Talk:Anatoly Sivkov
| This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
 | This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | |||||||||||||||||||||||
| ||||||||||||||||||||||||
.jpg)
New tags
editSivkov's paintings are characterized by a kaleidoscopic complexity of colour, the layered impasto of his palette, and an applied etching technique that reenforces a sense of flatness in his composition. Sivkov’s style is enormously individualistic and is evasive of all stylistic classification. His art holds a tense equilibrium between unrelinquish expression and compositional exactitude.
Sivkov’s art is nurtured by the heavy, garish sumptuousness of his palette. His colours and application of, are powerfully expressive. The eloquence of his colours come to delineate the non-perspectival pictorial space. Combined with the impasto texture of his work, Sivkov's palette effectively creates a technically sensorial opus.
Sivkov's line art aesthetic, which he employs by a process of applying a heated needle to his thickly coated canvases, adds a compositional element that distinguishes his style from his contemporaries. His work draws inspiration from the ancient temple reliefs of Egypt and Mesopotamia. This is most evident in his proportionality, sense of imposing permanence and almost exclusively depicting the facial profile of his subjects. A correlation can be inferred in his work between ancient bas-reliefs and line art. Despite the fact that line art tends to be monochromatic Sivkov's engraved lines act in a semi-autonomous relationship from the other elements in his compositions. In this fashion his lines act independently from the artist's palette to emphasize form and outline.
Assessment comment
editThe comment(s) below were originally left at Talk:Anatoly Sivkov/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.
| Since there are currently several photos giving examples of Sivkov's work, I'm a little heasitant to rate this a stub. That said, the article needs more text providing context and whatnot. — AnnaKucsma Speak! 18:02, 27 September 2007 (UTC) |
Substituted at 18:08, 17 July 2016 (UTC)