This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
Latest comment: 6 months ago1 comment1 person in discussion
Maria Magdalena Rückert: Ihre, des Schöpfers, Anerkennung soll mir der schönste Lohn sein. Unbekannter Briefwechsel zwischen dem Komponisten Max Bruch und der Sopranistin Hedwig Iracema-Brügelmann im Nachlass Adelmann. In: Archiv Nachrichten (Landesarchiv Baden-Württemberg), Nr. 32. 2006, S. 29–30.
Rainer E. Lotz, Axel Weggen, Christian Zwarg: Discography of German Operatic and Lieder. Discographie der deutschen Gesangsaufnahmen. Band 3. Lotz Verlag, Bonn.