History
editDuanfang (1861–1911) was a Qing dynasty. Born to a family of civil officials of Han Chinese origin in the Plain White Banner, he held a variety of administrative posts throughout his life.[1]
References
editCitations
edit- ^ Momose 1943, pp. 780–782.
Bibliography
edit- Brown, Shana J. (2011). Pastimes: From Art and Antiquarianism to Modern Chinese Historiography. Honolulu: University of Hawai'i Press. ISBN 9780824860097. JSTOR j.ctt6wqkgx.
- Li, Chi (1970). "The Tuan Fang Altar Set Reexamined". Metropolitan Museum Journal. 3: 51–72. doi:10.2307/1512598. JSTOR 1512598.
- Momose, Hiromu (1943). "Tuan-fang". In Hummel, Arthur W. (ed.). Eminent Chinese of the Ch'ing Period. Vol. 2. Washington: United States Government Publishing Office. pp. 780–782.
- Lawton, Thomas (1991). A Time of Transition: Two Collectors of Chinese Art. Lawrence: Spencer Museum of Art. ISBN 9780913689301.
- Shaughnessy, Edward L. (2020). Chinese Annals in the Western Observatory. De Gruyter. doi:10.1515/9781501516948. ISBN 9781501516931.
- Steuber, Jason (2005). "Politics and Art in Qing China: the Duanfang Collection". Apollo. 162 (525): 56–64.
- Tomita, Kojiro (1945). "The Chinese Bronze Buddhist Group of A. D. 593 and Its Original Arrangement". Bulletin of the Museum of Fine Arts. 43 (252): 14–19. JSTOR 4170932.
- Wang, Tao (2018). Mirroring China's Past: Emperors, Scholars, and Their Bronzes. New Haven: Yale University Press. ISBN 9780300228632.
- Xu, Tingting (2020). "The Group Photograph as an Imbricated Ritualistic Event: Duanfang and His Altar Bronzes in Late Qing Antiquarian Praxis". History of Photography. 44 (4): 249–266. doi:10.1080/03087298.2020.1966914.
- Yetts, W. Perceval (1926). "Literature of Chinese Art Reviewed". Journal of the Royal Asiatic Society. 58 (3). doi:10.1017/S0035869X00151160.