| "Clay" | |||
|---|---|---|---|
| Short story by James Joyce | |||
| Country | Ireland | ||
| Language | English | ||
| Genre(s) | short story | ||
| Publication | |||
| Published in | Dubliners | ||
| Publication type | Collection | ||
| Media type | |||
| Publication date | 1914 | ||
| Chronology | |||
| |||
"Clay" is a short story by James Joyce published in his 1914 collection Dubliners.
The story
editMaria, an elderly woman with a job in a rescue mission for wayward women,[1] is looking forward to a holiday evening at the house of Joe, whom she nursed when he was a boy and of whom she is still very fond. She departs for Joe's after attending a tea service with her fellow laundresses, stopping to buy cakes for the Halloween party on the way. At the bakery, Maria is somewhat teased by the clerk, who asks whether she wishes to buy a wedding cake, mirroring a similar comment that was made at the earlier tea. On a tram, Maria has a bashful encounter with an elderly and drunken man who chats with her. She is welcomed warmly at the house by Joe’s family, but she is saddened and ashamed to realize that she has left the plumcake she bought for Joe and his wife on the tram, probably due to "flirting" with the man. Maria is soon enticed into playing a traditional Hallow Eve game with the children in which objects are placed in saucers and a blindfolded player has to pick among them. Each object is supposed to have a prophetic significance. One of the objects in the game is a ring, standing for marriage, which Maria failed to get during a similar game (in which objects were baked into pieces of barmbrack) back at the laundry. At Joe's, Maria once again misses the ring and instead chooses a lump of clay. Everyone goes quiet, Maria is allowed to choose again, however, and this time fetches the prayer-book, indicating a life of spiritual vocation (service at a convent, suggests Joe's wife). After drinking some wine, Maria sings the aria "I Dreamt I Dwelt in Marble Halls" from the opera The Bohemian Girl by Michael Balfe. She makes what the text refers to as "a mistake" by singing the first verse twice, but nobody corrects her. She omits the second verse of the song, this omission is significant as the missing verse imagines suitors such as the ones that Maria has not had in her life:
"I dreamt that I dwelt in marble halls
With vassals and serfs at my side
And of all who assembled within those walls
That I was the hope and the pride.
"I had riches too great to count, could boast
Of a high ancestral name,
But I also dreamt, which pleased me most,
That you loved me still the same."
The story ends with a description of how Joe has been "very much moved" by her song, so moved that he needs to ask his wife the location of the corkscrew.
Context
editWhile "Clay" is the tenth story in Dubliners, it was the fourth work to be written for it. Positioning the story there, Joyce intended this area of Dubliners to be concerned with the middle and later parts of life.[2] Joyce wrote "Clay" with his own relatives in mind; Joe and Alphy were Joyce's estranged uncles William and John Murray, and Maria was their diplomatic relative. The story was originally written to be published independently, but was later included in Dubliners after several attempts.
Themes
edit"Clay" touches on a number of themes:
- Feminism.
- The incongruity of an old unmarried woman, taken as either the Old Maid, Hag, or Blessed Mary.
- The utility of divination.
- The role of what's "missing" in life.
Mary Magdalene
editThe figure of Maria as Mary Magdalene is a major theme in the work. Historically, the figure of the Magdalene in Irish Catholic culture painted her as the prostitute figure rather than the independent woman.[3]
References
editCitations
edit- ^ 1882-1941., Joyce, James, (2006). Dubliners : authoritative text, contexts, criticism. Norris, Margot. (1st ed ed.). New York: W.W. Norton. ISBN 0393978516. OCLC 61285746.
{{cite book}}:|edition=has extra text (help);|last=has numeric name (help)CS1 maint: extra punctuation (link) CS1 maint: multiple names: authors list (link) - ^ McKenna, Bernard (Spring 2009). "Maria, Allegory, and Humanity: Teaching James Joyce's "Clay"". Eureka Studies in Teaching Short Fiction. 9 (2): 34.
- ^ Hammack, Stephen; Lee, Tonghun; Carter, Campbell (2012-12). "Microwave Plasma Enhancement of Various Flame Geometries at Atmospheric Pressure". IEEE Transactions on Plasma Science. 40 (12): 3139–3146. doi:10.1109/tps.2012.2195034. ISSN 0093-3813.
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Sources
edit- Joyce, James. Dubliners (London: Grant Richards, 1914)
Further reading
edit- Norris, Margot. “Narration under a Blindfold: Reading Joyce's ‘Clay.’” PMLA, vol. 102, no. 2, 1987, pp. 206–215. JSTOR, JSTOR, www.jstor.org/stable/462549.
- Beja, Morris. James Joyce. Dubliners And A Portrait Of The Artist As A Young Man. Macmillan, 1973.
- Beck, W. Joyce’s Dubliners: Substance, Vision, and Art. Durham, N.C.: Duke University Press, 1969.
- Benstock, B. Narrative Con/Texts in Dubliners. London: Macmillan, 1994.
- Bulson, E. The Cambridge Introduction to James Joyce. Cambridge: Cambridge University Press, 2006.
- Gifford, D. Notes for Joyce: Dubliners and A Portrait of the Artist as a Young Man. New York: E.P. Dutton & Co, 1967.
- Seidel, M. James Joyce: A Short Introduction. Oxford: Blackwell, 2002.
External links
edit- "I dreamt that I dwelt in marble halls" sung by Edith Chapman, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
Dubliners public domain audiobook at LibriVox- [1] Free online copy of Dubliners
Category:Short stories by James Joyce Category:1914 short stories