Talk:Hugo Riemann

Neutrality

I question the neutrality (or the well-advisedness) of this article. In particular, the last paragraph, including "He is held in the highest possible esteem by German musical authorities" is too general and sweeping, and questionable in the light of the correct information on the 'Schenkerian analysis' page, under the heading 'Schenker's goals': "Schenker's primary theoretic aims were [...] to show that most of the established music theory teaching of the time, with an emphasis on the theories of his contemporary Hugo Riemann, was misleading and useless for an understanding of the 'masterworks.'" Opinion on Riemann therefore is divided, even amongst 'German musical authorities'. Certainly Riemann's ideas of the Tonnetz are making a comeback; but more information on his harmonic theories would be useful in this context. 81.159.82.227 18:20, 12 March 2007 (UTC) Bethany Lowe

Disambiguation

Please can we have a disambiguation page at 'Riemann', as we didn't get a choice of Hugo Riemann, but just got send to the page of Bernhard Riemann! Thanks. 128.240.229.7 15:46, 2 May 2007 (UTC) Bethany Lowe (again)

Assessment comment

The comment(s) below were originally left at Talk:Hugo Riemann/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.

I agree that it's atrocious, and have removed the fanboy tripe. Broom (talk) 02:44, 25 July 2008 (UTC)

Last edited at 02:44, 25 July 2008 (UTC). Substituted at 18:25, 29 April 2016 (UTC)

Wiki Education assignment: 19th Century Concert Life

This article was the subject of a Wiki Education Foundation-supported course assignment, between 17 January 2023 and 12 May 2023. Further details are available on the course page. Student editor(s): JoshuaMithuen (article contribs).

— Assignment last updated by Jmares3218 (talk) 03:41, 12 May 2023 (UTC)