Wikipedia

Suspense (1913 film)

Suspense is a 1913 American silent short film thriller directed by Lois Weber and Phillips Smalley. Weber also wrote the scenario and stars in the film with Valentine Paul. The film features early examples of a split screen shot[1] and a car chase.

Suspense
Film still
Directed byPhillips Smalley
Lois Weber
Written byLois Weber
StarringLois Weber
Val Paul
Production
company
Distributed byUniversal Film Manufacturing Company
Release date
  • July 6, 1913 (1913-07-06)
Running time
10 minutes
CountryUnited States
LanguageSilent with English intertitles

Plot

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Suspense 1913, full film

A servant leaves a new mother with only a written letter of notice, placing her key under the doormat as she leaves. Her exit attracts the attention of a tramp to the house. As the husband has previously phoned that he is working late, the wife decides not to ring back when she finds the note but does ring back when she sees the tramp. Her husband listens, horrified, as she documents the break-in and then the tramp cuts the line. The husband steals a car and is immediately pursued by the car's owner and the police, who nearly but don't quite manage to jump into the stolen car during a high-speed chase. The husband manages to gain a lead over the police but then accidentally strikes a man smoking in the road and checks to see that he is okay. Meanwhile, the tramp is breaking into the room where the wife has locked herself and her baby, violently thrusting himself through the wood door, carrying a large knife. At that moment the husband arrives, pursued by the police. As the husband runs towards the home, the police fire warning shots into the air, panicking the hobo. He runs down the stairs, to be met by the husband at the front door. After a short struggle, he overpowers the hobo, who is then grabbed by the police. The husband runs upstairs, everything is explained, and all is forgiven as the couple embrace.

Cast

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Release

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Suspense was released on July 6, 1913, by the Rex Motion Picture Company.[8]

Reception

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"best nickelodeon film ever made"[9] — Russell Merritt (1941-2023)[10]
"The threat to the woman in Suspense is explicitly sexual"[11]
"The film is a sensory feast with clever use of mirrors and imaginative visual composition". — moviessilently.com[12]
"With its stark title and startling visuals, more realistic characters, less reliance on explicit narrative and instead favoring more subtle story-telling, this bears less resemblance to its contemporaries than to the films that would later be created by Hitchcock" — Voidsville Follies — [13]

Legacy

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A print of the film is preserved at the film archive of the British Film Institute.[14]

In 2020, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[15]

It was released on DVD/Blu-ray in 2018 in a box set called "Pioneers: First Women Filmmakers", with a new score by composer Skylar Nam.[16]

External videos
 
Sam Kaufman (1885-1972) as The Tramp
  Anne Morra, Associate Curator of Film, speaks about Lois Weber and Phillips Smalley’s film Suspense

Further reading

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"Suspense is an exercise in narrational self-consciousness...Suspense patterns itself on earlier filmic variants of Andre de Lorde's play Au telephone (1901), such as Edison's Heard over the Phone (1908),[17] [18] Pathé's A Narrow Escape (The Physician Of The Castle) (1908),[19] and Biograph's The Lonely Villa (1909). Moreover, the script scarcely modifies the stock narrative ingredients of a wife imperiled in a remote location while her husband rushes to the rescue after learning of her plight over the telephone. Because the filmmakers could count on audiences already knowing what to expect from the film, producing the titular suspense provides a challenge; Smalley and Weber meet this by heightening tension and intensifying the film's psychological dimension through manipulation of style. Sprinkled liberally throughout with touches that encourage spectatorial involvement without ever damaging narrative clarity" — Charlie Keil (2001) Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913 [20][21][22][23]

"Interestingly, The Lonely Villa is seen by scholars to have as its source a French play of “Grand Guignol,” of the 1890s, Au telephone by Andre DeLorde. Tom Gunning[17] has discovered that prior to Griffith’s Villa, there are three known cinematic adaptations: a 1907 film from Pathe, Terrible angoisse, a 1908 Edison film, Heard Over the Phone and another from Pathe, Le Medecin du Chateau, released in the U.S. in March 1908 as A Narrow Escape.[24]

Lon Chaney false assertion

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The film has been falsely asserted as Lon Chaney's earliest extant film based on a brief scene in which a similar individual appears on camera. The documentary Lon Chaney: A Thousand Faces states that his film debut occurred after his wife's suicide attempt in April 1913 and that "his earliest films were made at the first studio to open in Hollywood, Nestor Studios."[25] Though well-known Chaney scholar Michael Blake's A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures does note that the possibility exists of Chaney's performing in a role during a period of unemployment in 1912, it also notes that he rejoined Clarence Kolb and Max Dill's company in San Francisco, California, in September 1912.[26] Blake specifically dismisses Chaney's appearance in Suspense in his book A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures.[27] Chaney website creator Jon C. Mirsalis originally attributed the appearance of the hobo who is struck by a car to Chaney but, after examining a high-resolution digital scan frame by frame, has recanted his earlier claim and now concedes that the individual is not Chaney.[28]

The Internet Movie Database lists Lon Chaney as having an unconfirmed and uncredited brief role;[29] however, this is disputed by silentera.com, which states "Despite attributions to the contrary, Lon Chaney does not appear in the film."[30][31][28]

See also

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References

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  1. ^ Langman, Larry; Finn, Daniel (1994). A Guide To American Silent Crime Films. Greenwood Press. p. 264. ISBN 0-313-28858-5.
  2. ^ "Sam Kaufman". www.critifan.com. Retrieved September 3, 2024.
  3. ^ BaronCraze (December 3, 2023). "Testament of Horror for December 17 – December 23, 2023". The Horror Times. Retrieved September 3, 2024.
  4. ^ "Subject Heading | Research Catalog | NYPL". Subject Heading | Research Catalog | NYPL. Retrieved September 3, 2024.
  5. ^ "Sam Kaufman - Movies". FlickFocus. Retrieved September 3, 2024.
  6. ^ "Sam Kaufman". FilmAffinity. Retrieved September 3, 2024.
  7. ^ "Samuel Kaufmann". Retrieved September 3, 2024.
  8. ^ "Moving Picture News (Jan-Jun 1913) (Jan-Jun 1913)". Cinematograph Publishing Company. 1913. p. 868. Retrieved September 4, 2014.
  9. ^ Niles Essanay Silent Film Museum (July 26, 2021). San Francisco in the Nickelodeon Age -- with Dr. Russell Merritt and Dr. Frederick Hodges. Retrieved September 3, 2024 – via YouTube.
  10. ^
  11. ^ "Summary of Discussion on Early Film Melodrama Shorts | Melodrama Research Group". May 16, 2013.
  12. ^ "Suspense (1913) A Silent Film Review". April 24, 2016.
  13. ^ "Voidsville Follies - Sam Kaufman".
  14. ^ a b "MoMA.org: Louis Webber and Phillips Smalley: Suspense". Museum of Modern Art. Retrieved June 9, 2008.
  15. ^ McNary, Dave (December 14, 2020). "'Dark Knight,' 'Shrek,' 'Grease,' 'Blues Brothers' Added to National Film Registry". Variety. Retrieved December 14, 2020.
  16. ^ "Kino Lorber Home Video". Retrieved December 14, 2020.
  17. ^ a b
    • Tom Gunning, “Heard over the Phone. The Lonely Villa and the de Lorde Tradition of the Terrors of Technology,” Screen vol. 32, 2 (Summer 1991): 185. doi:10.1093/SCREEN/32.2.184
  18. ^
  19. ^ "Pathé filmmaking in Nice c. 1908".
  20. ^ "Gale - Institution Finder".
  21. ^ Haberski, Raymond J. (January 2003). "Early American Cinema in Transition: Story, Style, and Filmmaking, 1907–1913". The Journal of American History. doi:10.2307/3659884. JSTOR 3659884.
  22. ^ https://academic.oup.com/jah/article/90/1/271/742323 [bare URL]
  23. ^ "Early American Cinema In Transition: Story, Style, And Filmmaking, 1907-1913 | Request PDF".
  24. ^ "MARY PICKFORD: "Belligerently I marched . . . "". June 17, 2011.
  25. ^ Lon Chaney: A Thousand Faces (DVD). Warner Home Video. 2000.
  26. ^ Blake, Michael (1997). A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures. Vestal Press. pp. 18–30. ISBN 9781461730767. Retrieved September 4, 2014.
  27. ^ Blake, Michael (1997). 'A Thousand Faces: Lon Chaney's Unique Artistry in Motion Pictures'. Vestal Press. p. 30.
  28. ^ a b "The Not Lon Chaney Filmography". lonchaney.org. Retrieved March 30, 2019.
  29. ^ "Internet Movie Database: Suspense". IMDb.com. Retrieved June 9, 2008.
  30. ^ "Silent Era: Suspense". silentera. Retrieved June 9, 2008.
  31. ^ Blake, Michael F. (1998). "The Films of Lon Chaney". Vestal Press Inc. ISBN 1-879511-26-6.
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