The Trio for horn, violin, and piano, Op. 44, is a chamber music work by the English composer Lennox Berkeley. It was composed in the early 1950s and was premiered in March 1954 in London. A performance takes about 15 minutes.
History
editThe Horn Trio was commissioned by the pianist Colin Horsley for hornist Dennis Brain, with whom he had enjoyed playing the Brahms Horn Trio. Together with the violinist Manoug Parikian, they gave the first performance of the trio for the Chamber Music Society at the Victoria and Albert Museum, South Kensington, on Sunday, 28 March 1954.[1][2] They also made the first recording, issued on HMV CLP 1029.[3] The year of composition is given variously as the late 1940s, 1952, 1953, and 1954.[4][5][6][7] The trio is one of Berkeley's most often performed and recorded chamber music works.[8]
Analysis
editThe trio is in three movements:
- Allegro
- Lento
- Tema con variazioni
The opening Allegro is dominated by the interval of the perfect fourth, and in general alternates pairs of the instruments, rather than using all three together. Although they are not the basis of the entire work, Berkeley's use of fourths in the opening of this movement resembles the free atonality of the Chamber Symphony No. 1 by Arnold Schoenberg, but this sound was also very much in the air amongst British composers at that time, in particular Michael Tippett's Piano Concerto.[9] The character of this movement rests largely on its springy rhythms, moving at the end to a calm close in F major.[5]
The Lento is a slow dirge with a more lively middle section, and the only movement that shows much affinity with the Brahms trio.[8][4] The long main theme is given first to the horn and then the violin plays transformations of it.[5]
The last movement is in F major, and consists of a series of variations on an original theme that nevertheless strongly recalls Mozart.[8] The theme is characterized at the beginning by a leap of a seventh and continues with a song-like melodic line, followed by ten variations.[5] The sixth variation is a waltz, and the seventh uses the theme as a ground bass.[8] The harmonies deliberately contrast triadic sonorities with chords built from fourths and sevenths, and there are recollections of motivic material from the first movement.[4]
See also
editReferences
edit- ^ Gamble and Lynch 2011, p. 132.
- ^ Anon. 1954.
- ^ Dickinson 2003, p. 159.
- ^ a b c Lamoreaux 1989.
- ^ a b c d Żuk 1997.
- ^ Anon. n.d.
- ^ Dickinson 2001.
- ^ a b c d Dickinson 2003, p. 160.
- ^ Dickinson 2003, pp. 159–60.
Cited sources
edit- Anon. n.d. "Lennox Berkeley: Trio for Horn, Violin, and Piano (1953)". Music Sales Classical website (accessed 28 December 2014).
- Anon. 1954. "Lennox Berkeley's New Work: A Horn Trio". The Times, issue 52893 (30 March): 3.
- Dickinson, Peter. 2001. "Berkeley, Sir Lennox (Randall Francis)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
- Dickinson, Peter. 2003. The Music of Lennox Berkeley, second, revised edition. Woodbridge, Suffolk, and Rochester, NY: The Boydell Press. ISBN 0-85115-936-2.
- Gamble, Stephen, and William C. Lynch. 2011. Dennis Brain: A Life in Music. North Texas Lives of Musicians Series 7. Denton: University of North Texas Press. ISBN 978-1-57441-307-6.
- Lamoreaux, Andrea. 1989. "Berkeley, Lennox (1903-1989): Trio for Violin, Horn and Piano, Op. 44". Chicago Chamber Musicians website (accessed 28 December 2014).
- Żuk, Zbigniew. 1997. "Dedicated to the Brilliant Horn-Soloist Barry Tuckwell". Liner notes to Horn Trios. Zbigniew Żuk, horn; Jan Stanienda, violin; Piotr Folkert, piano. Recorded 18–20 March 1997 in Bydgoszcz Philharmonia Hall. CD recording, 1 disc: 12 cm, digital, stereo. Żuk Records CD 310. Bremerhaven: Żuk Records.
Further reading
edit- Craggs, Stewart R. 2000. Lennox Berkeley: A Source Book. Aldershot, Hants.: Ashgate Publishers. ISBN 9780859679336.
