Periods
edit- Early music
- Medieval music c. 500 – c. 1400
- Early Medieval: c. 500 – c. 1000
- High Medieval: c. 1000 – c. 1300 Hildegard of Bingen
- Late Medieval: c. 1300 – c. 1400 Guillaume de Machaut
- Renaissance music c. 1400 – c. 1600
- Early Renaissance: c. 1400 – c. 1470 Guillaume Dufay
- Middle Renaissance: c. 1470 – c. 1530 Josquin des Prez
- Late Renaissance: c. 1530 – c. 1600 William Byrd
- Transition to Baroque: c. 1600 Claudio Monteverdi
- Common practice
- Baroque music c. 1600 – c. 1750
- Early Baroque: c. 1600 – c. 1650
- Middle Baroque: c. 1650 – c. 1700
- Late Baroque: c. 1700 – c. 1720
- Galant: c. 1720 – c. 1770
- Classical music c. 1750 – c. 1820
- Early Classical: c. 1750 – c. 1775
- Middle Classical: c. 1775 – c. 1790
- Late Classical: c. 1790 – c. 1820
- Romantic music c. 1800 – c. 1910
- Early Romantic: c. ? – c. ?
- High Romantic: c. ? – c. ?
- Late Romantic: c. ? – c. ?
- Baroque music c. 1600 – c. 1750
- New music
Composers
editName | Birth | Death | Nationality | Period | Notes | Recordings | Stars |
---|---|---|---|---|---|---|---|
Peter Abelard | 1079 | 1142 | French | High Medieval | Various chants, a hymn, three sequences and seven laments | 17 | |
Hildegard of Bingen | 1098 | 1179 | German | High Medieval | 72 works | 267 | |
Bernart de Ventadorn | c. 1130–1140 | c. 1190–1200 | Occitan | High Medieval | Troubadour 19 (1 fragmentary) works; 45 poems total | 46 | |
Giraut de Bornelh | c. 1140 | c. 1200 | Occitan | High Medieval | Troubadour Four works; 77 poems total | 25 | |
Léonin | fl. 1150s | c. 1201 | French | High Medieval | Notre-Dame school (Ars antiqua) | 26 | |
Raimbaut de Vaqueiras | c. 1150–60 | 1207 | Occitan | High Medieval | Troubadour Seven works; 35 poems total | 27 | |
Walther von der Vogelweide | c. 1170 | c. 1230 | German | High Medieval | Minnesanger | 31 | |
Gautier de Coincy | 1177/8 | 1236 | French | High Medieval | Trouvere Eight surviving poems with music | 20 | |
Blondel de Nesle | fl. 1180 | after 1200 | French | High Medieval | Trouvere | 14 | |
Neidhart von Reuental | c. 1190 | after 1236 | German | High Medieval | Minnesanger | 8 | |
Pérotin (Perotinus) | fl. c. 1200 | after 1200 | French | High Medieval | Notre-Dame school (Ars antiqua) | 70 | |
Adam de la Halle | 1245–50 | 1285–8 or after 1306 | French | High Medieval | Trouvere 78 works | 58 | |
Philippe de Vitry | 1291–1361 | French | Late Medieval | Ars nova 13 works at least | 30 | ||
Guillaume de Machaut | c. 1300 | 1377 | French | Late Medieval | Ars nova 143 works | 214 | |
Francesco Landini | c. 1325 | 1397 | Italian | Late Medieval | Trecento | 85 | |
Jacopo da Bologna | fl. 1340 | after 1386 | Italian | Late Medieval | Trecento 34 works | 32 | |
Solage | fl. late 14th century | French | Late Medieval | Ars subtilior Ten works in the Chantilly Codex | 33 | ||
Jacob Senleches | fl. 1382 | after 1383 | French | Late Medieval | Ars subtilior | 18 | |
Baude Cordier | before 1364 | after 1397 | French | Late Medieval | Ars subtilior About twelve survive. | 15 | |
Johannes Ciconia | c. 1370 | 1412 | Franco-Flemish | Late Medieval | Trecento Ars subtilior 45 works | 60 | |
Leonel Power | c. 1370–1385 | 1445 | English | Early Renaissance | Medieval-Renaissance Transition Old Hall Manuscript 40 known compositions. Mass movements and other Latin settings | 31 | |
Oswald von Wolkenstein | c. 1376 | 1445 | German | Early Renaissance | Medieval-Renaissance Transition 108 works survive. Lieder | 61 | |
John Dunstaple (John Dunstable) | c. 1390 | 1453 | English | Early Renaissance | Medieval-Renaissance Transition Contenance angloise Around 60 works survive, including Mass movements and isorhythmic motets | 87 | |
Arnold de Lantins | c. 1395-1405 | c. 1432 | Flemish | Early Renaissance | Mass movements, ballades, rondeaux | 16 | |
Guillaume Dufay (Guillaume Du Fay) | c. 1400 | 1474 | French | Early Renaissance | 262 | ||
Gilles Binchois (Gilles de Bins) | c. 1400 | 1460 | Burgundian | Late Medieval/ Early Renaissance | 70 | ||
John Plummer | c. 1410 | c. 1483 | English | Early Renaissance | 12 | ||
Johannes Ockeghem | c. 1410 | 1497 | Franco-Flemish | Early Renaissance | 153 | ||
Antoine Busnois | c. 1430 | 1492 | French | Early Renaissance | 77 | ||
Walter Frye | fl. c. 1450 | after 1474 | English | Early Renaissance | 28 | ||
Johannes Tinctoris | c. 1435 | 1511 | Franco-Flemish | Early Renaissance | 15 | ||
Johannes Martini | c. 1440 | 1497/98 | Franco-Flemish | Early Renaissance | 20 | ||
Heinrich Finck | 1444/1445 | 1527 | German | Early Renaissance | 29 | ||
Alexander Agricola | 1445/1446 | 1506 | Franco-Flemish | Early Renaissance | 77 | ||
Robert Wilkinson (Robert Wylkynson) | c. 1450 | after 1515 | English | Early Renaissance | 16 | ||
Walter Lambe | c. 1450 | after 1504 | English | Early Renaissance | Major contributor to the Eton Choirbook. | 18 | |
Loyset Compère | c. 1450 | 1518 | French | Middle Renaissance | 62 | ||
Heinrich Isaac | c. 1450 | 1517 | Franco-Flemish | Middle Renaissance | 258 | ||
Josquin des Prez | c. 1450 | 1521 | Franco-Flemish | Middle Renaissance | 593 | ||
Jean Japart | fl. 1474 | after 1481 | Franco-Flemish | Middle Renaissance | Active in Italy | 11 | |
Jacob Obrecht | 1457/58 | 1505 | Franco-Flemish | Middle Renaissance | 96 | ||
Jean Mouton | c. 1459 | 1522 | French | Middle Renaissance | 88 | ||
Pierre de La Rue | c. 1460 | 1518 | Franco-Flemish | Middle Renaissance | Most famous composer of the Grande chapelle of the Habsburg court | 89 | |
Antoine Brumel | c. 1460 | 1512/1513 | French | Middle Renaissance | 87 | ||
Robert Fayrfax | 1464 | 1521 | English | Middle Renaissance | 35 | ||
Pedro de Escobar | c. 1465 | after 1535 | Portuguese | Middle Renaissance | 34 | ||
Richard Davy | c. 1465 | c. 1507 | English | Middle Renaissance | Major contributor to the Eton Choirbook | 18 | |
John Browne | fl. c. 1490 | after 1490 | English | Middle Renaissance | Major contributor to the Eton Choirbook | 27 | |
William Cornysh (William Cornish) | c. 1470 | 1523 | English | Middle Renaissance | 8 pieces in the Eton Choirbook and 13 in Henry VIII's Songbook | 53 | |
Antoine de Févin | c. 1470 | 1511/12 | French | Middle Renaissance | Brother of Robert de Févin | 37 | |
Philippe Verdelot | c. 1475 | before 1552 | French | Middle Renaissance | Active in Italy | 78 | |
Clément Janequin | c. 1485 | 1558 | French | Middle Renaissance | 129 | ||
Hugh Aston | c. 1485 | 1558 | English | Middle Renaissance | 20 | ||
Robert Carver | 1485 | 1570 | Scottish | Middle Renaissance | Wrote a mass on L'Homme armé (the only known by a British composer) and a nineteen-part O bone jesu | 10 | |
John Redford | c. 1486 | 1547 | English | Middle Renaissance | One of the main contributors to The Mulliner Book | 12 | |
John Taverner | c. 1490 | 1545 | English | Middle Renaissance | 125 | ||
Adrian Willaert | c. 1490 | 1562 | Franco-Flemish | Middle Renaissance | founder of the Venetian School; active in Italy; influential as a teacher as well as a composer | 160 | |
Henry VIII of England (Henry Tudor) | 1491 | 1547 | English | Middle Renaissance | 81 | ||
Nicolas Gombert | c. 1495 | c. 1560 | Franco-Flemish | Middle Renaissance | prominent contrapuntist of generation after Josquin; worked for Charles V, Holy Roman Emperor | 125 | |
Costanzo Festa | c. 1495 | 1545 | Italian | Middle Renaissance | Early composer of madrigals; member of Sistine Chapel choir | 48 | |
Cristóbal de Morales | c. 1500 | 1553 | Spanish | Middle Renaissance | 132 | ||
Thomas Tallis | c. 1505 | 1585 | English | Late Renaissance | 557 | ||
Thomas Crecquillon | c. 1505 | 1557 | Franco-Flemish | Late Renaissance | A member of Charles V's imperial chapel | 69 | |
Christopher Tye | c. 1505 | ? 1572 | English | Late Renaissance | 106 | ||
Jacques Arcadelt | c. 1507 | 1568 | Franco-Flemish | Late Renaissance | Most famous of the early madrigalists | 115 | |
Hans Neusiedler | 1508 | 1563 | German | Late Renaissance | 45 | ||
Antonio de Cabezón | c. 1510 | 1566 | Spanish | Late Renaissance | 224 | ||
Pierre de Manchicourt | c. 1510 | 1564 | Franco-Flemish | Late Renaissance | Active in Spain | 32 | |
Osbert Parsley | 1511 | 1585 | English | Late Renaissance | Also spelled Parsely; wrote a set of Lamentations for Holy Week | 10 | |
Claude Goudimel | c. 1514/1520 | 1572 | French | Late Renaissance | 42 | ||
John Sheppard | c. 1515 | 1559 | English | Late Renaissance | 122 | ||
Cypriano de Rore | c. 1515 | 1565 | Franco-Flemish | Late Renaissance | 141 | ||
Giovanni Pierluigi da Palestrina | c. 1525 | 1594 | Italian | Late Renaissance | 691 | ||
Francisco Guerrero | 1528 | 1599 | Spanish | Late Renaissance | 195 | ||
William Mundy | 1529 | 1591 | English | Late Renaissance | Father of John Mundy; his output includes fine examples of both the large-scale Latin votive antiphon and the short English anthem, as well as Masses and Latin psalm settings; his style is vigorous and eloquent; represented in The Mulliner Book and in the Gyffard partbooks | 38 | |
Costanzo Porta | c. 1529 | 1601 | Italian | Late Renaissance | 14 | ||
Thomas Preston | before 1540s | c. 1563 | English | Late Renaissance | Composed 12 Offertory settings for keyboard, including the popular Felix namque, and an alternatim organ Mass for Easter, containing the only known sequence setting of the time; his keyboard writing is extremely virtuosic for the period | 15 | |
Claude Le Jeune | 1530 | 1600 | French | Late Renaissance | 66 | ||
Orlande de Lassus | c. 1532 | 1594 | Franco-Flemish | Late Renaissance | 539 | ||
Andrea Gabrieli | 1532/1533 | 1585 | Italian | Late Renaissance | Uncle of Giovanni Gabrieli | 173 | |
Robert Parsons | c. 1535 | 1572 | English | Late Renaissance | Latin music includes antiphons, Credo quod redemptor, Domine quis habitabit, Magnificat and Jam Christus astra; also three responds from the Office of the Dead, songs (including Pandolpho), In nomine settings for ensemble, and a galliard | 110 | |
Giaches de Wert | 1535 | 1596 | Franco-Flemish | Late Renaissance | Active in Italy | 49 | |
Filippo Azzaiolo | fl. 1557 | 1569 | Italian | Late Renaissance | 26 | ||
Robert White | 1538 | 1574 | English | Late Renaissance | 61 | ||
Alessandro Striggio | c. 1540 | 1592 | Italian | Late Renaissance | Musician to the Medici; composer of the colossal 60-voice Missa sopra Ecco sì beato giorno | 30 | |
Nicholas Strogers | fl. 1560 | after 1575 | English | Late Renaissance | Also spelled Strowger, Strowgers; three (probably four) keyboard pieces in a Christ Church, Oxford, manuscript, and a Fantasia in the Fitzwilliam Virginal Book (No. 89); an In nomine exists in a Bodleian manuscript | 17 | |
William Byrd | c. 1540 | 1623 | English | Late Renaissance | 1006 | ||
Clement Woodcock | 1540 | 1590 | English | Late Renaissance | Also spelled Woodcoke, Woodecock; his Browning my dear is one of several pieces of the period based on a popular tune, also known as The leaves be green | 19 | |
Anthony Holborne | c. 1545 | 1602 | English | Late Renaissance | 20 | ||
John Johnson | c. 1545 | 1594 | English | Late Renaissance | 58 | ||
Tomás Luis de Victoria | 1548 | 1611 | Spanish | Late Renaissance | 463 | ||
Giulio Caccini | 1551 | 1618 | Italian | Transition Renaissance | One of the founders of opera | 286 | |
Luca Marenzio | c. 1553 | 1599 | Italian | Transition Renaissance | 122 | ||
Giovanni Gabrieli | 1554/1557 | 1612 | Italian | Transition Renaissance | Nephew of Andrea Gabrieli | 453 | |
Thomas Morley | 1557/1558 | 1603 | English | Transition Renaissance | 292 | ||
Peter Philips | 1560 | 1628 | English | Transition Renaissance | Exiled to Flanders | 159 | |
Carlo Gesualdo | 1560 | 1613 | Italian | Transition Renaissance | 228 | ||
John Bull | 1562 | 1628 | English | Transition Renaissance | Exiled to the Netherlands | 169 | |
Jan Pieterszoon Sweelinck | 1562 | 1621 | Franco-Flemish | Transition Renaissance | 374 | ||
John Dowland | 1563 | 1626 | English | Transition Renaissance | 821 | ||
Giles Farnaby | c. 1563 | 1640 | English | Transition Renaissance | 97 | ||
Hans Leo Hassler | 1564 | 1612 | German | Transition Renaissance | 226 | ||
Claudio Monteverdi | 1567 | 1643 | Italian | Transition Renaissance | 1207 | ||
Thomas Campion | 1567 | 1620 | English | Transition Renaissance | Also spelled Campian; the only English composer to experiment with musique mesurée, and the first to imitate the Florentine monodists | 126 | |
Tobias Hume | c. 1569 | 1645 | English | Transition Renaissance | Responsible for the earliest known use of col legno in Western music | 108 | |
Michael Praetorius | c. 1571 | 1621 | German | Transition Renaissance | 726 | ||
Thomas Tomkins | 1572 | 1656 | English | Transition Renaissance | 192 | ||
Alfonso Ferrabosco the younger | c. 1575 | 1628 | English | Transition Renaissance | Illegitimate son of Alfonso Ferrabosco the elder | 77 | |
Thomas Weelkes | 1576 | 1623 | English | Transition Renaissance | 167 | ||
Sigismondo d'India | c. 1582 | 1629 | Italian | Transition Renaissance | 89 | ||
Orlando Gibbons | 1583 | 1625 | English | Transition Renaissance | 408 |
Baroque
editName | Birth | Death | Nationality | Period | Notes | Recordings | Stars |
---|---|---|---|---|---|---|---|
Johannes Hieronymous Kapsberger | 1580 | 1651 | Italian | Early Baroque | 209 | ||
Gregorio Allegri | 1582 | 1652 | Italian | Early Baroque | Brother of Domenico Allegri | 259 | |
Thomas Ravenscroft | c. 1582 | c. 1633 | English | Early Baroque | Published a book of psalms amongst others | 71 | |
Robert Johnson | c. 1583 | 1633 | English | Early Baroque | Active in England and Scotland | 154 | |
Girolamo Frescobaldi | 1583 | 1643 | Italian | Early Baroque | 704 | ||
Heinrich Schütz | 1585 | 1672 | German | Early Baroque | 530 | ||
Johann Hermann Schein | 1586 | 1630 | German | Early Baroque | 160 | ||
Samuel Scheidt | 1587 | 1654 | German | Early Baroque | 322 | ||
John Jenkins | 1592 | 1678 | English | Early Baroque | 80 | ||
Tarquinio Merula | 1595 | 1665 | Italian | Early Baroque | 259 | ||
Luigi Rossi | 1597 | 1653 | Italian | Early Baroque | 110 | ||
William Lawes | 1602 | 1645 | English | Early Baroque | 110 | ||
Francesco Cavalli | 1602 | 1676 | Middle Baroque | 192 | |||
Giacomo Carissimi | 1605 | 1674 | Middle Baroque | 153 | |||
Johann Jakob Froberger | 1616 | 1667 | Middle Baroque | 232 | |||
Barbara Strozzi | 1619 | 1677 | Middle Baroque | 126 | |||
Antonio Cesti | 1623 | 1669 | Middle Baroque | 61 | |||
Giovanni Legrenzi | 1626 | 1690 | Middle Baroque | 109 | |||
Johann Caspar Kerll | 1627 | 1693 | Middle Baroque | 130 | |||
Jean-Henri d'Anglebert | 1629 | 1691 | Middle Baroque | 76 | |||
Jean-Baptiste Lully | 1632 | 1687 | Middle Baroque | 404 | |||
Pavel Josef Vejvanovský | c. 1633/1639 | 1693 | Middle Baroque | 45 | |||
Dieterich Buxtehude | c. 1637 | 1707 | Middle Baroque | 852 | |||
Gaspar Sanz | 1640 | 1710 | Middle Baroque | 241 | |||
Marc-Antoine Charpentier | 1643 | 1704 | Middle Baroque | 493 | |||
Johann Adam Reincken | 1643? | 1722 | Middle Baroque | 64 | |||
Alessandro Stradella | 1643 | 1682 | Middle Baroque | 182 | |||
Heinrich Ignaz Franz von Biber | 1644 | 1704 | Middle Baroque | 375 | |||
Juan Bautista Cabanilles | 1644 | 1712 | Middle Baroque | 91 | |||
Tomás de Torrejón y Velasco | 1644 | 1728 | Middle Baroque | 24 | |||
John Blow | 1649 | 1708 | Middle Baroque | 178 | |||
Cataldo Amodei | c. 1650 | c. 1695 | Middle Baroque | 3 | |||
Giovanni Battista Bassani | c. 1650 | 1716 | Middle Baroque | 31 | |||
Arcangelo Corelli | 1653 | 1713 | Middle Baroque | 870 | |||
Georg Muffat | 1653 | 1704 | Middle Baroque | 195 | |||
Johann Pachelbel | 1653 | 1706 | Middle Baroque | 927 | |||
Johann Kaspar Ferdinand Fischer | 1656 | 1746 | Middle Baroque | 81 | |||
Marin Marais | 1656 | 1728 | Middle Baroque | 412 | |||
Michel-Richard de Lalande, or Delalande | 1657 | 1726 | Middle Baroque | 84 | |||
Giuseppe Torelli | 1658 | 1709 | Middle Baroque | 243 | |||
Henry Purcell | 1659 | 1695 | Middle Baroque | 1909 | |||
André Campra | 1660 | 1744 | Middle Baroque | 134 | |||
Johann Joseph Fux | 1660 | 1741 | Middle Baroque | 96 | |||
Alessandro Scarlatti | 1660 | 1725 | Middle Baroque | 630 | |||
Grzegorz Gerwazy Gorczycki | c. 1665/1667 | 1734 | Late Baroque | 11 | |||
Élisabeth Jacquet de La Guerre | 1665 | 1729 | Late Baroque | 63 | |||
Antonio Lotti | c. 1667 | 1740 | Late Baroque | 189 | |||
Johann Christoph Pepusch | 1667 | 1752 | Late Baroque | 30 | |||
François Couperin | 1668 | 1733 | Late Baroque | 882 | |||
Alessandro Marcello | 1669 | 1747 | Late Baroque | 286 | |||
Antonio Caldara | 1670 | 1736 | Late Baroque | 221 | |||
Tomaso Giovanni Albinoni | 1671 | 1751 | Late Baroque | 722 | |||
Jeremiah Clarke | c. 1674 | 1707 | Late Baroque | 317 | |||
Antonio Vivaldi | 1678 | 1741 | Late Baroque | 4374 | |||
Manuel de Zumaya | c. 1678 | 1755 | Late Baroque | 9 | |||
Jan Dismas Zelenka | 1679 | 1745 | Late Baroque | 153 | |||
Georg Philipp Telemann | 1681 | 1767 | Late Baroque | 1947 | |||
Christoph Graupner | 1683 | 1760 | Late Baroque | 119 | |||
Johann David Heinichen | 1683 | 1729 | Late Baroque | 92 | |||
Jean-Philippe Rameau | 1683 | 1764 | Late Baroque | 946 | |||
Johann Sebastian Bach | 1685 | 1750 | Late Baroque | 15983 | |||
George Frideric Handel | 1685 | 1759 | Late Baroque | 5942 | |||
Domenico Scarlatti | 1685 | 1757 | Late Baroque | 1456 | |||
Nicola Porpora | 1686 | 1768 | Late Baroque | 183 | |||
Francesco Geminiani | 1687 | 1762 | Late Baroque | 204 | |||
Johann Georg Pisendel | 1687 | 1755 | Late Baroque | 52 | |||
Sylvius Leopold Weiss | 1687 | 1750 | Late Baroque | 206 | |||
Johann Friedrich Fasch | 1688 | 1758 | Late Baroque | 172 | |||
Joseph Bodin de Boismortier | 1689 | 1755 | Late Baroque | 190 | |||
Leonardo Vinci | c. 1690 | 1730 | Late Baroque | 79 | |||
Giuseppe Tartini | 1692 | 1770 | Late Baroque | 421 | |||
Pietro Locatelli | 1695 | 1764 | Late Baroque | 266 | |||
Giuseppe Sammartini | 1695 | 1750 | Galant | 129 | |||
Jean-Marie Leclair l'aîné | 1697 | 1764 | Galant | 236 | |||
Johann Joachim Quantz | 1697 | 1773 | Galant | 140 | |||
Johann Adolph Hasse | 1699 | 1783 | Galant | 227 | |||
Jan Zach | 1699 | 1773 | Galant | 16 | |||
Giovanni Battista Sammartini | 1700 | 1775 | Galant | 77 | |||
Carlos Seixas | 1704 | 1742 | Galant | 53 | |||
Baldassare Galuppi | 1706 | 1785 | Galant | 174 | |||
Giovanni Battista Martini, or Padre Martini | 1706 | 1784 | Galant | 104 | |||
Michel Corrette | 1707 | 1795 | Galant | 155 | |||
Franz Benda | 1709 | 1786 | Galant | 76 | |||
Thomas Arne | 1710 | 1778 | Galant | 233 | |||
Wilhelm Friedemann Bach | 1710 | 1784 | Galant | 228 | |||
Giovanni Battista Pergolesi | 1710 | 1736 | Galant | 538 | |||
William Boyce | 1711 | 1779 | Galant | 154 | |||
Jean-Joseph Cassanéa de Mondonville | 1711 | 1772 | Galant | 71 | |||
Frederick the Great Frederick II of Prussia | 1712 | 1786 | Galant | 39 | |||
Carl Philipp Emanuel Bach | 1714 | 1788 | Galant | 1225 | |||
Leopold Mozart | 1719 | 1787 | Galant | 223 | |||
Antonio Soler | 1729 | 1783 | Galant | 226 |
Classical
editName | Birth | Death | Nationality | Period | Notes | Recordings | Stars |
---|---|---|---|---|---|---|---|
Johann Baptist Georg Neruda | c. 1707 | c. 1780 | Early Classical | 33 | |||
Franz Xaver Richter | 1709 | 1789 | Early Classical | 58 | |||
Carl Philipp Emanuel Bach | 1714 | 1788 | Early Classical | 1225 | |||
Christoph Willibald Gluck | 1714 | 1787 | Early Classical | 1185 | |||
Johann Wenzel Anton Stamitz | 1717 | 1757 | Early Classical | 73 | |||
Leopold Mozart | 1719 | 1787 | Early Classical | 223 | |||
Georg Benda, or Jiří Antonín Benda | 1722 | 1795 | Early Classical | 61 | |||
Carl Friedrich Abel | 1723 | 1787 | Early Classical | 104 | |||
Tommaso Traetta | 1727 | 1779 | Early Classical | 24 | |||
Niccolò Piccinni | 1728 | 1800 | Early Classical | 58 | |||
Giuseppe Sarti | 1729 | 1802 | Early Classical | 44 | |||
Antonio Soler | 1729 | 1783 | Early Classical | 226 | |||
Antonio Sacchini | 1730 | 1786 | Early Classical | 15 | |||
Franz Joseph Haydn | 1732 | 1809 | Early Classical | 4985 | |||
François-Joseph Gossec | 1734 | 1829 | Early Classical | 116 | |||
Johann Christian Bach | 1735 | 1782 | Early Classical | 434 | |||
Josef Mysliveček | 1737 | 1781 | Early Classical | 96 | |||
Michael Haydn | 1737 | 1806 | Early Classical | 261 | |||
Carl Ditters von Dittersdorf | 1739 | 1799 | Early Classical | 116 | |||
Johann Baptist Wanhal or Vanhall | 1739 | 1813 | Early Classical | 136 | |||
Giovanni Paisiello | 1740 | 1816 | Early Classical | 170 | |||
Luigi Boccherini | 1743 | 1805 | Early Classical | 872 | |||
Joseph Bologne, Chevalier de Saint-Georges | 1745 | 1799 | Early Classical | 47 | |||
Carl Stamitz | 1745 | 1801 | Early Classical | 169 | |||
Leopold Kozeluch | 1747 | 1818 | Early Classical | 86 | |||
Domenico Cimarosa | 1749 | 1801 | Early Classical | 250 | |||
Antonio Rosetti | c. 1750 | 1792 | Early Classical | 94 | |||
Antonio Salieri | 1750 | 1825 | Early Classical | 122 | |||
Muzio Clementi | 1752 | 1832 | Early Classical | 278 | |||
Niccolò Antonio Zingarelli | 1752 | 1837 | Early Classical | 15 | |||
Franz Anton Hoffmeister | 1754 | 1812 | Early Classical | 93 | |||
Vicente Martín y Soler | 1754 | 1806 | Early Classical | 33 | |||
Giovanni Battista Viotti | 1755 | 1824 | Early Classical | 117 | |||
Wolfgang Amadeus Mozart | 1756 | 1791 | Early Classical | 14011 | |||
Joseph Martin Kraus | 1756 | 1792 | Early Classical | 97 | |||
Paul Wranitzky, also Pavel Vranický | 1756 | 1808 | Early Classical | 33 | |||
Ignaz Pleyel | 1757 | 1831 | Early Classical | 104 | |||
Franz Krommer | 1759 | 1831 | Early Classical | 98 | |||
Luigi Cherubini | 1760 | 1842 | Early Classical | 300 | |||
Johann Ladislaus Dussek | 1760 | 1812 | Early Classical | 121 | |||
Adalbert Gyrowetz | 1763 | 1850 | Early Classical | 14 | |||
Étienne Méhul | 1763 | 1817 | Early Classical | 52 | |||
Ludwig van Beethoven | 1770 | 1827 | Early Classical | 13189 | |||
Anton Reicha | 1770 | 1836 | Early Classical | 129 | |||
Pierre Rode | 1774 | 1830 | Early Classical | 23 | |||
Johann Nepomuk Hummel | 1778 | 1837 | Early Classical | 443 | |||
Conradin Kreutzer | 1780 | 1849 | Early Classical | 91 | |||
Ferdinand Ries | 1784 | 1838 | Early Classical | 113 | |||
Louis Spohr | 1784 | 1859 | Early Classical | 397 | |||
Friedrich Kuhlau | 1786 | 1832 | Early Classical | 160 | |||
Carl Czerny | 1791 | 1857 | Early Classical | 183 | |||
Franz Peter Schubert | 1797 | 1828 | Early Classical | 8535 |