User:Asegura01/Rasquachismo/Bibliography

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Bibliography

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1.     Taylor, Diana (2003). The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press. pp. 126–27. ISBN 9780822385318.

2.     ^ Jump up to:a b Hutchinson, Sydney (2007). From Quebradita to Duranguense: Dance in Mexican American Youth Culture. University of Arizona Press. p. 83. ISBN 9780816526321.

3.     ^ Jump up to:a b Ybarra-Frausto, Tomás (1989). Rasquachismo: A Chicano Sensibility. School by the River Press.

4.     ^ Jump up to:a b c "Reel Rasquache". ¡LatinoLA!. March 24, 2004.

5.     ^ Jump up to:a b c d Mesa-Bains, Amalia (1993). Ceremony of Spirit: Nature and Memory in Contemporary Latino Art. San Francisco, California: The Mexican Museum. pp. 12–13. ISBN 9781880508022.

6.     ^ Jump up to:a b "A lesson in "rasquachismo" art: Chicano aesthetics & the "sensibilities of the barrio"". Smithsonian Insider. January 31, 2017. Retrieved April 20, 2018.

7.     ^ Jump up to:a b "rascuache". Collins Spanish-English Dictionary. Collins. Retrieved September 17, 2015. (Central America & Mexico) "pobre" (poor), "penniless", "desgraciado" (wretched), "ridículo" (ridiculous, in bad taste), "grosero" (grosero, coarse, vulgar), "tacaño" (mean, tightfisted)

8.     ^ Jump up to:a b "Rasquache". rasquacheresidency.com. Retrieved April 20, 2018.

9.     ^ Jump up to:a b "Rasquache". rasquacheresidency.com. Retrieved April 20, 2018.

10.  ^ Barnet-Sanchez, Holly (December 22, 2005). "Tomas Ybarra-Frausto and Amalia Mesa-Bains: a critical discourse from within". Art Journal. Archived from the original on September 30, 2007.

11.  ^ Barnet-Sanchez, Holly (December 22, 2005). "Tomas Ybarra-Frausto and Amalia Mesa-Bains: a critical discourse from within". Art Journal. Archived from the original on September 30, 2007.

12.  Barnet-Sanchez, Holly. “Tomás Ybarra-Frausto and Amalia Mesa-Bains: A Critical Discourse from Within.” Art Journal, vol. 64, no. 4, Dec. 2005, p. 91. DOI.org (Crossref), https://doi.org/10.2307/20068425.

13.  Calvo-Quirós, William A. “THE POLITICS OF COLOR (RE)SIGNIFICATIONS: Chromophobia, Chromo-Eugenics, and the Epistemologies of Taste.” Chicana/Latina Studies, vol. 13, no. 1, 2013, pp. 76–116. JSTOR, https://www.jstor.org/stable/43941382.

14.  “About the Artist.” Ester Hernandez, https://esterhernandez.com/about.

15.  Thurber, Dani. Research Guides: A Latinx Resource Guide: Civil Rights Cases and Events in the United States: 1942: Bracero Program. https://guides.loc.gov/latinx-civil-rights/bracero-program.

16.  Sun Mad | Smithsonian American Art Museum. https://americanart.si.edu/artwork/sun-mad-34712.

17.  “National Museum of Mexican Art, Pilsen, Chicago.” National Museum of Mexican Art, Pilsen, Chicago, https://nationalmuseumofmexicanart.org/artworks/sun-mad-ofrenda-dedicated-to-the-artists-father-a-farm-worker-from-the-san-joaquin-valley-ca.

18.  “Amalia Mesa-Bains Curriculum Vitae.” Amalia Mesa-Bains, https://amaliamesabains.com/amalia-mesa-bains-curriculum-vitae/.

19.  March 3, Letha Ch’ien, et al. “The Personal, Path-Making Art of Amalia Mesa-Bains.” Datebook | San Francisco Arts & Entertainment Guide, https://datebook.sfchronicle.com/art-exhibits/bay-area-native-amalia-mesa-bains-archaeology-17778054.

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