Talk:An-My Lê
This article was nominated for deletion on 5 October 2006. The result of the discussion was delete. |
This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
This article is rated Stub-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||
|
List of unsourced group exhibitions
editUnsourced group exhibitions moved from the article:
2017 | Before the Event/After the Fact:Contemporary Perspectives on War, curated by Judy Ditner, Yale University Art Gallery, New Haven, Connecticut
Re:Collection, The Museum of Contemporary Photography, Chicago, Illinois Something Fierce, curated by Christie Davis, The Lannan Foundation, Santa Fe, New Mexic Whitney Biennial, curated by Chris Lew and Mia Locks, Whitney Museum of American Art, New York |
2016 | Poetics of Place, curated by Doug Eklund, Metropolitan Museum of Art, New York
The Shape of Things: Photographs from Robert B. Menschel, the Museum of Modern Art, New York Security Theater, Karl Burke, Harun Farocki, An-My Lê and the Bureau of Inverse Technology (curated by Justin Barski), Or Gallery, Vancouver, Canada The Ocean After Nature (curated by Alaina Claire Feldman), Yerba Buena Center for the Arts, San Francisco, CA Unsuspending Disbelief, Logan Center, University of Chicago, IL New Genealogies, Green Gallery, Yale School of Art, New Haven, CT MoCP at 40, Museum of Contemporary Photography at Columbia College, Chicago, IL |
2015 | Staging Disorder, University of the Arts, London
Time of Others, Museum of Contemporary Art, Tokyo |
2014 | Taipei Biennial: The Great Acceleration (curated by Nicolas Bourriaud), Taipei Fine Arts Museum, Taipei
Fractured Narratives: A Strategy to Engage, Cornell Fine Arts Museum, Rollins College, Winter Park, FL Conflict, Time, Photography, Tate Modern, London; traveling to Museum Fokwang, Essen; Staatliche Kunstsammlungen Dresden (2015) La guerra che verrà non è la prima (The war which is coming is not the first one), MART, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto Trento, Italy Ri-Conoscere Michelangelo: la scultura del Buonarroti nella fotografia e nella pittura dall’ottocento a oggi, Galleria dell’ Accademia, Florence Footnotes, CSS Bard Hessel Museum, Annandale-on-Hudson, NY |
2013 | An Eye for an Eye, Austrian Cultural Forum, New York, NY |
Contemporary Vietnamerican Art, Maier Museum at Randolph College, Lynchburg, VA | |
2012 | War / Photography: Photographs of Armed Conflict and its Aftermath, The Museum of Fine Arts, Houston; travelling to The Brooklyn Museum, New York; The Annenberg Space for Photography, Los Angeles; and The Corcoran Gallery of Art, Washington, DC |
Poetic Politic, Kadist Foundation, San Francisco, CA | |
Prix Pictet, Saatchi Gallery, London; traveling to Hungarian House of Photography, Budapest, Hungary (2013); Istanbul Museum of Modern Art, Istanbul; Dublin Gallery of Photography, Dublin; Beirut Exhibition Center, Beirut; Thessaloniki Museum of Photography, Thessaloniki; Museum of Photographic Arts, San Diego, CA (2014) | |
Newtopia: The State of Human Rights, Mechelen, Belgium | |
Provisional Aesthetic, Davis Museum, Wellesley College, Wellesley, MA | |
More Real? Art in the Age of Truthiness, Minneapolis Institute of the Arts, Minneapolis, MN; travelling to Site Sante Fe, Sante Fe, NM | |
Asia Pacific Triennial of Contemporary Art, Gallery of Modern Art and Queensland Art Gallery, Brisbane, Australia | |
2011 | Prospect 2 New Orleans, New Orleans, LA
After the Gold Rush, The Metropolitan Museum of Art, New York Photography After Color : Roger Ballen, An-My Lê, Matthew Pillsbury, Pennsylvania College of Art & Design, Philadelphia Role Models - Role Playing, Museum der moderne, Salzburg, Austria New Topography of War, Le Bal, Paris, France |
2010 | The Original Copy: Photography of Sculpture, 1839 to Today, The Museum of Modern Art, New York, NY
Pictures by Women: A History of Modern Photography, The Museum of Modern Art, New York, NY Haunted: Contemporary Photography/Video/Performance, The Solomon R. Guggenheim Museum, New York, NY In the Vernacular, The Art Institute of Chicago, Chicago, IL |
2009 | America, Beirut Art Center, Beirut, Lebanon
Manmade: Notions of Landscape from the Lannan Collection, New Mexico Museum of Art, Santa Fe, NM Images Recalled - Bilder auf Aufruf:, 3. Fotofestival Mannheim Ludwigshafen Heidelberg, Kunsthalle Mannheim, Kunstverein Ludwigshafen, Heidelberger Kunstverein, Germany Into the Sunset: Photography’s Image of the American West, The Museum of Modern Art, New York Vague Terrain: Analogues of Place in Contemporary Photography, FLAG Art Foundation, New York, NY Lives of the Hudson, Tang Museum, Skidmore College, Saratoga Springs, New York |
2008 | Soft Manipulation, or Who is Afraid of the New Now?, Casino Luxembourg, Luxembourg; Stiftelson 3,14, Bergen, Norway
Zones of Conflict, Pratt Manhattan Gallery, New York, NY On the Subject of War, Barbican Art Gallery, London, UK The Printed Picture, Museum of Modern Art, New York, NY The Greenroom, CCS Bard Hessel Museum, Annandale-on-Hudson, NY Portraits: Of People and Places, Gallery of the University of Massachusetts, Amherst, MA Framing and Being Framed: The Uses of Documentary Photography, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT That was then and this is now, PS1 Contemporary Arts, Center, Long Island City, NY Lugares comprometidos. topografia y actualidad/compromised places.topography and actuality, PhotoEspana, Fundacion ICO, Madrid, Spain Asi se escribe la historia/This is how history is written, Casa Encendida, Madrid, Spain Marlon Brando, Pocahontas,and Me, curated by Jeremy Deller, The Aspen Art Museum, Aspen, CO Intimacies of Distant War, Dorsky Gallery, SUNY New Paltz, New Paltz, NY |
2007 | transPOP: Korea Vietnam Remix, ARKO Art Center, Seoul, South Korea, traveling to: University Art Gallery at UC Irvine, Irvine CA; Yerba Buena Center for the Arts, San Francisco, CA (2008) To the Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, cat. |
2006 | Witness to War: Revisiting Vietnam in Contemporary Art, San Francisco State University Fine Arts Gallery, San Francisco, CA
Changing Identity: Recent Works by Women Artists from Vietnam, Kennesaw State University Art Galleries, Kennesaw, GA; traveling to: Trammell & Margaret Crow Collection of Asian Art, Dallas, TX; Mills College Art Museum, Oakland, CA; Stedman Art Gallery, Rutgers University, Camden, NJ; 2008: Depree Gallery, Hope College, Holland, MI; Clara M. Eagle Gallery, Murray State University, Murray, KY; Center for Visual Arts, Metropolitan State College of Denver, Denver, CO; Iris and B. Gerald Cantor Gallery, College of Holy Cross, Worcester, MA; Utah Museum of Fine Arts, Salt Lake City, UT; 2009 Weisman Art Museum, University of Minnesota, Minneapolis, MN Dirty Yoga: 2006 Taipei Biennial, Taipei, Taiwan Ecotopia: The Second ICP Triennial of Photography and Video, International Center of Photography, New York NY Hereford Photography Festival, Courtyard Gallery and left Bank Gallery, Hereford, UK New Landscape, Museum of Modern Art, New York, NY Image War: Contesting Images of Political Conflict, CUNY Graduate Center Gallery, New York, NY Beautiful Suffering: Photography and the Traffic in Pain, Williams College Museum of Art, Williamstown, CT |
2005 | The Pentagruel Syndrome, T1 Torinotriennale Tremusei, Castello di Rivoli Museo d’Arte Contemporanea, Galleria Civica d’Arte Moderna e Contemporanea di Torino and the Fondazione Sandretto Re Rebaudengo, Turin, Italy
The Forest: Politics, Poetics and Practice, curated by Kathy Goncharov, The Nasher Museum at Duke University, Durham, NC Stages of Memory: The War in Vietnam, Museum of Contemporary Photography, Chicago. IL Set Up: Recent Acquisitions in Photography, Whitney Museum of American Art, New York, NY The Art of Aggression, curated by Robert Hobbs and Jean Crutchfield, Reynolds Gallery, Richmond, VA; The Moore Space, Miami, FL |
2004 | The Freedom Salon, Deitch Projects, New York
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York, NY, traveling to Seattle Art Museum; San Diego Museum of Art |
2002 | Fiona Banner, An-My Lê, Ann Lislegaard, Murray Guy, New York, NY
Road Trip, Murray Guy, New York, NY Gravity Over Time, Milleventi gallery, Milan, Italy |
2001 | Photographs from the Permanent Collection, Metropolitan Museum of Art, New York |
2000 | Documents, Perceptions, and Perspectives, Rhode Island College, Providence, RI
Reconsidering Vietnam, St Lawrence University, Brush Gallery, CantonAn-My Lê |
1999 | Things They Carry, University of North Texas Art Gallery, Denton, An-My LêTX |
1998 | Re-imagining Vietnam, Fotofest, Houston, TX |
1997 | Selections from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA
New Photography 13, Museum of Modern Art, New York, NY Picturing Communities, Houston Center for Photography, Houston, TX |
1996 | New Histories, The Institute of Contemporary Art, Boston, MA Spot Gallery, New York, NY |
1994-96 | Picturing Asia America: Communities, Culture, Difference, Houston Center for Photography;
traveled to Hunt Gallery of Webster University, St. Louis, MO and Silver Eye Center for Photography, Pittsburgh, PA |
1994 | Building, Dwelling, Thinking, Lowinski Gallery, New York, NY |
1993 | Contemporary American Photography, Canton Cultural Center, China |
unsourced section moved from main space
editNot adding much to article and tagged since 2018. WomenArtistUpdates (talk) 00:08, 28 June 2021 (UTC)
- There is no question that a list of exhibitions is essential for any article about a contempirary artist. I also don't get why the easist thing wasn't done: Taking a look at the artist's website, the list of exhibition is sourced from there. Julius1990 (talk) 13:49, 10 August 2023 (UTC)
Solo exhibitions
editThis section of a biography of a living person does not include any references or sources. (December 2018) |
- 2002: Small Wars, PS1/MOMA Contemporary Art Center, Long Island City, NY
- 2004: 29 Palms, Murray Guy, New York
- 2006: Small Wars: Photographs by An-My Lê, Marion Center, Santa Fe, NM; RISD Museum, Providence, RI; Museum of Contemporary Photography, Columbia College, Chicago, traveling to National Media Museum, Bradford, UK; Ffotogallery, Cardiff, Wales, UK; Henry Art Gallery, Seattle, WA (2007); San Francisco Museum of Modern Art, CA; Contemporary Arts Center, Cincinnati, OH; Johnson Museum, Cornell University, Ithaca, NY, Boise Art Museum, Boise, ID (2008)
- 2006: Trap Rock, Dia: Beacon, Beacon, NY
- 2008: The Photographs of An-My Lê, University of Kentucky Art Museum, Lexington, KY
- 2008: Events Ashore, Murray Guy, New York, NY
- 2010: Murray Guy, New York, NY
- 2013: Baltimore Museum of Art
- 2014: MK Gallery, Milton Keynes, UK (curated by Kate Bush), traveling to Hasselblad Foundation, Gothenburg, Sweden Museum aan de Stroom, Antwerp, Belgium
- 2015: Charles Scott Gallery, Emily Carr University of Art +Design, Vancouver, Canada
- 2017: 29 Palms, Sheldon Art Museum, Lincoln, Nebraska
- 2017: An-My Lê, Marian Goodman Gallery, Paris, France