The Great Martian War 1913–1917 is a 2013 Canadian/UK made-for-television science fiction docudrama film, produced by Michael Kot, Steve Maher, and Mike Slee, and also directed by Slee. It unfolds in the style of an episode from the History TV Channel.
The Great Martian War 1913–1917 | |
---|---|
Genre | Alternate history Science fiction |
Based on | The War of the Worlds by H. G. Wells |
Written by | Steve Maher Stephen Sarossy |
Directed by | Mike Slee |
Starring | Jock McLeod Joan Gregson Ian Downie Thomas Gough |
Narrated by | Mark Strong |
Country of origin | Canada, United Kingdom |
Original language | English |
Production | |
Producers | Michael Kot Steve Maher Mike Slee |
Cinematography | Christopher Romeike |
Running time | 90 minutes |
Original release | |
Network | History (European TV channel) |
Release | 8 December 2013 |
Overview
editThe film as presented is an alternate history of World War I: the European Allies, and eventually America, fight Martian invaders instead of Germany and the Central Powers. Europe is on tenterhooks in the second decade of the 20th century. Everyone is expecting war between the European powers. Many references to real events in World War I are woven into the film's fictional narrative, including parallels to the conflict, such as trench warfare and the Christmas truce, and America's late entry into the war. The film also utilizes a surprising twist on the "Spanish" flu pandemic that killed more people than the conflict itself, which becomes the key development in ending the alien invasion.
Description
editThe film is based on the 1897 science fiction novel The War of the Worlds, by English author H. G. Wells, and includes both new and digitally altered film footage shot from World War I to establish the scope of the interplanetary conflict.
Historical Records
editIn June 1913, astronomers in London discover a bright meteor passing by the planet Mars, on a collision course with Earth. Two days later a massive explosion rocks the whole of Europe, the epicentre of which lies within Germany's Bohemian Forest. Initially accused of testing a super-weapon by the other nations of Europe, elements of the German Army are sent to investigate, only to disappear without a trace. Kaiser Wilhelm makes an urgent appeal to the world for military assistance in fighting what turns out to be a powerful, non-human invading force thought to be from Mars.
As the war unfolds, the European Allies engage monstrous Martian fighting machines, unaware that deep flaws exist in their military leadership's central battle strategy: the alien force sends thousands of scavenger drones over the battlefield every night, scouring every scrap of metal to be recycled into the construction of new fighting machines. The Allies' mass-wave tactics only serve to resupply the enemy with fresh metal. Across the Atlantic, US President Woodrow Wilson struggles to keep America out of the war while sending aid to the beleaguered European alliance. When a series of attacks on ships at sea is blamed on the Martians, politicians and the populace force President Wilson to resign. His replacement, Theodore Roosevelt, is restored to office and joins the European allies. Whether the ship attacks really were perpetuated by Martians, which had never been seen in the Gulf of Mexico and Western Atlantic, or were a False flag operation by the Allies is speculated upon but unanswered.
Following an apparent attack on London by a single alien tripod, the Allies discover that the Martians are vulnerable to Glanders, a terrestrial virus endemic to horses. Now standing on the brink of total defeat by the invaders, the Allies engineer Glanders into a bioweapon despite the risk of triggering a pandemic. The weapon is released and kills the Martians in couple of weeks, winning the war. However, the disease mutates after coming into contact with the humans, resulting in millions more deaths in the following pandemic than had occurred during the war.
Throughout the documentary, modern historians with opposing views about the conflict's many controversies. They disagree on an incendiary new discovery centered around the previously uncrackable "Martian Code", a vast century-old cache Martian documents seized following the end of the war. These messages are warnings from the "Martians" themselves about the true culprit behind invasion: a liquid metal lifeform (which mankind names "Victacite") that entices other, intelligent species into appropriating its highly-adaptable technology. Integrating itself into all civilizations it finds, Victacite slowly causes its host species to rapidly advance technologically and expand the population until they become too numerous on their homeworld, at which point the host species will seek to colonize new worlds. Eventually Victacite will force humans to wage war on other worlds in order to spread its parasitic existence, ready to "infect" whichever alien species manages to defeat us in order to repeat the cycle again
Main cast
edit- Ashley Bomberry as Kim Lafonde
- Briony Glassco as Alexandra Banham
- Daniel Matmor as Lawrence Hart
- Hazel Douglas as Alice Hale
- Howard Jerome as Howard Klee
- Ian Downie as Hughie Logan
- Joan Gregson as Nerys Vaughan
- Jock McLeod as Jock Donnelly
- Ross Walton (voice over)
- Sarossy (voice over)
- Thomas Gough as Duncan Mitchell-Myers
- Walter Stegmayer as Arnold Tockelz
- Mark Strong (Narrator)
Reception
editOne film reviewer found the film gripping and "not only fascinating to watch, but very realistic right to the very end".[1] Another reviewer commented that the film may be "best described as an interesting curiosity".[2] According to a reviewer for Postmedia News, the film is "a novelty, but an inventive and surprisingly engaging novelty".[3] Still another reviewer states, "What an audacious, perfectly clever, and perfectly realized project. The utmost skill and craftsmanship have delivered this merging of faux archival-style (scratched, battered) footage (appearing as though from The Great War) with an endless CGI army of ruthless Titan alien machines. To my mind, the result was utterly awesome, and 'awesome' is not a word I throw around lightly. Indeed, the entire film seems authentic, and to have pulled it off so satisfactorily reflects uncommonly well on The Great Martian War’s creative team".[4]
See also
editReferences
edit- ^ Woodham, Karen (3 August 2014). "Great Martian War 1913–1917 [Review]". BlazingMinds.co.uk. Retrieved 5 December 2014.
- ^ Bowling, Dave (15 December 2013). "TV Review: FTN reviews The Great Martian War 1913–1917". FollowingTheNerd.com. Retrieved 5 December 2014.
- ^ Strachan, Alex (5 December 2013). "TV Thursday: The Great Martian War a deft trip back in time". Postmedia News. Archived from the original on 11 December 2014. Retrieved 6 December 2014.
- ^ Miller, Thomas Kent. Mars in the Movies: A History. Jefferson, North Carolina: McFarland & Company, 2016. ISBN 978-0-7864-9914-4.