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Latest comment: 18 years ago1 comment1 person in discussion
According, as I recall, to Cuthbert Girdlestone (Mozart and his Piano Concertos), "nach Paris" - Leopold's words- might mean not "for Paris" but rather, "from Paris" as in, just back from. (Also, it's B♭, not B nor, on Wikipedia, Bb.) Also, it's not at all clear whether the 18th or 19th concerto was meant. "The identity of the herrliches konzert must remain a mystery." (attempted quote- I don't have the book in front of me.) Schissel | Sound the Note!18:01, 22 September 2006 (UTC)Reply
Latest comment: 4 years ago1 comment1 person in discussion
In sources on Anton Franz Mesmer, in which she plays a prominent role due to his treatment of hers leading to his 'exile' from Vienna, she is always mentioned as just Paradis, not 'von' Paradis. Which is correct? — Preceding unsigned comment added by MaxMimomus (talk • contribs) 15:12, 19 March 2020 (UTC)Reply
The first half of the Sicilienne is note for note lifted from the Weber sonata. The second half is, as far as I can tell, Dushkin's own. It certainly is not taken note for note from the Tchaikowsky third string quartet - in fact there is hardly even a passing resemblence. @DCLawyer attributes this to a blog post on Reddit, not what we consider to be a reliable source here on Wikipedia.
@DCLawwyer has once again included his contention that the Sicilienne is take from Tchaikowsky third string quartet. This time he also attributed that claim to a web page which makes no mention of Tchaikowsky. Nor is the theme an inversion of the Weber sonata. It is an exact quote.
My apologies to @DCLawwyer for accusing him of being a sockpuppet of @DCLawyer. The lawyer with one "w" is indeed a sockpuppet, and it was I who misspelled the name of the two-"w" lawyer in the talk page comment above.
This doesn't change the fact that there is no similarity between the Tchaikowsky quartet and the Sicilienne, except, perhaps, that they are both written using notes. Ravpapa (talk) 05:27, 12 June 2024 (UTC)Reply
