The Montreal Tapes: with Paul Bley and Paul Motian is a live album by the American jazz bassist Charlie Haden with pianist Paul Bley and drummer Paul Motian recorded in 1989 and released on the Verve label.[1]
The Montreal Tapes: with Paul Bley and Paul Motian | ||||
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Live album by | ||||
Released | October 1994 | |||
Recorded | July 7, 1989 | |||
Venue | Quebec, Canada | |||
Genre | Jazz | |||
Length | 61:43 | |||
Label | Verve | |||
Producer | Daniel Vachon | |||
Charlie Haden chronology | ||||
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Reception
editThe Allmusic review by Scott Yanow awarded the album 3 stars, stating, "The musical communication between the three masterful players is impressive on this generally introspective set".[2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Track listing
edit- All compositions by Charlie Haden except as indicated
- "Turnaround/When Will the Blues Leave?" (Ornette Coleman) - 13:17
- "New Beginning" - 8:47
- "Cross Road" (Coleman) - 6:40
- "So Far, So Good" (Paul Bley) - 7:27
- "Ida Lupino" (Carla Bley) - 11:19
- "Latin Genetics" (Coleman) - 4:35
- "Body Beautiful" (Paul Motian) - 8:03
- "Turnaround" (Coleman) - 7:51
- Recorded at the Montreal International Jazz Festival on July 7, 1989
Personnel
edit- Charlie Haden – bass
- Paul Bley - piano
- Paul Motian - drums
References
edit- ^ Discogs album entry accessed December 5, 2011
- ^ a b Yanow, S. Allmusic Review accessed December 5, 2011