Talk:Elpida Hadzi-Vasileva

moving uncited lists off main space

These uncited CV items do not add to our understand of this artist. WomenArtistUpdates (talk) 00:21, 20 August 2021 (UTC)

Key artworks

• Reoccurring Undulation (2011) (Installation)
• Witness of Virility (2011) (Sculpture)
• My Beautiful Army (2011) (Sculpture)
• Gunna (2009) (Sculpture)
• Motectum (2009) (Sound Installation)
• Angel 1–40 (2009) (Sculpture)
• We Are Shadows (2008) (Sculpture)
• Butterflies in the Stomach (2007–2008) (Installation with sound)
• Time Stands Still, 1916 & 1991–2001 (2006) (Photography)
• me, you & them (2005) (Film and video)
• Life Cycle (2004) (Sculpture)
• Re|sort (2002) (Installation)
• Road to Nowhere (2002) (Installation)
• Epidermis (2000–2001) (Installation)
• Butter Wall (2000) (Sculpture)
• Ambush (2000) (Architecture and Environment)

Selected solo exhibitions

• 2011 The Wish of the Witness, Pied à Terre, London, UK
• 2011 Inherent Beauty, Museum-Gallery Kavadarci, Kavadarci, Macedonia
• 2010 Inherent Beauty, Public Room, Skopje, Macedonia
• 2009 Motectum, Gloucester Cathedral, Gloucester, UK
• 2008 We Are Shadows, Unit 2, Whitechapel, London, UK
• 2008 Butterflies in the Stomach, L'H du Siege, Valenciennes, France
• 2006 Time Stands Still, 1916 & 1991–2001, Kilmainham Gaol Museum, Dublin, Ireland
• 2002 re|sort, Fabrica Gallery, Brighton, UK
• 2001 Epidermis 2, Kelvingrove Museum and Art Gallery, Glasgow, UK
• 2001 Love Carpet, Hexham Art Centre, Hexham, UK
• 2001 Sweet Red (permanent), Nowton Park, Bury St Edmunds, Suffolk, UK
• 2001 Epidermis, Berwick Gymnasium Gallery, Berwick upon Tweed, UK
• 2000 WHO AM I, ArtSway, New Forest, UK

Selected group exhibitions

• 2012 Summer Exhibition, Royal Academy of Arts, London, UK
• 2012 Skin and Texture, part of Art Lending Library, International Festival of Visual Arts, Market Gallery, Glasgow, UK
• 2012 DLUM Kavadarci, Macedonian Embassy, Paris, France
• 2011 Compulsive, Obsessive, Repetitive, Towner Gallery, Eastbourne, UK
• 2011 The Wish of the Witness, Pied à Terre, London, UK
• 2010 Heft: Weight and Touch in Contemporary Sculpture, The Gallery, Winchester Discovery Centre, Winchester, UK
• 2010 ArtChitecture, Artsway Contemporary Art Gallery, Sway, New Forest, UK
• 2010 Spitalfields Sculpture Prize, Allen & Overy, Bishops Square, London, UK
• 2009 Climate change = Cultural change, Swiss Embassy Gallery and the World Bank, Skopje, Macedonia
• 2010 Lastari, Cifte Amam, National Gallery of Macedonia, Skopje, Macedonia
• 2010 Creative inclusion: Scotland and Macedonia, Step Beyond Mobility, European Culture Foundation, Macedonia
• 2008 Around Photography, Brighton Photo Fringe Exhibition, Apec Studios, Brighton, UK
• 2008 Skin and Texture, UH Galleries, University of Hertfordshire, Hatfield, UK
• 2007 Meeting Place, Russell-Cotes Art Gallery and Museum, Bournemouth, UK
• 2007 Meeting Place, Text+Work, The Gallery, Arts Institute at Bournemouth, UK
• 2005 New Forest Pavilion, Palazzo Zenobio, 51st Venice Biennale, Italy
• 2005 Urban Condition, Meeting House Square, Temple Bar, Dublin, Ireland
• 2004 Crossovers Watershed II, Ecology Centre, Mile End Park, London, UK
• 2002 Jerwood Sculpture Prize, Talbot Rice Gallery, Edinburgh, Scotland
• 2001 Jerwood Sculpture Prize, The Jerwood Gallery, London, UK

Publications

• The Berwick Gymnasium Fellowship: An Archival Record. Published by Art Editions North, 2008 (ISBN 978-0-9557478-1-6)
• Fabrica the First 10 Years. Published by Fabrica, 2007 (ISBN 978-0-9543380-2-2)
• Meeting Place: Contemporary Art and the Museum Collection. Published by The Arts Institute at Bournemouth, 2007 (ISBN 0905173953, 9780905173955)
• Arts in rural England: why the arts are at the heart of rural life. Published by Arts Council England, 2005 (ISBN 0-7287-1164-8)
• Deep Breathing. Published by Skopje: Skenpoint, 2001 (ISBN 9989-888-05-1)
• Jerwood Sculpture Prize. Published by Healeys Printers, 2001
• Compulsive, Obsessive, Repetitive. Published by Towner, 2011 (ISBN 978-1-871360-18-9)
• Inherent Beauty. Published by Public Room, Skopje, 2011 (ISBN 978-608-65222-0-9)
• Motectum. Published by University of Gloucestershire, 2009 (ISBN 978-1-86174-198-1)
• Climate change = cultural change. Published by Swiss Embassy Gallery and the World Bank, Skopje, Macedonia, 2009
• We Are Shadows. Published by Unit 2 Gallery, 2008
• Butterflies in the Stomach. Published by L’H du Siege, 2008
• land + the samling. Published by The Samling Foundation, 2001
• The New Forest Pavilion. Published by ArtSway, 2005

Far too long and detailed

This biographical article is far too long and detailed in comparison to the artist's notability. There is a also a lack of inline references. It needs a drastic edit which I will embark on.Seaweed (talk) 14:18, 3 September 2023 (UTC)

Hi Seaweed. My name is Caroline, I am an acquaintance of Elpida. I am aware of her work, and have volunteered to update her page as a favour. I had started adding some details but you dismissed them and erased most of my edits. Please do let me know in what way they did not fit into the required format. It is particularly frustrating, for a novice, to spend some time learning how to edit a wikipedia page, adding links, tables etc... to find out that your hard work has been deleted a few days later.

I took the page of Anselm Kiefer as an example/template. I am now wary of spending more time editing her page and adding relevant and valuable information if it is to find my work has been deleted a few days later. Please let me know how I should approach this task?

Best wishes,

Caroline Carolinepellet (talk) 14:29, 7 September 2023 (UTC)

Hi Seaweed, when you have the time please can you give me some guidance on how I can edit so it is not deemed "too detailed in comparison to the artist's notability". I would like to add more information on Elpida's work but do not want to waste my time if it is going to be deleted a few days later. Best wishes, Caroline 195.195.217.51 (talk) 09:04, 26 September 2023 (UTC)

Hello Caroline. I know that editing Wikipedia can be frustrating for the novice. I struggled myself at first and can appreciate how you might have found my edits annoying. A good starting place for editing would be to take a look at the "Five Pillars" which are the foundation of Wikipedia. Regarding biographies, I think that an important concept is that of notability which has some impact on the relative length of the article. For example, Henry Moore's article is very detailed which is probably reasonable and in proportion to his career. Bear in mind that Wikipedia is not an exhaustive list or almanac of everything as person has ever done nor is it a means of promotion. Personally speaking, when I'm editing Wikipedia I tend to think of what a casual reader of Wikipedia might find useful. Therefore conciseness is important. It was in that spirit why I edited this article, because I thought it was too long. But I also copied lots of the information to this talk page in case it can be reused later. Another good Wikipedia concept is that of "Be bold". I've been editing Wikipedia for many years, so I encourage you not to be put off and carry on with your editing of this article (and others). Seaweed (talk) 17:11, 1 October 2023 (UTC)

Residencies and commissions

List of "Residencies and commissions" previously on article (in case it's useful).

Hadzi-Vasileva was Artist in Residency at Luxelake A4 Art Museum, International Programme, Chengdu, China. She was the first Artist in Restaurant at the Michelin- starred restaurant, Pied a Terre, London (2011). Other Artist in Residence awards have included Sydney Nolan Trust, Presteigne, Wales (2016), mima , Middlesbrough (2013), Gloucester Cathedral (2008–2009), L'H du Siege, Valenciennes (2007-2008), The Irish Museum of Modern Art (2005), The Berwick Gymnasium Fellowship (2001) and ArtSway (1999–2000). She was commissioned by Brighton and Hove City Council to save and preserve one of the iconic Preston Park Twins, The Gilded Elm, as a new sculptural celebration of these ancient elms, in Preston Park, Brighton. She was commissioned by University of Nottingham to create a permanent site-specific commission Eurydice Prevails (2019); by Trails and Tales, in Scotland with Kilmardinny Tree (2017); at Nymans National Trust Garden with Rapture (2016). Site specific Commission for End of Life, Fabrica Gallery, Brighton with Fragility (2015); Bristol City Council to develop permanent work, Transpire (2010) for St. Bede's Catholic College in Bristol; Road to Nowhere (2002), a temporary work commissioned by The Samling Foundation for Kielder Forest, Northumberland. Other public art commissions have included HA[SOFT]RD (2014) commission now permanently at mima collection, Middlesbrough; The Colour of Red (2013), Natural Bennachie Project, funded by Creative Scotland as part of the Year of Natural Scotland 2013, Aberdeenshire; Resuscitare (2013) ArtSOUTH, Mottisfont Abbey; Visual Industries (2012) Billboards' for Ars Akta in Skopje; Raison d'être (2010–2013), a permanent commission for Southgate Shopping Centre, in Bath; ArtChitecture (2009) site- specific project in the New Forest, in collaboration with Snug Architects Ltd and TJ Thickett & Associates. Initiated by Solent Centre for Architecture and Design in partnership with ArtSway; We Are Shadows (2008) at Unit2, London; Weather Cycle (2006) was a winning Coastal Defence Commission to work closely with engineers, architects and the local community, through Suffolk County Council in Felixstowe; Life Cycle (2004) at Knowle West Health Part, Bristol; Re|Sort (2002) at Fabrica Gallery, Brighton; and Ambush (2000) at Rhinefield Ornamental Drive, the New Forest. Seaweed (talk) 14:26, 3 September 2023 (UTC)

External links previously on article

• Official Artist's website
• Hopemade Art | Home | Slow And Beautifully Made | Hopemade.art
• https://www.sculptureplacementgroup.org.uk/projects/loan/online-catalogue/?filter=elpida-hadzi-vasileva
• The Artists Agency: Elpida Hadzi-Vasileva
• Elpida Hadzi-Vasileva, Vitae, 2019
• Elpida Hadzi-Vasileva: AWARE Women artists / Femmes artistes
• Instagram account
• Fragility by Elpida Hadzi-Vasileva
• Trails + Tales
• Elpida Hadzi-Vasileva - 3 Artworks, Bio & Shows on Artsy
• ELPIDA HADZI-VASILEVA: INSIDE BEAUTY
• Elpida Hadzi-Vasileva | 9 Artworks at Auction | MutualArt
• Art from the gut: the scientifically inspired work of Elpida Hadzi-Vasileva
• Material Splendor: A Conversation with Elpida Hadzi-Vasileva
• Elpida Hadzi-Vasileva: 'I am driven by making the impossible possible'

Seaweed (talk) 14:28, 3 September 2023 (UTC)