Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts".[1] Created by William Carlos Williams, it was his "solution to the problem of modern verse"[2] and later was also taken up by poets Charles Tomlinson and Thom Gunn.[3]
Background
editWilliams referred to the prosody of triadic-line poetry as a "variable foot", a metrical device to resolve the conflict between form and freedom in verse.[4] Each of the three staggered lines of the stanza should be thought of as one foot, the whole stanza becoming a trimeter line.[5] Williams' collections Journey to Love (1955) and The Desert Music (1954) [6] contained examples of this form. This is an extract from "The Sparrow" by Williams:
Practical to the end,
- it is the poem
- of his existence
- it is the poem
See also
editReferences
edit- ^ Hirsch. Edward 'A Poet's Glossary', Houghton Mifflin Hsrcourt, Boston, 2014 ISBN 9780151011957
- ^ Berry Eleanor, 'William Carlos Williams: Triadic-line Verse - An Analysis of its Prosody' Twentieth Century Literature Fall 35.3 1989
- ^ Schmidt, Michael, Lives of the Poets, Weidenfeld & Nicolson, London 1998 ISBN 978-0753807453
- ^ "Interview with Stanley Koehler", Paris Review Vol 6 April 1962
- ^ Hartman, Charles, Free Verse an essay on Prosody, Northwestern University Press, Evanston 1996 ISBN 0-8101-1316-3
- ^ Collected Poems ed. Christopher MacGowan, Collected Poems Vol II, Carcanet Press, Manchester, 2000 ISBN 1-85754-523-0
External links
edit- Triadic-Line Poetry-An Analysis of its Prosody-Eleanor Berry
- Structural Surprise in Triadic-line poetry
- Interview with W C Williams-Paris Review Vol6
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