Amrprix (talk) 20:08, 22 July 2019 (UTC)
This user is an instructor for the course Wikipedia:Wiki_Ed/Temple_University,_Tyler_School_of_Art/The_Modern_North_(Fall_2019). |
Alice M. R. Price
Professional Activities
Dr. Price teaches modern and contemporary art and architecture at Temple University, Tyler School of Art and at Jefferson University [Philadelphia University + Thomas Jefferson]. Prior to pursuing a doctorate, I earned a master’s degree in education from LaSalle University (where she will be a university supervisor for student teachers), a master’s degree in history from American University, and taught history in private and public secondary schools for twenty years. I also teach several adult education series at Upper Dublin Public Library in the Philadelphia suburbs.
Education
I received a Ph.D. from Temple University, Tyler School of Art specializing in European art and culture at the turn of the century. My dissertation on the Danish artist, Anna Ancher (1859-1935), addressed the artist in relation to the intersecting cultural contexts of rural Denmark, the Skagen Art Colony, Copenhagen and Paris.
Publications
Review of Pissarro: Et møde på Skt. Thomas. Exhibition of the show at Ordrupgaard. Copenhagen, Denmark (March – July 2017). 19th Century Art Worldwide. 17 (1), Spring 2018 "Loss, the Female Nude and Anna Ancher’s Sorg: A Woman’s Own Modernism." Scandinavian Studies 88 (3), Spring 2016 “Reframing Anna Ancher: Danish Symbolist, Modernist and Independent Artist.” Ph.D. Dissertation. Temple University, Tyler School of Art. http://search.proquest.com/docview/1548981937.Spring 2014
Review of Anna Ancher: A World Apart. Exhibition of the show at National Museum of Women of the Arts, Washington, D.C. (February – May 2013). 19th Century Art Worldwide http://www.19thc-artworldwide.org/index.php/autumn13/price-reviews-a-world-apart-anna-ancher-and-the-skagen-art-colony Fall 2013 “Gendered Interiors.” Broad Strokes. Blog (May 2013). National Museum of Women in the Arts, Washington, D.C. http://broadstrokes.org/2013/05/10/gendered-interiors/ May 2013
Selected Presentations “The Artist is not in the Home: Women on the Move.” SASS 2019; “Honoring Each Other’s Art: Evidence of Cooperation and Collaboration by Danish Women Artists.” SECAC 2018; “We are Not Crones: Women Artists and their Aging Female Bodies,” Feminist Art History Conference, 2018; “Bound/Unbound Fins and Legs: Mermaids and Mobility in Edvard Munch, Agnes Slott-Møller and Anne-Marie Carl-Nielsen.” SASS 2018; “Maritime Crossings and Miscegenation: Denmark’s Virgin Islands and Race in Anna Ancher’s “A Field Sermon” NCSA 2018; “The Baltic Connection: Georg Brandes, German Secession and Anna Ancher’s Modernism,” Visual and Material Culture Exchange across the Baltic Conference, Baltic Borderlands Program of Greifswald University and the Alfried Krupp Wissenschaftskolleg, Greifswald June 2017; “Reframing the Interior: German Secession, Modernism and the Skagen Artist Anna Ancher,” Picturing the North: National Identity & German-Scandinavian Cultural Exchange, International Colloquium, Zentralinstitut für Kunstgeschichte Munich, Germany February 2017; “Baudelaire or Andersen: Symbolist Context for the Painter Anna Ancher,” SASS 2017; “Seeing in a Mirror Dimly: Anna Ancher’s Portraits of her Aging Mother,” SECAC 2016; “The Illustrated Nightingale: Text and Image in Britain and Denmark in the Late Victorian Period,” MVSA 2016; “Picturing Female Labor,” SECAC 2015; “Controlling the Image: Asserting Identity and Autonomy.” LIM College Conference, Fashion: Now & Then: Meaning, Media and Mode. Manhattan, NY 2013;
PROFESSIONAL SERVICE AND RELATED EXPERIENCE
Master Trainer, Presbyterian Education Board of Pakistan, 2018 Teacher Training in Murree, Pakistan July 2018; Translation and content consultant, Denver Art Museum, Summer 2017; Feminist Digital Workshop (Group leader: Feminist Pedagogy/Gender and Art) June 2015; Researcher, Center for African American History and Culture, Temple University 1994-1995; Price is also supporting the "Stations of the Cross" art happening for professional, amateur and student artists, sponsored annually by West Kensington Ministry in Philadelphia.