checking out sandboxes and how to make things bold and checking on links.
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editThere are three bridges to get from Buffalo, NY to Oakville, ON, including one that overlooks Niagara Falls. [1]
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References
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online exhibitions project
editremember - exhibit = object/set of objects showcased within an exhibition (usually considered temporary, when juxtaposed with collection)
topics
editWhat It Is - types of online exhibition (part of virtual museum, virtual duplicate of physical exhibit, virtual exhibit of archived items i.e. not on physical display), interactive environment (3-d virtualization, fixed or not) vs. replication of images Who - libraries, museums, archives, universities... Purpose/objective How It Works Early Adopters http://www.sil.si.edu/SILPublications/Online-Exhibitions/intro.htm http://www.nationalarchives.gov.uk/exhibitions/
ICOM?
Benefits - Archives of objects (--> insurance, preventing theft, etc) - Eternal access (ICOM constit recommends museums to pass on exhibits to future generations in same quality as received) - Broader access (WWW has huge audience)
Emerging Issues - re-presenting objects (scale, texture, color, reproduction quality, etc.) - distribution/licensing/IP - artists' rights, permissions and royalties? - open nature of internet - foreign exports - funding issues - access (control?) - online exhibition v collections online (length of time, can't really delete from internet) - utilizing interactive/3-D capabilities - ethical? (purpose of online exhibit is largely to increase access to art, but these features may limit audience) - how do you maximize what is available online? (not all museums can afford it) Should you maximize or limit online content?
sources
editThiel, S. (2007). Build It Once: A Basic Primer for the Creation of Online Exhibitions. The Scarecrow Press, Inc Kalfatovic, M. (2002). Creating a Winning Online Exhibition: A Guide for Libraries, Archives, and Museums. American Library Association http://www.aam-us.org/pubs/mn/MN_SO02_OnlineVisitor.cfm Beyond Boundaries - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/778078 Elizabeth Broun - Future of Art at Smithsonian - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/3109168 10 Myths of Internet Art - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/1577255 Bringing Art into the Classroom - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/40071531 Perils and Potentials of Virtual Exhibitions - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/30041813 Historical Museums on the WWW - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/3379493 Material Culture on the WWW - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/25163475 Digital Culture and Practice of Art History - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/3046243 Convergence of Media and Mobile Tech - http://0-www.jstor.org.library.lausys.georgetown.edu/stable/41244068 Museum with no Frontiers - http://www.museumwnf.org/\ Museums and the Web - http://www.archimuse.com/conferences/mw.html http://www.museumsandtheweb.com/mw2009/papers/dawson/dawson.html http://www.museumsandtheweb.com/mw2009/papers/allison/allison.html http://www.museumsandtheweb.com/mw2009/papers/oomen/oomen.html http://www.museevirtuel-virtualmuseum.ca/index-eng.jsp canada virtual musem