This article was nominated for deletion on 10 March 2009 (UTC). The result of the discussion was keep.
This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourcedmust be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.
This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects:
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject Journalism, a collaborative effort to improve the coverage of journalism on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.JournalismWikipedia:WikiProject JournalismTemplate:WikiProject JournalismJournalism articles
Latest comment: 15 years ago2 comments2 people in discussion
Not sure if this is relevant, but I have subscribed to EW since at least 1993, and I've noticed that when Owen Gleiberman writes a movie review, there is a direct proportion between the attractiveness of the male lead and the poetry of his writing. For example, he once described Chris O'Donnell (then playing d'Artagnan in The Three Musketeers) as having "the delicately curled lips of a baby angel." In his review of Walk the Line, Gleiberman described Joaquin Phoenix's eyes as "deep coal wells of hidden sorrow." --Procrastinatrix18:43, 8 August 2007 (UTC)Reply