Talk:Factum Arte

External links modified

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• Added archive https://web.archive.org/web/20160730182803/http://travelinstyle.com/egypt-tours/tomb-mighty-pharaoh-seti/ to http://travelinstyle.com/egypt-tours/tomb-mighty-pharaoh-seti/
• Added archive https://web.archive.org/web/20150915124118/http://www.soane.org/u/press/Press_Release_Diverse_Maniere_Sir_John_Soanes_Museum.pdf to http://www.soane.org/u/press/Press_Release_Diverse_Maniere_Sir_John_Soanes_Museum.pdf

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Edit request

I would like to suggest a few edits to this page, for accuracy and to update it a little (I think the last content updates were done in c. 2015):

- Opening paras have inaccuracies. Possible edits (not including footnotes):

Factum Arte is a company based in Madrid, Milan, and London that seeks to construct a bridge between new technologies and craft skills in the conservation of cultural heritage and in contemporary art.[1] Its commercial activity involves assisting contemporary artists to create technically difficult and innovative works of art.[8] It also seeks to promote the use of non-contact 3D digitisation technologies to record museum collections and historic monuments, especially in areas where these are at risk.[3] Since Since 2009, Factum Arte's non-profit cultural heritage projects have been carried out through the Factum Foundation for Digital Technology in Conservation.

In addition to recording objects, Factum Arte is able to use digital data to create an exact facsimile of an object on a scale of 1:1.[4] In 2014, Factum Foundation completed the installation of an exact facsimile of the tomb of Tutankhamun in the Valley of the Kings in Luxor, near Howard Carter’s house. The facsimile, and its proximity to the original tomb, is intended to provoke a debate about preservation;[5][6] as Factum Arte's Director, Adam Lowe, was said: "The tomb of Tutankhamun was built to last for eternity, but it wasn't built to be visited".[7]

Over the years, Factum Arte and Factum Foundation have worked with institutions such as the British Museum in London, the Musée du Louvre in Paris, the Pergamon Museum in Berlin, the Museo del Prado in Madrid, and the Supreme Council of Antiquities in Egypt.

- There has been a lot of media coverage of Factum Arte and Factum Foundation since this page was last updated. Some of this might be helpful to add, maybe to replace some of the existing links to pages on Factum Arte and Factum Foundation's websites:

Zalewski, Daniel (21 November 2016). "The Factory of Fakes: How a workshop uses digital technology to craft perfect copies of imperilled art". The New Yorker. Dickson, Andrew (30 August 2019). "How digital scanning can help save art works and buildings". Financial Times. Retrieved 13 April 2020. Gómez, Virginia (29 February 2020). "Los copiadores legales del arte antiguo". El Mundo. Retrieved 13 April 2020. Guerrero, José Antonio (10 November 2019). "El taller de los prodigios". Retrieved 13 April 2020. "Digital Innovation of the Year: The Apollo Awards 2014". Apollo Magazine. 3 December 2014. Retrieved 13 April 2020. Guy, Jack (28 October 2019). "Mosul takes delivery of recreated icons". CNN. Retrieved 13 April 2020. AFP (24 October 2019). "Replicas of Assyrian statues smashed by Daesh unveiled in Iraq's Mosul". Retrieved 13 April 2020. McEwan, Olivia (17 April 2017). "How Michelangelo and Sebastiano's Roman Chapel Was Recreated in London". Hyperallergic. Retrieved 13 April 2020. Alberge, Dalya (23 July 2016). "Gallery offers visitors a 3D digital sculpture in four seconds". The Guardian. Retrieved 13 April 2020.

-- If the edits to the intro are accepted, I will suggest a few more to the content of the rest of the page. — Preceding unsigned comment added by Anachorism (talk • contribs) 12:00, 5 February 2021 (UTC)

 Done Ferkijel (talk) 13:27, 26 March 2021 (UTC)

References