The Seattle Times wrote that the band "create an intelligent (and radio-unfriendly) hybrid of conventional musical styles, sheer noise and structural deftness."[6] Pitchfork called The Pigeon Is the Most Popular Bird "one of the best noise-rock records of the 90s," writing that "the transitions from silly to searing highlight SFS' unpredictable and caustic approach."[7]
Title |
---|
1. | "[untitled]" | 0:37 |
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2. | "Home for the Holy Day" | 2:50 |
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3. | "[untitled]" | 0:48 |
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4. | "Laughing Larry" | 5:11 |
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5. | "[untitled]" | 1:31 |
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6. | "Funny Like a Clown" | 3:33 |
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7. | "[untitled]" | 1:42 |
---|
8. | "Deadpan" | 4:54 |
---|
9. | "[untitled]" | 0:59 |
---|
10. | "Hi-Lo Jerk" | 4:03 |
---|
11. | "[untitled]" | 2:18 |
---|
12. | "Love (Via Satellite)" | 3:17 |
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13. | "[untitled]" | 1:03 |
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14. | "Save the Last Dance for Larry" | 4:24 |
---|
15. | "[untitled]" | 0:39 |
---|
16. | "Solitary Hiro" | 2:19 |
---|
17. | "[untitled]" | 1:38 |
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18. | "Neuro-Harmonic Conspiracy" | 5:11 |
---|
19. | "[untitled]" | 1:34 |
---|
20. | "Takes One to Know One" | 3:34 |
---|
21. | "[untitled]" | 13:55 |
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- Six Finger Satellite
- John MacLean – guitar, moog synthesizer, organ
- Kurt Niemand – bass guitar
- Richard D. Pelletier – drums
- Peter Phillips – guitar, vocals
- Jeremiah Ryan – vocals
|
- Additional musicians and production
- Laura Borealis (Laura Hyde Crapo) – photography
- John Golden – mastering
- Marcellus Hall – harmonica (Tracks 10)
- Robert Weston – engineering
|