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Edgardo Rudnitzky
editEdgardo Rudnitzky (Buenos Aires, 1956) Composer, sound artist, and percussionist.
He has carried out an intense international career as sound artist as well as composer and sound designer in the contemporary dance, theatre and films.
SInce 2003 lives and works in Berlin, Germany.
Biografía
editStudied composition in Buenos Aires under the direction of composers Carmelo Saitta and Gerardo Gandini and Percusion at Conservatorio Nacional de Música (Argentina) with the profesor Nestor Astuti.
He has focused his work on the 'inevitable' fusion between the intangible and the tangible: despite the seemingly immaterial nature of sound, it is treated in his work as a sculptural, tangible material.
This approach has led him to develop works in various formats and media: installations, performances, concerts, projections, while maintaining an intense career as a composer and sound designer in theater, film, and dance, parallel to his work as a sound artist.
He represented Argentina, alongside Jorge Macchi, at the 51st Venice Biennale in 2005. In 2012, his work Octopus was part of the exhibition honoring the centenary of John Cage in New York, "Notations: The Cage Effect Today."
His works have been heard/seen at the Staatsoper Unter den Linden, DE (2023); Humboldt Forum, DE (2024); Schlossmediale, CH (2024); SoundCinema Düsseldorf, DE (2021); "Más allá del sonido" MUNTREF, AR (2016); Bienalsur Fundación Migliorisi, PY (2019); Invisible Body, Exploratorium Berlin, DE (2024); "Silenzi d'Alberi," Villa Brandolini, Veneto, Italy; Cicadas, Naturkundliches Museum Halle, DE; among others.
Solo Shows (Selection)
edit2019 Border Music. Bienal Sur. Fundación Migliorisi, Asunción, Paraguay.
2014 Swing for Poe, Galerie Mario Mazzoli, Berlin.
2013 Cicadas, Naturkundemuseum Potsdam, Germany
2012 Nocturno (Version for 15 Monocords) Fundación PROA, Buenos Aires, Argentina
2012 Cicadas, Naturkundlisches Museum Halle (Saale), Germany
2012 A Bordo del Cuore d'Oro, curated by Julia Draganovic, Art First Bologna, Museo Internazionale della Musica, Bologna, Italy.
2009 Caribbean Whispers, Festival Wassermusik. Haus der Kulturen der Welt, Berlin.
2009 Last minute, in collaboration with Jorge Macchi, Project Octogono, Pinacoteca do Estado deSão Paulo, Brazil.
2008 The Singers’ Room, in collaboration with Jorge Macchi, Galleria Continua, San Gimignano, Italy
2006 Light Music, two projects (Twilight y Single Room) in collaboration with Jorge Macchi, Universtiy Gallery, University of Essex and Firstsite,
Colchester, England.
2005 La Ascención, in collaboration with Jorge Macchi, Argentine Pavillion at the Venice Biennale 2005, Palagraziussi, Antico Oratorio San Filippo Neri,
Venice, Italy.
Group Shows (Selection)
edit2023 ARKHE, Schloßmediale Werdenberg, Werdenberg / CH
2022 Diáspora, in collaboration with Jorge Macchi. Galeria Continua, San Gemignano.
2018 Waking Hours and Street News, two pieces in collaboration with Jorge Macchi. Suspended Points, Galeria Continua, San Gimignano, Italy.
2017 Silenzi d'Alberi, Kuratorinen Sonia Belfiore und Lucia Longhi. Villa Brandolini, Solighetto, Veneto, Italy.
2017 HAMMER | ANVIL | STIRRUP, Curated by Richard Carr, Wexford ArtsCenter, Wexford / IR.
2016 Más allá del Sonido (Beyond the Sound), Kuratorin Anne-Laure Chamboissier. MUNTREF. Buenos Aires / AR
2014 Festival 90db, Rome / IT
2014 Transiente, Festival Node, Modena / IT.
2013 Kunstmuseum Luzern, Switzerland, with Jorge Macchi.
2013 Gallery Alexander and Bonin, New York, USA, with Jorge Macchi.
2012 Notations: The Cage effect today. Hunter College Gallery, New York, USA.
2011 Automata a Cappella, Galerie Mario Mazzoli, Berlin, Germany.
2009 One Hand Clapping, Armazem 7, Lisboa, Portugal.
2008 Prospect 1 New Orleans, New Orleans, USA.
2008 Yokohama Triennale, Japan.
2007 Bienal del Mercosur, Porto Allegre, Brazil. 2003 Istanbul Biennale. Turkey
Performances (Lasts)
edit2024 Invisible Body, project in collaboration with the Choreographer and dancer Maria Colusi. Exploratorium Berlin.
2023 Displaced/Angekommen. Choreography/Dance: Colusi - Music and Sound Installation: Edgardo Rudnitzky. Theater im Delphi.
2023 WindUp.Coreography/Dance: Maria Colusi-Roberta Ricci. Music-Sound Objects: Edgardo Rudnitzky.
2023 Concert Star Dust Music. The Resident Music Collective. Direction: Clemens Rynkowski - Automatic Instruments: Edgardo Rudnitzky - Humboldt
Forum. Berlin
2023 Robinson Chamber opera for self-playing pianos, automata and seven islands. Music: Oscar Strasnoy - Text: Sigrid Behrens - Automatas: Edgardo
Rudnitzky Staatsoper Unter den Linden
2022 Displaced/Angekommen. ZAK Zentrum für Aktuelle Kunst, Zitadelle Spandau. Coreography/Dance: Colusi - Music and Sound Installation: Edgardo Rudnitzky
2022 Displaced/Angekommen. Soundance Festival Berlin - Dock11
2021 Musica Nocturna. Album Homage to Walter Smetak. Prohelvetia + Buh Records. Composer: Edgardo Rudnitzky
2021 Blur. Sound Piece. Festival SoundCinema Düsseldorf. Composer: Edgardo Rudnitzky
2019 Emergent SINK, Radyal System and SoundDance Festival Berlin. Berlin. Coreography/Dance: Colusi - Music and Sound Installation: Edgardo
Rudnitzky
2018 SINK, Coreography/Dance: Colusi - Music and Sound Installation: Edgardo Rudnitzky. SoundDance Festival Berlin. Dock11, Berlin.
2017 Querandí - Chor. and Dance: Maria Colusi-Florencia Lamarca. Sound Installation and Music: Edgardo Rudnitzky. Dock11, Berlin.
2016 Querandí - Chor. and Dance: Maria Colusi-Florencia Lamarca. Sound Installation and Music: Edgardo Rudnitzky. Dock11, Berlin.
2016 Tone Undertow in collaboartion with Maria Colusi-Maya Carrol-Roy Carrol. Sound Installation and Music: Roy Carrol and Edgardo Rudnitzky
Dock11, Berlin
2015 Twilight in collaboration with Jorge Macchi. Performance Biennale BP15. Buenos Aires, Argentina.
Music for Dance, Theatre and Films (Selection)
edit| Año | Obra | Tipo de obra | |
|---|---|---|---|
| 2000 | No quiero volver a casa (dir.: Albertina Carri). | Música de película | |
| 2000 | La víspera (Museo Tecnológico) (dir.: Luciano Suardi) | ||
| 2000 | El inspector. (Gogol) (dir.: Villanueva Cosse). | Música de teatro | |
| 2000 | Julia/una tragedia naturalista. (Basada en «La señorita Julia» de A. Strindberg) | Música de teatro | |
| 2000 | Ifigenia en Aulide. (Eurípides) (dir.: Rubén Szuchmacher). Música interpretada en vivo por E. Rudnitzky. | Música de teatro | |
| 2000 | La biblioteca de Babel. (Versión del cuento de Jorge L. Borges) Teatro. Codirigida junto a Rubén Szuchmacher. | Música de teatro | |
| 2001 | Otros deslenguajes. (En colaboración con la escenógrafa Oria Puppo). Centro Cultural Recoleta | Instalaciones | |
| 2001 | Los derechos de la salud. (Florencio Sánchez) (dir.: Luciano Suardi). | Música de teatro | |
| 2001 | Cine quirúrgico. (Concepción y dirección.: Edgardo Rudnitzky). | Música de teatro | |
| 2001 | Vagón fumador (dir.: Verónica Chen). | Música de película | |
| 2002 | Buenos Aires Tour. Libro Objeto en colaboración Jorge Macchi y la escritora María Negroni. Editado por TURNER (España). | Instalaciones | |
| 2002 | Potestad (dir.: César D’Angiolillo) (Premio Mejor Música en el Festival de cine de Cremona, Italia). | Música de película | |
| 2002 | Unpacking (dir.: Alejandro Tantanián) (para la instalación sonora Sambó para la inauguración del Kunsten Festival des Arts) (Bruselas) | Música de teatro | |
| 2003 | Salón argentino. Performance literaria musical. (director: Edgardo Rudnitzky). Proyecto comisionado por el Kunsten Festival des Arts. Estrenado en el Kunsten Festival des Arts, Bruselas 2003. | ||
| 2003 | Buenos Aires Tour (En colaboración con el artista Jorge Macchi). Bienal de Arte de Estambul./Galería Distrito4 (Madrid). | Instalaciones | |
| 2003 | Top Dogs (Urs Widmer) (dir.: Cristian Drut). | Música de teatro | |
| 2003 | Carlos W. Sáenz (En colaboración con el escritor Alejandro Tantanián y el artista visual Jorge Macchi. Coproducida por el Kunsten Festival des Arts (Bruselas), Hebbel Theatre (Berlín) y Mousonturm (Franckfurt). | Música de teatro | |
| 2003 | Barbie también puede estar triste (dir.: Albertina Carri). | Música de película | |
| 2004 | Torito. Versión Coreográfica. Coreografía: Oscar Aráiz. | ||
| 2004 | Bi Vision. Schaubühne am Lehniner platz. Berlín | ||
| 2004 | Underground. Película muda musicalizada y sonorizada en vivo (En colaboración con Oscar Strasnoy). Proyecto comisionado por el Musée du Louvre (Auditorium). Paris. | Música de película | |
| 2004 | El siglo de oro (dir.: Rubén Szuchmacher). | Música de teatro | |
| 2004 | Skin (dir.: Luciano Suardi. (Akademie Solitude, Stuttgart) | Música de teatro | |
| 2005 | Géminis (dir.: Albertina Carri). | Música de película | |
| 2005 | La ascensión (En colaboración con el artista Jorge Macchi) (Representación Argentina en la 51 Bienal de Venecia.) | Instalaciones | |
| 2006 | Romeo und Julia. Luzerner Theater. | Música de teatro | |
| 2006 | Solo für Vladimir Malakhov. Coreografía de Sasha Waltz para Vladimir Malakhov. Coproducida con la StaatsOper de Berlín | ||
| 2006 | Light Music. Dos proyectos en colaboración con Jorge Macchi comisionados por: AHRC Research Centre for Studies of Surrealism and its legacies, University of Essex, University of Manchester y Tate. Comisariada por Profesor Dawn Ades: The singers’ room (University Gallery. University of Essex) y Twilight Firstsite Gallery. City of Colchester | Instalaciones |
Publications
edit2020 Profondément Calme. Catalogue contribution for the exhibition La Cathédrale Engloutie. Musée Cantonal des Beaux-Arts de Lausanne.
2016 Contribution to the book "Music in the theatre and other topics" by Carmen Baliero. Chapter 21. Instituto Nacional del Teatro. Argentina.
2014 Prologue to the book "Puntos de oído" (Hearing Points) by Mirko Mescia. Ediciones Corregidor.
2009 Jorge Macchi, by Edgardo Rudnitzky, Bomb Magazine, New York.
Awards
edit- 1996: Premio Florencio Sánchez a la mejor música por El relámpago.
- 1996: Premio del Festival Internacional de Cine de Asunción del Paraguay por la música del film Sol de otoño.
- 1996: Premio ACE (Asociación Cronistas de Espectáculos) a la mejor música original por la música de El relámpago, Travesía y por la de Cristales rotos.
- 1998: Premio Trinidad Guevara, por El viejo criado.
- 1998: Premio Teatro del Mundo de las IV Jornadas de Teatro comparado de la Universidad de Bs. As., por las músicas de El relámpago, Sueño de una noche de verano, La gaviota y Ricardo III.
- 1999: Premio Pepino el 88, por El viejo criado.
- 2002: Premio Mejor Música en el Festival de cine de Cremona (Italia) por la música del film Potestad.
- 2005: Premio al Proyecto Interactivo del Año 2004 otorgado por la Asociación Argentina de Críticos de Arte y la Sección Argentina de la Asociación Internacional de Críticos de Arte por Buenos Aires Tour.
External Links
editReferences
editCatalogue BIENALSUR 2019 - Bienal Internacional de Arte Contemporñáneo de América del Sur.
ANNE-LAURE.CHAMBOISSIER: Catalogue of the Exhibition Beyond the Sound. MUNTREF. Buenos Aires, 2016.
HEINZ PETER SCHWERFEL: Singing machines in the garden of Eden- Edgardo Rudnitzky’s CICADAS, Naturkundliches Museum Halle, Germany, 2012.
MISSA JEFFERIS: Edgardo Rudnitzky. Catalogue of the exhiition, NOTATIONS: The Cage Effect Today. Hunter College Art Galleries, New York, USA, 2012.
IVO MESQUITA: Last Minute, Jorge Macchi and Edgardo Rudnitzky, Proyecto Octógono, Pinacoteca del Estado de San Pablo, Brasil, 2009.
GABRIELA SALGADO: In Conversation with Jorge Macchi and Edgardo Rudnitzky, Catalogue of the exhibition Light Music. University of Essex, UK, 2007.
LA ASCENSION, catalogue of the exhibition La ascensión, Argentinien Pavillon 51.Biennale in Venice 2005.
[[:Category:1956 births]] [[:Category:Living people]] [[:Category:Musicians from Buenos Aires]] [[:Category:Argentine expatriates in Germany]] [[:Category:Argentine classical composers]]