Wikipedia

User:Aurora222/Echigo-Tsumari Art Triennial

< User:Aurora222

Casagrande & Rintala's Potemkin, Echigo-Tsumari, Japan 2003"
Casagrande & Rintala's steel park Potemkin (2003) in Kuramata village, Echigo-Tsumari.

The Echigo-Tsumari Art Triennial (ETAT) is an international modern art festival held once every three years in Niigata prefecture, Japan.[1] The festival was created by the Tokyo commercial gallery Art Front Gallery (AFG) and is directed by gallery director Fram Kitagawa.[2] It was first held in 2000, and has since become one of Japan's largest art festivals, recurring every three years with the exception of 2021 when it was postponed to 2022 due to the COVID-19 pandemic. It takes place across six regions of the prefecture, an area known for its heavy snowfall. These six regions--which include Tokamachi, Kawanishi, Nakasato, Matsushiro, Matsunoyama, and Tsunan--together comprise the Echigo-Tsumari Art Field. Since its inception, ETAT has been designed around the close-knit relationship between humankind and nature, and its art installations are chosen and curated to effectively contribute to this narrative.[3]

History

edit

A plan to revitalize the rural regions of Niigata via art was first developed by the Niigata prefectural government in 1994, and Tokyo Art Front Gallery's Fram Kitagawa was chosen to direct the project. Kitagawa had previously spearheaded several international art exhibitions and projects. The Echigo-Tsumari Art Triennale was conceived as a means of highlighting the local region and enabling participation by local communities, while simultaneously being an event with an international scope that would attract visitors and artists from all over the world. The 1st ETAT took place from 20 July to 10 September 2000, and featured 153 works by 138 artist groups and individual artists, with an estimated 162,000 visitors. Since then, the Triennale has expanded considerably in scope and visitorship; the 7th ETAT took place in 2018, featuring 379 artworks by 363 artist groups and individual artists from 44 countries and regions. It experienced 548,380, a more than threefold increase from the attendance numbers at the inaugural festival. In addition, over a hundred villages participated in the 2018 festival, where the 2000 festival had 28 participating villages.[4]

The 8th and most recent Triennale took place from April to November of 2022 after a one-year postponement due to the COVID-19 pandemic. This iteration of festival was its largest yet, lasting over six months when previous festivals had only been approximately two months in duration.

Themes and Mission

edit

The choice of location of the Echigo Tsumari Art Field is heavily predicated on the Japanese concept of satoyama (Japanese: 里山), which refers to the space joining mountains with arable land. This landscape serves a framework for the focus on the deeply intertwined relationship between humankind and nature, and an emphasis on huamankind's continued reliance and connection to the natural landscape even in a contemporary industrial society. Through art installations scattered across the region, ETAT seeks to revitalise rural communities through a combination of tourist revenue, raising of awareness of the state of depopulation in rural communities, and the active involvement of local communities in the development and facilitation of the Triennale.

To achieve these aims under the umbrella theme of the human-nature connection, the ETAT website outside several specific subthemes that it seeks to highlight in its exhibitions and events, including community cooperation, drawing from local food, crafts, and other products from for inspiration, and desire to create a strong connection between the local and the global.[5]

Cultural Impact and Analysis

edit

Several scholars have framed ETAT as an environmentally-conscious counterpoint to the consumer culture that has gripped Japan and the world at large, remarking on the uniquely rural positioning of the Triennale.[6] Scholar Brad Momsma writes that the location yields a thematic departure from the “festivals in Japan and elsewhere that are urban and centralized, linking art with international commercial development.” In contrast, he writes, “Echigo-Tsumari is rural, scattered throughout 750 square kilometres, and insistent upon the local and what cannot be commodified.”[7] Similarly, Susanne Klien writes that Echigo-Tsumari “constitutes a new type of revitalization with its emphasis on human exchange and interaction of heterogeneous players in a rural setting.”[8]

At the same time, there are potential pitfalls to the model that ETAT uses to promote the local region. Klien explores both sides of this coin, citing the side effects of the “collaboration” that occurs between artists and the community during the Triennale. She contends that, despite the organizers’ efforts to create a sense of camaraderie between artists and the local and international community, these practices simultaneously have the potential to infringe upon the lifestyles and smooth operation of these rural communities.[9]

While the Echigo-Tsumari Art Triennale is a temporary annual event, it does retain an element of permanence through the Echigo-Tsumari Art Field (ETAF), which opens to the public every spring, making it a year-round local fixture and tourist destination. The Art Field comprises a network of contemporary art museums and open air installations that seek to propel the Art Field’s mission of, in light of global environmental concerns, structuring new ways of thinking and engaging with the natural landscape through the vehicle of art. In addition, ETAF collaborates with local town and village tourism offices to create tours and recommended itineraries in the region that encourage visitors to see works from past triennales, visit local galleries, and sample regional cuisine.[10]

Selected List of Awards

edit
  • Furusato Event Award (by the Ministry of Internal Affairs)（2001）
  • Tokyo Creation Award（Creation of Art Scene Award）（2002）
  • Machi-tsukuri Commendation by the General Affairs Minister（2007）
  • The 2nd JTB Culture Exchange Award - Excellence Prize（2007）
  • The 7th All Right ! Japan Award Grand Prix （Prime Minister’s Award) （2009）
  • New Tourism Development Category Award and Judges Special Award（Japan Association of Travel Agents）（2009）
  • Community Building Award: Minister of Land, Infrastructure, Transport and Tourism（2010）
  • The 10th Eco Tourism Award Special Award（Ministry of the Environment / Japan Eco Tourism Organization）（2015）
  • NIKS Rural Revitalisation Award (2018）
  • GOOD DESIGN GOLD AWARD（Minister of Economy, Trade and Industry Award）（2018）[11]

Selected List of Affiliated Artists/Groups

edit

See also

edit

References

edit
  1. ^ "The World's Largest International Art Triennial". Japan Up!. Vol. 029, no. November 2009. p. 58.
  2. ^ Klien, Susanne (2010). "Contemporary art and regional revitalisation: selected artworks in the Echigo-Tsumari Art Triennial 2000-6". Japan Forum. 22 (3–4): 513–543. doi:10.1080/09555803.2010.533641. Retrieved 8 November 2021.
  3. ^ Echigo Tsumari Art Field https://www.echigo-tsumari.jp/en/travelinformation/. Retrieved 18 December 2022. {{cite web}}: Missing or empty |title= (help)
  4. ^ "Past Triennales". Echigo Tsumari Art Field. Retrieved 18 December 2022.
  5. ^ "About ETAT". https://www.echigo-tsumari.jp/en/about/. {{cite web}}: |access-date= requires |url= (help); External link in |website= (help); Missing or empty |url= (help)
  6. ^ Ewa Machotka, “Consuming Eco-Art: Satoyama at the Echigo-Tsumari Art Triennale 2012,” in Katarzyna J. Cwiertka and Ewa Machotka, eds., Consuming Life Post-Bubble Japan: A Trans-Disciplinary Perspective (Amsterdam: Amsterdam University Press, 2018).
  7. ^ Brad Monsma, “The Distributive Agency of the Echigo-Tsumari Triennale,” Journal of Contemporary Chinese Art, vol. 3, no. 3 (February 2016): 390.
  8. ^ Susanne Klien, “Contemporary Art and Regional Revitalisation: Selected Artworks in the Echigo-Tsumari Art Triennale 2000-6,” Japan Forum, vol. 22, no. 3-4 (December 2010): 512-543.
  9. ^ Susanne Klien, “Collaboration or Confrontation? Local and Non-Local Actors in the Echigo-Tsumari Art Triennale,” Contemporary Japan, vol. 22, no. 1 (September 2010): 153-178.
  10. ^ "Visit". Echigo Tsumari Art Field. Retrieved 18 December 2022.
  11. ^ "Past Triennales". Echigo Tsumari Art Field.
edit


37°01′00″N 138°36′00″E / 37.0167°N 138.6000°E / 37.0167; 138.6000

Category:Art festivals in Japan Category:Tourist attractions in Niigata Prefecture Category:Festivals in Japan Category:Recurring events established in 2000 Category:2000 establishments in Japan Category:Culture in Niigata Prefecture

Retrieved from "https://en.wikipedia.org/w/index.php?title=User:Aurora222/Echigo-Tsumari_Art_Triennial&oldid=1128704135"