's offices and stumbled upon a group of elderly people who were being evicted from their longtime home.[3]
Bowen also recounted working as a bookkeeper at a run-down San Francisco hotel while beginning her acting career and seeing people being evicted. She based the film's central character on a roommate she had who was a street singer and a dancer.[4] The film was influenced by the story of the residents of the International Hotel, a single-room-occupancy residential hotel in the Tenderloin, who protested their eviction.[5]
Neither she nor her husband—cinematographer Richard Bowen—had any experience writing or directing at the time. The pair raised an initial $450,000 and later realized they'd need another $150,000, which brought the total to $600,000.[3] The money came in chunks, as some of the bigger names had suggested things like turning the script into an "old peoples' 'Animal House.'"[4]
The film was shot on location in San Francisco's Tenderloin neighborhood over the course of 37 days, beginning in October 1980.[6] They shot inside the then-abandoned Hotel Hamlin on Eddy Street[4] that they refurbished, as well as on the surrounding streets.[7] During the duration of the filming, the Bowens had to deal with an actors' strike, ruptured water pipes, a car crash, and an actor having a heart attack.[3]
Sadly, co-star Larry Breeding died in a car crash three months before the film's premiere.[8]
Reception
editThe film played at a number of film festivals, and tied for first place in the independent feature section at the U.S. Film Festival.[1] Reviews were mostly positive; The San Francisco Examiner's Nancy Scott called it "an intelligent balance between the bitter and the sweet," and says that it was filmed "with a clear, loving and unpretentious eye."[3] Robert Redford liked the film so much he connected the Bowens with funding through the Sundance Institute for their second film.[6]
References
edit- ^ a b c "21 Feb 1982, 62 - The Baltimore Sun at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ "1 Nov 1982, 18 - The Evening Sun at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ a b c d "19 Oct 1981, 54 - The San Francisco Examiner at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ a b c "27 Nov 1980, 79 - The San Francisco Examiner at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ Hartman, Chester; Carnochan, Sarah (2002). City for Sale: The Transformation of San Francisco. University of California Press. p. 452. ISBN 978-0-520-08605-0.
- ^ a b "21 Jan 1983, Page 42 - Poughkeepsie Journal at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ "19 Dec 1982, 284 - The Los Angeles Times at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.
- ^ "21 Jan 1983, Page 42 - Poughkeepsie Journal at Newspapers.com". Newspapers.com. Retrieved 2019-01-13.