This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject Visual arts, a collaborative effort to improve the coverage of visual arts on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Visual artsWikipedia:WikiProject Visual artsTemplate:WikiProject Visual artsvisual arts articles
This article is within the scope of WikiProject Textile Arts, a collaborative effort to improve the coverage of textile arts on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Textile ArtsWikipedia:WikiProject Textile ArtsTemplate:WikiProject Textile ArtsTextile Arts articles
This article is within the scope of WikiProject Craft, a collaborative effort to improve the coverage of craft on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.CraftWikipedia:WikiProject CraftTemplate:WikiProject CraftCraft articles
This article is within the scope of WikiProject Women artists, a collaborative effort to improve the coverage of women artists on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women artistsWikipedia:WikiProject Women artistsTemplate:WikiProject Women artistsWomen artists articles
This article was created or improved during the #1day1woman initiative hosted by the Women in Red project in 2020. The editor(s) involved may be new; please assume good faith regarding their contributions before making changes.Women in RedWikipedia:WikiProject Women in RedTemplate:WikiProject Women in RedWomen in Red articles
This article is within the scope of WikiProject United States, a collaborative effort to improve the coverage of topics relating to the United States of America on Wikipedia. If you would like to participate, please visit the project page, where you can join the ongoing discussions.
This article was created or improved at Art+Feminism edit-a-thons in 2015, 2016 and 2017.ArtAndFeminismWikipedia:Meetup/ArtAndFeminismTemplate:ArtAndFeminism articleArtAndFeminism articles
Latest comment: 1 year ago1 comment1 person in discussion
This article was the subject of a Wiki Education Foundation-supported course assignment, between 25 January 2023 and 12 May 2023. Further details are available on the course page. Student editor(s): Uwmadartlibhb23 (article contribs).
Lenore Tawney: A Retrospective, 1990, American Craft Museum and Rizzoli International Publications, New York, edited by Kathleen Nugent Mangan, foreword by Katharine Kuh, text by Erika Billeter, Kathleen Nugent Mangan, and Paul J. Smith.
Lenore Tawney, 1996, Stedelijk Museum, Amsterdam, Netherlands, foreword by Rudi Fuchs, text by Liesbeth Crommelin and Kathleen Nugent Mangan.
Lenore Tawney–Meditations: Assemblages, Collages, and Weavings, 1997, Michael Rosenfeld Gallery, New York, text by Judith E. Stein.
Vestures of Water: The Work of Lenore Tawney, 1997, Allentown Art Museum, Pennsylvania, text by Kathleen Nugent Mangan.
Lenore Tawney: Celebrating Five Decades of Work, 2000, browngrotta arts, Wilton, Connecticut, foreword by Kathleen Nugent Mangan, text by Sigrid Wortmann Weltge, notes by Lenore Tawney.
Lenore Tawney: Drawings in Air, 2007, browngrotta arts, Wilton, Connecticut, text by Kathleen Nugent Mangan.
Lenore Tawney: Wholly Unlooked For, 2013, Maryland Institute College of Art, Baltimore, Maryland and University of the Arts, Philadelphia, Pennsylvania, foreword by Kathleen Nugent Mangan, text by Sid Sachs, Warren Seelig, and T'ai Smith.
Lenore Tawney: Mirror of the Universe, 2019, John Michael Kohler Arts Center, Sheboygan, Wisconsin, text by Karen Patterson, Kathleen Nugent Mangan, Glenn Adamson, Mary Savig, Shannon R. Stratton, and Florica Zaharia.
Woven Forms, 1963, Museum of Contemporary Crafts, New York, introduction by Paul J. Smith, text by Ann Wilson.
Wall Hangings, 1969, The Museum of Modern Art, New York, introduction by Mildred Constantine and Jack Lenor Larsen.
Nine Artists/Coenties Slip, 1974, Whitney Museum of American Art Downtown Branch, New York.
Fiberworks, 1977, Cleveland Museum of Art, foreword by Sherman E. Lee, preface by Edward B. Henning, text by Evelyn Svec Ward.
Weich und Plastich: Soft-Art, 1979, Kunsthaus Zurich, Switzerland, foreword by Erika Billeter, text by Magdalena Abakanowicz, Erika Billeter, Mildred Constantine, Richard Paul Lohse, Willy Rotzler, and André Thomkins.
Tracking the Marvelous, 1981, Grey Art Gallery and Study Center, New York University, text by John Bernard Myers.
Craft Today: Poetry of the Physical, 1986, American Craft Council, New York, New York, text by Paul J. Smith and Edward Lucie-Smith.
Fiber R/Evolution, 1986, Milwaukee Art Museum and University Art Museum, University of Wisconsin, Milwaukee, foreword by Jane Fassett Brite and Jean Stamsta, and John Perreault.
The Eloquent Object, 1987, Philbrook Museum of Art, Tulsa, Oklahoma, edited by Marcia Manhart and Tom Manhart, text by George L. Aguirre, Jonathan L. Fairbanks, Penelope Hunter-Stiebel, Mary Jane Jacob, –Horace Freeland Judson, Ronda Kasl, Lucy L. Lippard, Marcia Manhart and Tom Manhart, John Perreault, Rose Slivka, and Edwin L. Wade.
Fiber Concepts, 1989, Arizona State University Art Museum, Tempe, Arizona, text by Lucinda H. Gedeon.
Revered Earth, 1990, Center for Contemporary Arts of Santa Fe, preface by Robert B. Gaylor, text by Diane Armitage, Suzi Gablik, Robert B. Gaylor, Dominique GW Mazeaud, and Melinda Wortz.
Abstraction: The Amerindian Paradigm, 2001, Palais des Beaux-Arts, Brussels in association with IVAM (Institut Valencià d'Art Modern), Valencia, text by Mary Frame, Lucy Lippard, Cecilia de Torres, César Paternosto, and Ferdinán Valentín.
Generations/Transformations: American Fiber Art, 2003, American Textile History Museum, Lowell, Massachusetts.
Circa 1958: Breaking Ground in American Art, 2008, Ackland Art Museum, The University of North Carolina at Chapel Hill, foreword by Emily Kass, text by Roni Feinstein.
Messages & Magic, 100 Years of Collage and Assemblage in American Art, 2008, John Michael Kohler Arts Center, Sheboygan, Wisconsin, text by Leslie Umberger.
Retro/Prospective: 25+ Years of Art Textiles and Sculpture, 2012, browngrotta arts, Wilton, Connecticut, text by Lesley Millar, and Jo Ann C. Stabb.
Art & Textiles: Fabric as Material and Concept in Modern Art from Klimt to the Present, 2013, Kunstmuseum Wolfsurg, Hatje Cantz Verlag, Ostfildern and authors, edited by Markus Brüderlin.
Thread Lines, 2014, The Drawing Center, New York, New York, text by Joanna Kleinberg Romanow.
Fiber: Sculpture 1960–Present, 2014, Institute of Contemporary Art/Boston and Prestel Verlag, Munich, London, New York, edited by Jenelle Porter, text by Glenn Adamson, Sarah Parrish, Jenelle Porter, and T'ai Smith.
Influence and Evolution: Fiber Sculpture…then and now, 2015, browngrotta arts, Wilton, Connecticut, edited by Rhonda Brown, text by Ezra Shales.[1]