Wikipedia

Tsumugi (cloth)

Tsumugi (紬) is a traditional slub-woven silk fabric from Japan. It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres). The short silk fibres are degummed[1] and, traditionally, the yarns are hand-joined to form a continuous length before weaving,[2] a technique also used for cheaper bast fibres. Yarns are joined by twisting the ends to be joined in the same direction, then twisting both ends, bundled together, in the other direction, to make a two-ply yarn at the overlap.[3] It might alternately be loosely handspun, with few twists per unit length.[4] Because of this structure, tsumugi is rough-surfaced, soft and drapey, softening further with age.

An unlined (hitoe) kimono made from tsumugi, showing soft drape.

Between 1910 and 1925 (late Taishō to Shōwa era), it became common to spin as well as weave silk noil by machine (see meisen for the technological developments that made this possible).[5][6] This machine-spun meisen cloth largely displaced tsumugi as one of the cheapest silk fabrics. Prices dropped drastically, and silk materials and clothing was suddenly within the budget of most Japanese;[6] stores also began to sell off-the-peg, ready-to-wear kimono at about this time.[7]

Originally, tsumugi was homemade from domestic or wild-gathered silkworm cocoons that had been broken by hatching[8] or were irregularly formed.[4] Unlike the long-fiber silk, such cloth was permitted to peasants.[9] Traditionally a peasant cloth, handmade tsumugi is very labour-intensive to produce, and has become expensive over time, valued as a luxury folk-craft.

In the kimono canon

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The term tsumgi is broadly used to describe many types of casual woven kimono, even if they do not use tsumugi silk. One of the most famous examples is Ōshima-tsumugi, which though is considered a tsumugi is not made with tsumugi thread.[10] Additionally, cotton kimono with fine kasuri patterns are considered to be tsumugi.

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    Silkworm cocoons in Japan for Yuki tsumugi
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    Handspinning silk noil for tsumugi thread
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    Weaving tsumugi cloth at a jibata (low loom), later largely replaced by takahata (high looms).[11]
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    A lined (awase) tsumugi kimono.
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    Tsumugi with a dyed mon
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    Tsumugi with a dyed mon, showing slight unevenness in thread diameter.
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    Coin purse made from tsumugi. The thicker portions of yarn visible in the weave are called slubs.
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    Another purse with woven stripes
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    Mobile tea room and kimono made with Oitama Tsumugi[12]

Regional Varieties (産地）

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Tsumugi was originally a homespun textile, produced using silk fibre deemed unusable for the production of finer fabrics, and many regional variations existed. Some of these regional variations still exist today and are recognized as meibutsu, famous products of their place of origin.

Name Kanji Traditional sites Notes Example image
Amiito tsumugi Shiga Prefecture Recycled weft threads respun and rewoven to make obi.
Gujo tsumugi 郡上島紬 Hachiman, Gifu
Honba oshima tsumugi 本場大島紬 Amami, Kagoshima
Iida tsumugi 飯田島紬 Iida, Nagano
Kumejima-tsumugi 久米島紬 Kumejima, Okinawa Hand woven silk tsumugi dyed with natural dyes.
Murayama-oshima tsumugi 村山大島紬 Musashimurayama, Tokyo Silk tsumugi woven in the style of Ōshima-tsumugi woven in Tokyo.[13]
Oitama tsumugi 置賜紬 Oitama regions of production: Oitama tsumugi is a collective term for six different varieties of tsumugi made in the Yamagata region, including:
  • Benibana tsumugi
  • Heiyōgasuri
  • Itajime kogasuri
  • Kusakizome tsumugi
  • Shirataka itajime kogasuri
  • Yokosogasuri
 
Ojiya tsumugi 小千谷島紬 Ojiya, Niigata
Shinshu tsumugi 信州紬 Nagano Prefecture
Shiozawa tsumugi 塩沢島紬 Shiozawa, Niigata
Tamba-Nuno 丹波布 Tanba Hand pulled cotton threads, dyed with natural dyes and woven into stripes and checks. Hand pulled silk threads are also woven into only the weft.
Tosa men tsumugi Kagami, Kōchi (Kami)
Ueda tsumugi 上田島紬 Ueda, Nagano Ueda tsumugi is always striped and is sometimes referred to as ueda jima (jima meaning "stripes").
Ushikubi tsumugi 牛首紬 Hakusan, Ishikawa
Yūki-tsumugi 結城紬 Yūki, Ibaraki

Yūki-tsumugi kimono are often made with thread spun by hand. It can take up to three months to make enough thread for one kimono by an experienced weaver.[14]

 
Ōshima-tsumugi 大島紬 Amami Ōshima

Ōshima Tsumugi kimono are dyed with mud and dyed from the bark of Sharinbai Tree creating a deep black color. Mud dyed kasuri threads are hand woven together to create patterns.[15]

 

Independent Tsumugi Weavers (Sakka,作家）

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[16]

See also

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References

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  1. ^ "Variety of Nishijin textile". Nishijin Textile Industry Association. 17 September 2020. Retrieved 17 July 2021.
  2. ^ "Ojiya tsumugi silk". KOGEI JAPAN.
  3. ^ Dusenbury, Mary (1992). "A WISTERIA GRAIN BAG and other tree bast fiber textiles of Japan". Textile Society of America Symposium Proceedings. Retrieved 12 June 2021.
  4. ^ a b "UNESCO - Intangible Heritage Home". ich.unesco.org. A yarn [sic][for tsumugi] should be spun by hand out of silk floss. A hard twist yarn cannot be used
  5. ^ "Khalili Collections | Japanese Kimono | Kimono for a Woman". Khalili Collections.
  6. ^ a b "Komon". Kimono mochi: kimono collection. The lowly komon kimono is the workhorse of the kimono wardrobe, worn for trips to town, to friends houses, in any situation which is outside of the home but informal. Despite their name, which means 'small design', komon can have large or small imagery, and the repeat can be staggered widely. painted, closely stencilled, woven, Printed, striped, spotted, shibori, silk, jinken, modern polyester—if it's a repetitive design, short-sleeved, and without kamon, then it's a komon. [this quote given as the title in the metadata]
  7. ^ "Furisode". Kimono Mochi: private kimono collection photographs and text. Retrieved 31 July 2021.
  8. ^ Dalby, Liza Crihfield (2001). Kimono : fashioning culture. London: Vintage. p. 156. ISBN 9780099428992. the cloth that peasants wove for themselves from the broken filaments of wild cocoons after the moths had emerged, or from the leftovers of the cultivated crop that had been spoiled or broken by hatching the seed moths that would lay the eggs for the next season's crop of silkworms.
  9. ^ Ruth M. Shaver (1966). Kabuki Costume. Tuttle Publishing.
  10. ^ "【製造工程】原料となる絹糸について | 本場奄美大島紬Nextプロジェクト".
  11. ^ "OSHIMA TSUMUGI | Dyeing and Weaving".
  12. ^ "Craft x Tech Tohoku Project, Prince Consort Gallery, V&A South Kensington". Victoria and Albert Museum. Retrieved 2024-10-16.
  13. ^ "Kogei Japan".
  14. ^ "Kogei Japan".
  15. ^ "About Ooshima Tsumugimura｜Ooshima Tsumugi Mura".
  16. ^ "第70回日本伝統工芸展-公益社団法人日本工芸会".
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