Theresa Ferber Bernstein-Meyerowitz (March 1, 1890 – February 12, 2002) was an American artist, writer, and supercentenarian born in Kraków, in what is now Poland, and raised in Philadelphia. She received her art training in Philadelphia and New York City. Over the course of nearly a century, she produced hundreds of paintings and other artwork, plus several books and journals.
Theresa Bernstein-Meyerowitz | |
---|---|
Born | Theresa Ferber Bernstein March 1, 1890 |
Died | (aged 111 years, 349 days)[1] New York, New York, U.S. | February 12, 2002
Nationality | Polish-born American |
Known for | Painting writing |
Movement | Modernism; influenced by Ash Can School |
Spouse | William Meyerowitz |
Bernstein and her husband William Meyerowitz, who was also an artist, lived and worked in Manhattan and Gloucester, Massachusetts. She painted portraits and scenes of daily life, plus reflections of the major issues of her time, in a modern style that evolved from realism to expressionism. She was active in several art associations and promoted her husband's work as well as her own. Her artworks are found in dozens of museums and private collections in the United States and abroad. She remained active all her life and was honored with a solo exhibition of 110 art works to celebrate her 110th birthday.
Bernstein also authored several books, including a biography of her husband and a journal about their many trips to Israel.
She died in 2002, just a couple of weeks short of her 112th birthday.
Biography
editEarly life
editTheresa Ferber Bernstein was born in Kraków, Poland, on March 1, 1890.[2] She was the only child of Isidore Bernstein, a Jewish textile manufacturer, and his wife Anne (née Ferber) Bernstein, an accomplished pianist.[3][4] The family emigrated to the United States when Theresa was one year old.[5][6][7] She showed an early interest in art[8] and began learning to draw and paint at a young age.[3] As a young woman, she traveled several times with her mother to Europe, where she was impressed by artists of the new Expressionist movement like Wassily Kandinsky, Franz Marc, and Edvard Munch.[4][3]
Education
editBernstein graduated from the William D. Kelley School in Philadelphia in June 1907, at the age of 17.[9][5][6][10] The same year, she received a scholarship to the Philadelphia School of Design for Women, now Moore College of Art & Design, where she studied with Harriet Sartain, Elliott Daingerfield, Henry B. Snell, Daniel Garber and others.[11][12][4] She graduated in 1911 with an award for general achievement (the college awarded her an honorary doctorate in 1992).[6] In 1912, she settled in Manhattan and enrolled at the Art Students League, where she took life and portraiture classes with William Merritt Chase.[4][13][14]
Marriage and family
editShe met her future husband William Meyerowitz, also an artist, in 1917, and they married in Philadelphia on February 7, 1919.[4][3] Their only child, a girl named Isadora, died in infancy.[12][4] They lived in New York City and began spending summers in Gloucester, Massachusetts in the 1920s. In 1923, the couple traveled abroad together.[3]
In the beginning, Bernstein's sales and reviews were far better than her husband's, but over time, her reputation waned due to a decreased interest in realistic subjects,[6] even though they presented themselves as a "painting couple." During the Great Depression, Bernstein and her husband continued to teach in their studios in Manhattan and Gloucester and sold graphics to supplement their income.[3] They became involved in the Zionist movement, and after the establishment of the State of Israel, they visited the country 13 times over 30 years.[8][3] Until her husband's death in 1981, Bernstein promoted his artwork while creating her own.[15] She stated that she did not feel it necessary to compete with him, as she was not competitive by nature.[3]
Bernstein and Meyerowitz were close to two of their nieces, Laura Nyro and Barbara Meyerowitz (aka Barbara DeAngelis), and supported their musical education.[5][6] Following the death of her husband, Bernstein developed a close relationship with DeAngelis' youngest son, Keith Carlson, who documented their relationship for a website in the artist's name that was created by the City University of New York.[16]
Death
editBernstein and her husband lived for many decades in a rent-controlled loft-style studio apartment at 54 West 74th Street on the Upper West Side of Manhattan, just one block from Central Park West. This studio was her home at the time of her death on February 12, 2002, at Mount Sinai Hospital, shortly before her 112th birthday.[17][6]
Career
editArtistic style and subject matter
editIn 1913, Bernstein attended the Armory Show,[14][3] the first large exhibition of modern art in America. Bernstein admired the style of Robert Henri, founder of the Ashcan School of American realism, and his way of depicting the everyday drama of the city. She was also influenced by John Sloan, Stuart Davis and others of the movement.[8] According to art historian Gail Levin, Bernstein was for a time more popular than well-known realist Edward Hopper, although Bernstein's style over time tended more toward expressionism.[7] However, unlike abstract artists, Bernstein remained committed to figuration, choosing always to connect with real life and people.[18][14]
In her paintings, Bernstein depicted the major issues of her time: the women's suffrage movement, World War I, jazz, the plight of immigrants, unemployment, and racial discrimination. She also painted portraits of her husband and other people, including Polish musician and politician Ignacy Jan Paderewski, jazz musician Charlie Parker, and entertainer Judy Garland.[7][3] Her studio near Bryant Park and Times Square allowed her to paint a cross-section of New Yorkers, using large brushstrokes and bold colors to depict the vitality of her subjects.[11] At Coney Island and later during her summers in Gloucester, she painted harbors, beaches, fish, and still lifes.[3]
Early reviewers praised her "man's vision," while recent scholars have found that she had a "decidedly feminine sensibility."[4][19] In the male-dominated art world of her time, Bernstein, like many women artists, was frequently overlooked. To try to avoid discrimination, she often signed her works using "T. Bernstein" or just her surname.[20][21][22]
Associations
editBernstein was part of the Philadelphia Ten, an influential group of female artists.[23][20] She was also a member of the National Association of Women Artists, the Society of American Graphic Artists and the North Shore Art Association.[12] Her works were exhibited extensively with the National Academy of Design and the Society of Independent Artists,[24] which she co-founded.[6]
Selected exhibitions
edit- 1919: Bernstein's first solo exhibition at the Milch Gallery in New York City.[8][25]
- 1930: The Baltimore Museum of Art held simultaneous solo exhibitions for Bernstein and her husband to help them build their individual careers.[14]
- 1990: Echoes of New York: The Paintings of Theresa Bernstein, curated by art historian Michele Cohen, Museum of the City of New York.[19][26][21]
- 1998: Theresa Bernstein: A Seventy-Year Retrospective, Joan Whalen Fine Art, New York City[21][27][28]
- 2000: Theresa Bernstein: An Early Modernist – Solo exhibition of 110 of Bernstein's art works held to celebrate her 110th birthday and attended by the artist, Jo-An Fine Art in New York City.[23][21]
- 2014: Theresa Bernstein: A Century in Art: Retrospective exhibition of 44 of her works from public and private collections, organized by art historian Gail Levin, Franklin & Marshall College in Lancaster, Pennsylvania.[7]
In all, Bernstein had more than 40 solo exhibitions over her lifetime.[4]
Legacy
editVisual arts
editAmong Bernstein's hundreds of works are the following of particular interest:
- Gypsy (1909), one of her earliest paintings, which was in the New York Realist style.[3]
- The Readers (1914), based on her many hours spent at the New York Public Library, reading and sketching the people around her.[22]
- Self-Portrait (1914), showing the influence of Fauvism yet still in the American realist tradition[29]
- Girlhood (1921), a portrait typical of her 1920s work.[30] The painting was purchased for the Phillips Collection, formerly called the Phillips Memorial Gallery, by Duncan Phillips, her first museum patron, in 1923.[10]
- The First Orchestra in America, an oil mural on canvas in the Manheim, Pennsylvania post office, commissioned by the Treasury Section of Fine Arts, and completed in 1938.[31]
An extensive gallery of Bernstein's paintings is available on the City University of New York website devoted to her life and work.[32] See External links below.
Collections
editBernstein's artwork is held by a number of museums and other permanent collections, including:
- The Phillips Collection[10]
- The Jewish Museum[29]
- The National Gallery of Art.[33][34]
- The Smithsonian American Art Museum[11]
- The Harvard Art Museums[35]
- The Metropolitan Museum of Art[6]
- The New York Public Library[6]
- The Boca Raton Museum of Art in Florida.[5][6]
Books
editBibliography
edit- Levin, Gail (2013). Theresa Bernstein : a century in art. Lincoln: University of Nebraska Press. ISBN 978-0803248762.
References
edit- ^ "Theresa Bernstein – Social Networks and Archival Context". snaccooperative.org. Retrieved October 9, 2023.
- ^ "Birth Certificate" (PDF). Theresa Bernstein. Archived (PDF) from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ a b c d e f g h i j k l Burnham, Patricia M. (1988). "Theresa Bernstein". Woman's Art Journal. 9 (2): 22–27. doi:10.2307/1358316. JSTOR 1358316. Archived from the original on July 17, 2021. Retrieved July 17, 2021.
- ^ a b c d e f g h Douglas Martin (February 16, 2002). "Theresa Bernstein, an Ash Can School Artist, Dies at 111". The New York Times. p. A 17. Archived from the original on March 14, 2012. Retrieved October 9, 2020.
- ^ a b c d "Theresa Ferber Bernstein". Artcyclopedia.com. Archived from the original on April 2, 2015. Retrieved March 15, 2015.
- ^ a b c d e f g h i j Burnham, Patricia M. "Theresa Bernstein". Jewish Women's Archive – Encyclopedia. Archived from the original on April 2, 2015. Retrieved March 15, 2015.
- ^ a b c d Durantine, Peter (January 15, 2014). "Painter of the Century: Theresa Bernstein". Franklin & Marshall College. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
- ^ a b c d e "Theresa Bernstein (1890–2002)". Jewish Virtual Library. American-Israeli Cooperative Enterprise. Archived from the original on July 14, 2021. Retrieved July 14, 2021.
- ^ "Graduation Certificate Wm. D. Kelley School". Theresa Bernstein. June 1907. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ a b c "Theresa Bernstein: A Century in Art". Traditional Fine Arts Organization, Inc. Archived from the original on July 18, 2021. Retrieved July 18, 2021.
- ^ a b c "Theresa Bernstein". Smithsonian American Art Museum. Archived from the original on August 3, 2021. Retrieved July 17, 2021.
- ^ a b c Bailey, Michael (February 15, 2002). "Theresa Bernstein at 111; Realist Painter, Author". The Boston Globe. Archived from the original on August 8, 2014. Retrieved April 9, 2013.
- ^ "Bernstein, Theresa Ferber (1890–2002)". Dictionary of Women Worldwide. January 1, 2007. Archived from the original on August 8, 2014. Retrieved April 9, 2013.
- ^ a b c d Edelman, Aliza (2014). "Review of Theresa Bernstein: A Century in Art". Woman's Art Journal. 35 (2): 59–60. ISSN 0270-7993. JSTOR 24395424. Archived from the original on July 19, 2021. Retrieved July 16, 2021.
- ^ Swinth, Kirsten (2001). Painting Professionals: Women Artists & the Development of Modern American Art, 1870–1930. UNC Press Books. ISBN 978-0807849712. Archived from the original on April 2, 2022. Retrieved May 30, 2021.
- ^ "Remembering Theresa: Keith Carlson". Theresa Bernstein. June 25, 2013. Archived from the original on February 2, 2021. Retrieved July 31, 2020.
- ^ Dabakis, Melissa (March 1, 2004). "Feminist Interventions: Some Thoughts on Recent Scholarship about Women Artists". American Art. 18 (1): 2–9. doi:10.1086/421306. ISSN 1073-9300. S2CID 191541774. Archived from the original on December 18, 2021. Retrieved March 9, 2021.
- ^ Heung, Elsie (March 29, 2012). "About Theresa Bernstein". CUNY New Media Lab. Archived from the original on July 20, 2021. Retrieved July 20, 2021.
- ^ a b Cohen, Michele (July 10, 2013). "Remembering Theresa: Dr. Michele Cohen". Theresa Bernstein. City University of New York. Archived from the original on July 21, 2021. Retrieved July 21, 2021.
- ^ a b de Angeli Walls, Nina (1999). "Review of The Philadelphia Ten: A Women's Artist Group, 1917–1945". The Pennsylvania Magazine of History and Biography. 123 (4): 389–391. ISSN 0031-4587. JSTOR 20093334. Archived from the original on June 16, 2021. Retrieved March 9, 2021.
- ^ a b c d Whalen, Joan (June 26, 2013). "Remembering Theresa: Joan Whalen". Theresa Bernstein. City University of New York. Archived from the original on July 21, 2021. Retrieved July 21, 2021.
- ^ a b Diament, Liz (March 19, 2021). "Theresa Bernstein Inside the New York Public Library". National Gallery of Art. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ a b "Artist Celebrates 110th Birthday With Big Apple Show". Art Business News. April 2000.
- ^ Prial, Dunstan (February 15, 2002). "Theresa Bernstein, 111, Modernist Painter". The Record. Archived from the original on April 2, 2015. Retrieved April 9, 2013.
- ^ "Paintings by Theresa F. Bernstein". Theresa Bernstein. November 1919. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ Burnham, Patricia (July 10, 2013). "Remembering Theresa: Dr. Patricia Burnham". Theresa Bernstein. City University of New York. Archived from the original on July 21, 2021. Retrieved July 21, 2021.
- ^ "Joan Whalen Fine Art Past and Future Exhibitions". artist-info. Archived from the original on July 21, 2021. Retrieved July 21, 2021.
- ^ "WPIX News – February 28, 1998". Theresa Bernstein. City University of New York. November 27, 2013. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ a b "The Jewish Museum". thejewishmuseum.org. Retrieved July 18, 2021.
- ^ "Girlhood". The Phillips Collection. Archived from the original on July 19, 2021. Retrieved July 19, 2021.
- ^ "Artist:Theresa Bernstein". livingnewdeal.org. The Living New Deal. Archived from the original on March 6, 2019. Retrieved January 5, 2015.
- ^ "Paintings". Theresa Bernstein. City University of New York. March 6, 2012. Archived from the original on July 22, 2021. Retrieved July 22, 2021.
- ^ "The Readers, 1914". www.nga.gov. Retrieved May 9, 2019.
- ^ "Polish Church: Easter Morning, 1916". www.nga.gov. Archived from the original on June 16, 2021. Retrieved May 9, 2019.
- ^ "Browse Our Collection: Theresa Bernstein". Harvard Art Museums. Archived from the original on July 19, 2021. Retrieved July 19, 2021.
- ^ Bernstein Meyerowitz, Theresa (1986). William Meyerowitz: The Artist Speaks. Art Alliance. ISBN 978-0879825133.
- ^ Bernstein Meyerowitz, Theresa (1989). The Poetic Canvas. Cornwall Books. ISBN 978-0845348178.
- ^ Bernstein Meyerowitz, Theresa (1998). The Journal. Cornwall Books. ISBN 978-0845348307.
- ^ Meyerowitz, Theresa (2005). Israeli Journal. Cornwall Books. ISBN 978-0845348451.
- ^ "Israeli Journal". Goodreads. Archived from the original on July 16, 2021. Retrieved July 16, 2021.
External links
edit- Official website includes detailed information about the artist (life, artwork, personal documents, video-taped interviews, remembrances, etc.)