Talk:Crop art

Crop art(Bluedillygal (talk) 11:54, 20 November 2009 (UTC)) I think this article needs pictures. I have not been able to find any that are copyright acceptable. I would like to include a seed portrait, an artwork such as those by Stan Herd and an image of a crop circle. —Preceding unsigned comment added by Bluedillygal (talk • contribs) 11:57, 20 November 2009 (UTC)

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Overly promotional for one artist?

This article seems overly promotional for a not particularly notable artist. The material on Stan Herd should be moved to his page, and not be featured so dominantly on this genre page. I'll move the material to this talk page for now, pending discussion. Netherzone (talk) 23:38, 14 August 2017 (UTC)

Moving promotional material here: Stan Herd Herd says an early inspiration for his art was the ancient earth drawings called Nazca Lines after the Nazca people of Peru (Herd 14). One of his first works was the 160-acre (0.65 km²) portrait of "Kiowa War Chief Satanta" (1981) in southwest Kansas. Herd's work reflects a spiritual connection with the land, and respect for Native American culture (Herd 9). "Little Girl in the wind" (1992, Salina Kansas) was a portrait of an indigenous woman; Carole Cadue, a Kickapoo was the subject of this Earthwork. This portrait was made by burning and mowing, but without plowing the land. (Herd 56) His [1] includes photos of his work and lists some publications where his work has appeared, including a Smithsonian magazine article by Jim Robbins, July, 1994. In Crop Art Herd mentions installation artist Christo observing that "Christo's success hinged on his ability to communicate with people outside the art world" (Herd 16). Herd's work is related to the wider arc of the Prairie Renaissance Movement, a loose grouping of people in the Midwestern United States focused on the preservation and restoration of prairie ecosystems, arts, and culture.

References