Talk:12 Play
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Fair use rationale for Image:RKelly-12 Play (album cover).jpg
editImage:RKelly-12 Play (album cover).jpg is being used on this article. I notice the image page specifies that the image is being used under fair use but there is no explanation or rationale as to why its use in this Wikipedia article constitutes fair use. In addition to the boilerplate fair use template, you must also write out on the image description page a specific explanation or rationale for why using this image in each article is consistent with fair use.
Please go to the image description page and edit it to include a fair use rationale. Using one of the templates at Wikipedia:Fair use rationale guideline is an easy way to insure that your image is in compliance with Wikipedia policy, but remember that you must complete the template. Do not simply insert a blank template on an image page.
If there is other other fair use media, consider checking that you have specified the fair use rationale on the other images used on this page. Note that any fair use images uploaded after 4 May, 2006, and lacking such an explanation will be deleted one week after they have been uploaded, as described on criteria for speedy deletion. If you have any questions please ask them at the Media copyright questions page. Thank you.BetacommandBot 00:27, 6 June 2007 (UTC)
Chicago Tribune review
editTranscription using Google News Advanced News Archive Search. Chicago Tribune (Kot, Greg. 8. January 20, 1994) review of 12 Play (1993):
12 Play (Jive) (STAR)(STAR) 1/2. This Chicagoan is one suave, hot-selling lothario, but he's not doing anything new. "12 Play" is yet another in a long line of new-jack lover-man records that surrounds a pleading singer with plush R&B bedroom grooves and hip-hop rhythms. In the same way, Kelly slides from tender seductions to sexist aggression-he wants to have it both ways, and the potent production makes him mighty persuasive in either context. But there's a wide gulf between the heart-felt pleas of "Sadie," the old Spinners song that Kelly turns into a tribute to his mother, and the nasty rhymes of "Intermission," with its smug assertions about sex as a purely economic proposition. Dazzling as "12 Play" is, Kelly sounds more like an opportunist than a modern soul man.
— Greg Kot
The Baltimore Sun review
editTranscription using Google News Advanced News Archive Search. The Baltimore Sun (Considine, J.D. 9. December 24, 1993) review of 12 Play (1993):
12 PLAY. R. Kelly (Jive 41527). Let's give R. Kelly his due: The guy really can sing. Hearing him resurrect the Spinners' oldie "Sadie" ought to be enough to convince any old-time soul fan that this new jack has the goods. What he does with those goods, though, is something else again. Because for all Kelly's vocal promise, "12 Play" comes across as little more than well-harmonized dirty talk, as our hero spins witless variations on such themes as "Your Body's Callin'," "Freak Dat Body" and "I Like the Crotch on You." Even "Sex Me," one of the few naughty numbers that makes good use of his talents, is eventually undone by a largely pointless remix. Next time, maybe Kelly should just play by himself.
— J.D. Considine
"TP r" listed at Redirects for discussion
editAn editor has asked for a discussion to address the redirect TP r. Please participate in the redirect discussion if you wish to do so. gnu57 18:01, 29 August 2019 (UTC)