The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille and starring Geraldine Farrar.[1] Art direction for the film was done by Wilfred Buckland.

The Woman God Forgot
Lobby poster
Directed byCecil B. DeMille
Cullen Tate (asst. director)
Written byWilliam C. de Mille
Jeanie MacPherson
Produced byCecil B. DeMille
Jesse L. Lasky
StarringGeraldine Farrar
Wallace Reid
CinematographyCharles Schoenbaum
Alvin Wyckoff
Edited byCecil B. DeMille
Production
company
Distributed byArtcraft Pictures Corp.
Release date
  • October 28, 1917 (1917-10-28)
Running time
60 minutes
CountryUnited States
LanguageSilent (English intertitles)

Location shooting for the film took place in Santa Monica, California and Yosemite National Park.[2]

Plot

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The Woman God Forgot (1917)

The Exhibitors Herald, a trade magazine for independent cinemas, provides a description of the film.[3] Moctezuma (Hatton), the Aztec king, resents the intrusion of the Spanish who have come to convert the Aztecs to Christianity. But Tecza (Farrar), daughter of the king, loves Alvarado (Reid), one of the Spanish captains, and she allows the Spanish soldiers to enter the palace. After a terrific battle, she is the only surviving Aztec and the Spanish allow her to depart in peace. Alvarado then comes wooing the last of the Aztecs and wins her.

Cast

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Production

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Several elaborate set pieces were used for this Mesoamerican epic, but the largest is the Aztec pyramid they constructed into the side of a hill at Inceville, in Santa Monica, CA. According to John Gilbert, who was working in Hollywood as an extra at the time, it was constructed of wood layered over with paper, then textured with sand to give it the appearance of stonework.

Toward the end of the picture several actors are seen tumbling down the side of the pyramid in the battle between the Aztecs and the Spanish conquistadors. Gilbert said that "the extras were thrown down the sides of the pyramid and a man stood at the bottom with a bucket of iodine and patched them up" to treat their sandpapered skin.[4]

Reception

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A contemporaneous review in The Moving Picture World stated that the historical accuracy of the sets and costumes made a strong appeal to students of history, while the abbreviated tale of the destruction of the highest pre-European civilization in the New World would prove absorbing to the casual amusement seeker. The performance of the actors received universal acclaim, but the highest praise was saved for Geraldine Farrar: "The cast fitted their parts, but the star, Geraldine Farrar, was born for hers."[5]

A staff writer for The New York Times referred to the film as "a colorful and magnificently mounted romance"; however, they believed its plot was "somewhat primitive".[6]

Preservation

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Complete 35 mm prints of The Woman God Forgot are held by the George Eastman Museum[1] and the Cineteca Del Friuli in Gemona.[7]

References

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  1. ^ a b "Progressive Silent Film List: The Woman God Forgot". silentera.com. Retrieved March 31, 2024.
  2. ^ "The Woman God Forgot". afi.com. Retrieved March 31, 2024.
  3. ^ "Reviews: The Woman God Forgot". Exhibitors Herald. 5 (19). New York: Exhibitors Herald Company: 28. November 3, 1917.
  4. ^ Fountain, Leatrice Gilbert; Maxim, John R. (1985). Dark Star. Internet Archive. New York : St. Martin's Press. p. 198. ISBN 978-0-312-18275-5.
  5. ^ Chalmers Publishing Company (1917). Moving Picture World (Nov 1917). New York The Museum of Modern Art Library. New York, Chalmers Publishing Company.
  6. ^ "Farrar in Spanish Film.; Prima Donna Appears in "The Woman God Forgot."". The New York Times. October 29, 1917. Archived from the original on February 27, 2024. Retrieved February 27, 2024.
  7. ^ "American Silent Feature Film Database: The Woman God Forgot". Library of Congress. Retrieved March 31, 2024.
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