Su Shao-lien (Chinese: 蘇紹連; born December 8, 1949) is a poet from Shalu District, Taichung City, Taiwan, primarily using the pen name Milo Casso (米羅.卡索). Su has been actively involved in the online literary community, leaving behind numerous discussed works through avant-garde and experimental modern poetry in the development of the internet.
Su Shao-lien has managed a personal blog for an extended period. Currently, he serves as the editor-in-chief of The Blow Drum Blow Poetry Forum of Taiwan Poetry. Su has undertaken various poetic experiments, exploring different techniques, forms, interfaces, and modes of expression. His approaches include reworking classical poetry, exploring self-fragmentation, and experimenting with the exchange between subject and object. In terms of form, he delves into prose poetry and mixes Taiwanese and Mandarin languages.[1] His poetry spans various mediums, transitioning from traditional paper to the digital realm of the Internet. His expressions encompass text, imagery, sound, and hypermedia.[citation needed]
Activities
editSu Shao-lien co-founded the Hou Poetry Society (後社) with Hung Hsing-Fu (洪醒夫) and others in 1968. However, it was not until 1969 that his first poem, "Looking Around in Confusion" (茫顧), was published on the recommendation of Chou Meng-tieh (周夢蝶), marking the beginning of his career as a poet.[2] In 1972, he reorganized the Hou Poetry Society, published a poetry journal, and renamed it Poet Quarterly (詩人季刊) in 1974. In the 1990s, he, along with Xiang Ming and others, founded Poetics Quarterly (詩學季刊).[3]
Using the pen name Milo Casso, Su Shao-lien founded the webpages "The Taiwan Poetry Soil” and “The Island of Modern Poetry” in 1998, initiating his creation of internet poetry. In 2000, he established a personal hypertext work website called "Flash Hyperliterature" (Flash超文學).[4] Additionally, in 2003, he founded “The Blow Drum Blow Poetry Forum of Taiwan Poetry” website.[5] His works include Collection of Boundlessness (茫茫集) and Startling Prose Poetry (驚心散文詩).
References
edit- ^ Lee, Tsui-ying (2005). "割裂的自我-論蘇紹連詩的創作手法與生命向度" [Separates Oneseld — The Theory of The Creative Technique and Live Tendency in Su Shao-lien Poems]. Journal of Chinese Literature (10): 161–185.
- ^ Tsai, Meng-ting (2018). 網路詩研究──以蘇紹連、鯨向海為考察範疇 [The research of Digital Poetry: take Su Shao-lian, and Jing Xiang-hai’s Poems as the Discussion Subjects]. National Kaohsiung Normal University. p. 45.
- ^ Su, Shao-lian; Lin, Yao-the. 童話遊行─黑色自白書 [Fairy Tale Parade - Black Autobiography]. Taipei: Shang Shu Cultural Publishing. pp. 230–231.
- ^ Su, Shao-lian (2011). 孿生小丑的吶喊 [The Cry of the Twin Clowns]. Taipei: Er-ya Publishing. p. 177.
- ^ Chen, Meng-ping (2020). 非典型兒童文學的閱讀教學 ─以鄭清文童話和蘇紹連童詩為例 [Reading Teaching of Atypical Children's Literature — Take Zheng Qingwen's Fairy Tales and Su Shaolian's Children's Poetry as Examples]. National Tsing Hua University. p. 9.